The Project Gutenberg EBook of The Vision of Hell, Part 5, by Dante Alighieri
Translated By The Rev. H. F. Cary, Illustrated by Gustave Dore

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Vision of Hell, Part 5, Translated By The Rev. H. F. Cary,
       Illustrated by Gustave Dore
       The Inferno

Author: Dante Alighieri

Release Date: August 7, 2004 [EBook #8783]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE VISION OF HELL, PART 5 ***




Produced by David Widger





THE VISION

OF

HELL, PURGATORY, AND PARADISE





BY

DANTE ALIGHIERI



TRANSLATED BY

THE REV. H. F. CARY, M.A.



HELL

OR THE INFERNO


Part 5


Cantos 9 - 12




CANTO IX

THE hue, which coward dread on my pale cheeks
Imprinted, when I saw my guide turn back,
Chas'd that from his which newly they had worn,
And inwardly restrain'd it.  He, as one
Who listens, stood attentive: for his eye
Not far could lead him through the sable air,
And the thick-gath'ring cloud.  "It yet behooves
We win this fight"--thus he began--"if not--
Such aid to us is offer'd.--Oh, how long
Me seems it, ere the promis'd help arrive!"

I noted, how the sequel of his words
Clok'd their beginning; for the last he spake
Agreed not with the first.  But not the less
My fear was at his saying; sith I drew
To import worse perchance, than that he held,
His mutilated speech.  "Doth ever any
Into this rueful concave's extreme depth
Descend, out of the first degree, whose pain
Is deprivation merely of sweet hope?"

Thus I inquiring. "Rarely," he replied,
"It chances, that among us any makes
This journey, which I wend.  Erewhile 'tis true
Once came I here beneath, conjur'd by fell
Erictho, sorceress, who compell'd the shades
Back to their bodies.  No long space my flesh
Was naked of me, when within these walls
She made me enter, to draw forth a spirit
From out of Judas' circle.  Lowest place
Is that of all, obscurest, and remov'd
Farthest from heav'n's all-circling orb.  The road
Full well I know: thou therefore rest secure.
That lake, the noisome stench exhaling, round
The city' of grief encompasses, which now
We may not enter without rage."  Yet more
He added: but I hold it not in mind,
For that mine eye toward the lofty tower
Had drawn me wholly, to its burning top.
Where in an instant I beheld uprisen
At once three hellish furies stain'd with blood:
In limb and motion feminine they seem'd;
Around them greenest hydras twisting roll'd
Their volumes; adders and cerastes crept
Instead of hair, and their fierce temples bound.

He knowing well the miserable hags
Who tend the queen of endless woe, thus spake:

"Mark thou each dire Erinnys. To the left
This is Megaera; on the right hand she,
Who wails, Alecto; and Tisiphone
I' th' midst."  This said, in silence he remain'd
Their breast they each one clawing tore; themselves
Smote with their palms, and such shrill clamour rais'd,
That to the bard I clung, suspicion-bound.
"Hasten Medusa: so to adamant
Him shall we change;" all looking down exclaim'd.
"E'en when by Theseus' might assail'd, we took
No ill revenge."  "Turn thyself round, and keep
Thy count'nance hid; for if the Gorgon dire
Be shown, and thou shouldst view it, thy return
Upwards would be for ever lost."  This said,
Himself my gentle master turn'd me round,
Nor trusted he my hands, but with his own
He also hid me.  Ye of intellect
Sound and entire, mark well the lore conceal'd
Under close texture of the mystic strain!

And now there came o'er the perturbed waves
Loud-crashing, terrible, a sound that made
Either shore tremble, as if of a wind
Impetuous, from conflicting vapours sprung,
That 'gainst some forest driving all its might,
Plucks off the branches, beats them down and hurls
Afar; then onward passing proudly sweeps
Its whirlwind rage, while beasts and shepherds fly.

Mine eyes he loos'd, and spake: "And now direct
Thy visual nerve along that ancient foam,
There, thickest where the smoke ascends." As frogs
Before their foe the serpent, through the wave
Ply swiftly all, till at the ground each one
Lies on a heap; more than a thousand spirits
Destroy'd, so saw I fleeing before one
Who pass'd with unwet feet the Stygian sound.
He, from his face removing the gross air,
Oft his left hand forth stretch'd, and seem'd alone
By that annoyance wearied.  I perceiv'd
That he was sent from heav'n, and to my guide
Turn'd me, who signal made that I should stand
Quiet, and bend to him. Ah me! how full
Of noble anger seem'd he!  To the gate
He came, and with his wand touch'd it, whereat
Open without impediment it flew.

"Outcasts of heav'n!  O abject race and scorn'd!"
Began he on the horrid grunsel standing,
"Whence doth this wild excess of insolence
Lodge in you? wherefore kick you 'gainst that will
Ne'er frustrate of its end, and which so oft
Hath laid on you enforcement of your pangs?
What profits at the fays to but the horn?
Your Cerberus, if ye remember, hence
Bears still, peel'd of their hair, his throat and maw."

This said, he turn'd back o'er the filthy way,
And syllable to us spake none, but wore
The semblance of a man by other care
Beset, and keenly press'd, than thought of him
Who in his presence stands.  Then we our steps
Toward that territory mov'd, secure
After the hallow'd words.  We unoppos'd
There enter'd; and my mind eager to learn
What state a fortress like to that might hold,
I soon as enter'd throw mine eye around,
And see on every part wide-stretching space
Replete with bitter pain and torment ill.

As where Rhone stagnates on the plains of Arles,
Or as at Pola, near Quarnaro's gulf,
That closes Italy and laves her bounds,
The place is all thick spread with sepulchres;
So was it here, save what in horror here
Excell'd: for 'midst the graves were scattered flames,
Wherewith intensely all throughout they burn'd,
That iron for no craft there hotter needs.

Their lids all hung suspended, and beneath
From them forth issu'd lamentable moans,
Such as the sad and tortur'd well might raise.

I thus: "Master! say who are these, interr'd
Within these vaults, of whom distinct we hear
The dolorous sighs?"  He answer thus return'd:

"The arch-heretics are here, accompanied
By every sect their followers; and much more,
Than thou believest, tombs are freighted: like
With like is buried; and the monuments
Are different in degrees of heat."  This said,
He to the right hand turning, on we pass'd
Betwixt the afflicted and the ramparts high.




CANTO X

NOW by a secret pathway we proceed,
Between the walls, that hem the region round,
And the tormented souls: my master first,
I close behind his steps.  "Virtue supreme!"
I thus began; "who through these ample orbs
In circuit lead'st me, even as thou will'st,
Speak thou, and satisfy my wish.  May those,
Who lie within these sepulchres, be seen?
Already all the lids are rais'd, and none
O'er them keeps watch."  He thus in answer spake
"They shall be closed all, what-time they here
From Josaphat return'd shall come, and bring
Their bodies, which above they now have left.
The cemetery on this part obtain
With Epicurus all his followers,
Who with the body make the spirit die.
Here therefore satisfaction shall be soon
Both to the question ask'd, and to the wish,
Which thou conceal'st in silence."  I replied:
"I keep not, guide belov'd! from thee my heart
Secreted, but to shun vain length of words,
A lesson erewhile taught me by thyself."

"O Tuscan! thou who through the city of fire
Alive art passing, so discreet of speech!
Here please thee stay awhile. Thy utterance
Declares the place of thy nativity
To be that noble land, with which perchance
I too severely dealt."  Sudden that sound
Forth issu'd from a vault, whereat in fear
I somewhat closer to my leader's side
Approaching, he thus spake: "What dost thou?  Turn.
Lo, Farinata, there! who hath himself
Uplifted: from his girdle upwards all
Expos'd behold him."  On his face was mine
Already fix'd; his breast and forehead there
Erecting, seem'd as in high scorn he held
E'en hell.  Between the sepulchres to him
My guide thrust me with fearless hands and prompt,
This warning added: "See thy words be clear!"

He, soon as there I stood at the tomb's foot,
Ey'd me a space, then in disdainful mood
Address'd me: "Say, what ancestors were thine?"

I, willing to obey him, straight reveal'd
The whole, nor kept back aught: whence he, his brow
Somewhat uplifting, cried: "Fiercely were they
Adverse to me, my party, and the blood
From whence I sprang: twice therefore I abroad
Scatter'd them."  "Though driv'n out, yet they each time
From all parts," answer'd I, "return'd; an art
Which yours have shown, they are not skill'd to learn."

Then, peering forth from the unclosed jaw,
Rose from his side a shade, high as the chin,
Leaning, methought, upon its knees uprais'd.
It look'd around, as eager to explore
If there were other with me; but perceiving
That fond imagination quench'd, with tears
Thus spake: "If thou through this blind prison go'st.
Led by thy lofty genius and profound,
Where is my son? and wherefore not with thee?"

I straight replied: "Not of myself I come,
By him, who there expects me, through this clime
Conducted, whom perchance Guido thy son
Had in contempt."  Already had his words
And mode of punishment read me his name,
Whence I so fully answer'd.  He at once
Exclaim'd, up starting, "How! said'st thou he HAD?
No longer lives he?  Strikes not on his eye
The blessed daylight?"  Then of some delay
I made ere my reply aware, down fell
Supine, not after forth appear'd he more.

Meanwhile the other, great of soul, near whom
I yet was station'd, chang'd not count'nance stern,
Nor mov'd the neck, nor bent his ribbed side.
"And if," continuing the first discourse,
"They in this art," he cried, "small skill have shown,
That doth torment me more e'en than this bed.
But not yet fifty times shall be relum'd
Her aspect, who reigns here Queen of this realm,
Ere thou shalt know the full weight of that art.
So to the pleasant world mayst thou return,
As thou shalt tell me, why in all their laws,
Against my kin this people is so fell?"

"The slaughter and great havoc," I replied,
"That colour'd Arbia's flood with crimson stain--
To these impute, that in our hallow'd dome
Such orisons ascend."  Sighing he shook
The head, then thus resum'd: "In that affray
I stood not singly, nor without just cause
Assuredly should with the rest have stirr'd;
But singly there I stood, when by consent
Of all, Florence had to the ground been raz'd,
The one who openly forbad the deed."

"So may thy lineage find at last repose,"
I thus adjur'd him, "as thou solve this knot,
Which now involves my mind.  If right I hear,
Ye seem to view beforehand, that which time
Leads with him, of the present uninform'd."

"We view, as one who hath an evil sight,"
He answer'd, "plainly, objects far remote:
So much of his large spendour yet imparts
The' Almighty Ruler; but when they approach
Or actually exist, our intellect
Then wholly fails, nor of your human state
Except what others bring us know we aught.
Hence therefore mayst thou understand, that all
Our knowledge in that instant shall expire,
When on futurity the portals close."

Then conscious of my fault, and by remorse
Smitten, I added thus: "Now shalt thou say
To him there fallen, that his offspring still
Is to the living join'd; and bid him know,
That if from answer silent I abstain'd,
'Twas that my thought was occupied intent
Upon that error, which thy help hath solv'd."

But now my master summoning me back
I heard, and with more eager haste besought
The spirit to inform me, who with him
Partook his lot.  He answer thus return'd:

"More than a thousand with me here are laid
Within is Frederick, second of that name,
And the Lord Cardinal, and of the rest
I speak not."  He, this said, from sight withdrew.
But I my steps towards the ancient bard
Reverting, ruminated on the words
Betokening me such ill.  Onward he mov'd,
And thus in going question'd: "Whence the' amaze
That holds thy senses wrapt?"  I satisfied
The' inquiry, and the sage enjoin'd me straight:
"Let thy safe memory store what thou hast heard
To thee importing harm; and note thou this,"
With his rais'd finger bidding me take heed,

"When thou shalt stand before her gracious beam,
Whose bright eye all surveys, she of thy life
The future tenour will to thee unfold."

Forthwith he to the left hand turn'd his feet:
We left the wall, and tow'rds the middle space
Went by a path, that to a valley strikes;
Which e'en thus high exhal'd its noisome steam.




CANTO XI

UPON the utmost verge of a high bank,
By craggy rocks environ'd round, we came,
Where woes beneath more cruel yet were stow'd:
And here to shun the horrible excess
Of fetid exhalation, upward cast
From the profound abyss, behind the lid
Of a great monument we stood retir'd,

Whereon this scroll I mark'd: "I have in charge
Pope Anastasius, whom Photinus drew
From the right path.--Ere our descent behooves
We make delay, that somewhat first the sense,
To the dire breath accustom'd, afterward
Regard it not."  My master thus; to whom
Answering I spake: "Some compensation find
That the time past not wholly lost."  He then:
"Lo! how my thoughts e'en to thy wishes tend!
My son! within these rocks," he thus began,
"Are three close circles in gradation plac'd,
As these which now thou leav'st. Each one is full
Of spirits accurs'd; but that the sight alone
Hereafter may suffice thee, listen how
And for what cause in durance they abide.

"Of all malicious act abhorr'd in heaven,
The end is injury; and all such end
Either by force or fraud works other's woe
But fraud, because of man peculiar evil,
To God is more displeasing; and beneath
The fraudulent are therefore doom'd to' endure
Severer pang.  The violent occupy
All the first circle; and because to force
Three persons are obnoxious, in three rounds
Hach within other sep'rate is it fram'd.
To God, his neighbour, and himself, by man
Force may be offer'd; to himself I say
And his possessions, as thou soon shalt hear
At full.  Death, violent death, and painful wounds
Upon his neighbour he inflicts; and wastes
By devastation, pillage, and the flames,
His substance.  Slayers, and each one that smites
In malice, plund'rers, and all robbers, hence
The torment undergo of the first round
In different herds.  Man can do violence
To himself and his own blessings: and for this
He in the second round must aye deplore
With unavailing penitence his crime,
Whoe'er deprives himself of life and light,
In reckless lavishment his talent wastes,
And sorrows there where he should dwell in joy.
To God may force be offer'd, in the heart
Denying and blaspheming his high power,
And nature with her kindly law contemning.
And thence the inmost round marks with its seal
Sodom and Cahors, and all such as speak
Contemptuously' of the Godhead in their hearts.

"Fraud, that in every conscience leaves a sting,
May be by man employ'd on one, whose trust
He wins, or on another who withholds
Strict confidence.  Seems as the latter way
Broke but the bond of love which Nature makes.
Whence in the second circle have their nest
Dissimulation, witchcraft, flatteries,
Theft, falsehood, simony, all who seduce
To lust, or set their honesty at pawn,
With such vile scum as these.  The other way
Forgets both Nature's general love, and that
Which thereto added afterwards gives birth
To special faith.  Whence in the lesser circle,
Point of the universe, dread seat of Dis,
The traitor is eternally consum'd."

I thus: "Instructor, clearly thy discourse
Proceeds, distinguishing the hideous chasm
And its inhabitants with skill exact.
But tell me this: they of the dull, fat pool,
Whom the rain beats, or whom the tempest drives,
Or who with tongues so fierce conflicting meet,
Wherefore within the city fire-illum'd
Are not these punish'd, if God's wrath be on them?
And if it be not, wherefore in such guise
Are they condemned?"  He answer thus return'd:
"Wherefore in dotage wanders thus thy mind,
Not so accustom'd? or what other thoughts
Possess it?  Dwell not in thy memory
The words, wherein thy ethic page describes
Three dispositions adverse to Heav'n's will,
Incont'nence, malice, and mad brutishness,
And how incontinence the least offends
God, and least guilt incurs?  If well thou note
This judgment, and remember who they are,
Without these walls to vain repentance doom'd,
Thou shalt discern why they apart are plac'd
From these fell spirits, and less wreakful pours
Justice divine on them its vengeance down."

"O Sun! who healest all imperfect sight,
Thou so content'st me, when thou solv'st my doubt,
That ignorance not less than knowledge charms.
Yet somewhat turn thee back," I in these words
Continu'd, "where thou saidst, that usury
Offends celestial Goodness; and this knot
Perplex'd unravel."  He thus made reply:
"Philosophy, to an attentive ear,
Clearly points out, not in one part alone,
How imitative nature takes her course
From the celestial mind and from its art:
And where her laws the Stagyrite unfolds,
Not many leaves scann'd o'er, observing well
Thou shalt discover, that your art on her
Obsequious follows, as the learner treads
In his instructor's step, so that your art
Deserves the name of second in descent
From God.  These two, if thou recall to mind
Creation's holy book, from the beginning
Were the right source of life and excellence
To human kind.  But in another path
The usurer walks; and Nature in herself
And in her follower thus he sets at nought,
Placing elsewhere his hope.  But follow now
My steps on forward journey bent; for now
The Pisces play with undulating glance
Along the' horizon, and the Wain lies all
O'er the north-west; and onward there a space
Is our steep passage down the rocky height."




CANTO XII

THE place where to descend the precipice
We came, was rough as Alp, and on its verge
Such object lay, as every eye would shun.

As is that ruin, which Adice's stream
On this side Trento struck, should'ring the wave,
Or loos'd by earthquake or for lack of prop;
For from the mountain's summit, whence it mov'd
To the low level, so the headlong rock
Is shiver'd, that some passage it might give
To him who from above would pass; e'en such
Into the chasm was that descent: and there
At point of the disparted ridge lay stretch'd
The infamy of Crete, detested brood
Of the feign'd heifer: and at sight of us
It gnaw'd itself, as one with rage distract.

To him my guide exclaim'd: "Perchance thou deem'st
The King of Athens here, who, in the world
Above, thy death contriv'd.  Monster! avaunt!
He comes not tutor'd by thy sister's art,
But to behold your torments is he come."

Like to a bull, that with impetuous spring
Darts, at the moment when the fatal blow
Hath struck him, but unable to proceed
Plunges on either side; so saw I plunge
The Minotaur; whereat the sage exclaim'd:
"Run to the passage! while he storms, 't is well
That thou descend."  Thus down our road we took
Through those dilapidated crags, that oft
Mov'd underneath my feet, to weight like theirs
Unus'd.  I pond'ring went, and thus he spake:

"Perhaps thy thoughts are of this ruin'd steep,
Guarded by the brute violence, which I
Have vanquish'd now. Know then, that when I erst
Hither descended to the nether hell,
This rock was not yet fallen.  But past doubt
(If well I mark) not long ere He arrived,
Who carried off from Dis the mighty spoil
Of the highest circle, then through all its bounds
Such trembling seiz'd the deep concave and foul,
I thought the universe was thrill'd with love,
Whereby, there are who deem, the world hath oft
Been into chaos turn'd: and in that point,
Here, and elsewhere, that old rock toppled down.
But fix thine eyes beneath: the river of blood
Approaches, in the which all those are steep'd,
Who have by violence injur'd."  O blind lust!
O foolish wrath! who so dost goad us on
In the brief life, and in the eternal then
Thus miserably o'erwhelm us.  I beheld
An ample foss, that in a bow was bent,
As circling all the plain; for so my guide
Had told.  Between it and the rampart's base
On trail ran Centaurs, with keen arrows arm'd,
As to the chase they on the earth were wont.

At seeing us descend they each one stood;
And issuing from the troop, three sped with bows
And missile weapons chosen first; of whom
One cried from far: "Say to what pain ye come
Condemn'd, who down this steep have journied?  Speak
From whence ye stand, or else the bow I draw."

To whom my guide: "Our answer shall be made
To Chiron, there, when nearer him we come.
Ill was thy mind, thus ever quick and rash."

Then me he touch'd, and spake: "Nessus is this,
Who for the fair Deianira died,
And wrought himself revenge for his own fate.
He in the midst, that on his breast looks down,
Is the great Chiron who Achilles nurs'd;
That other Pholus, prone to wrath."  Around
The foss these go by thousands, aiming shafts
At whatsoever spirit dares emerge
From out the blood, more than his guilt allows.

We to those beasts, that rapid strode along,
Drew near, when Chiron took an arrow forth,
And with the notch push'd back his shaggy beard
To the cheek-bone, then his great mouth to view
Exposing, to his fellows thus exclaim'd:
"Are ye aware, that he who comes behind
Moves what he touches?  The feet of the dead
Are not so wont."  My trusty guide, who now
Stood near his breast, where the two natures join,
Thus made reply: "He is indeed alive,
And solitary so must needs by me
Be shown the gloomy vale, thereto induc'd
By strict necessity, not by delight.
She left her joyful harpings in the sky,
Who this new office to my care consign'd.
He is no robber, no dark spirit I.
But by that virtue, which empowers my step
To treat so wild a path, grant us, I pray,
One of thy band, whom we may trust secure,
Who to the ford may lead us, and convey
Across, him mounted on his back; for he
Is not a spirit that may walk the air."

Then on his right breast turning, Chiron thus
To Nessus spake: "Return, and be their guide.
And if ye chance to cross another troop,
Command them keep aloof."  Onward we mov'd,
The faithful escort by our side, along
The border of the crimson-seething flood,
Whence from those steep'd within loud shrieks arose.

Some there I mark'd, as high as to their brow
Immers'd, of whom the mighty Centaur thus:
"These are the souls of tyrants, who were given
To blood and rapine.  Here they wail aloud
Their merciless wrongs.  Here Alexander dwells,
And Dionysius fell, who many a year
Of woe wrought for fair Sicily.  That brow
Whereon the hair so jetty clust'ring hangs,
Is Azzolino; that with flaxen locks
Obizzo' of Este, in the world destroy'd
By his foul step-son."  To the bard rever'd
I turned me round, and thus he spake; "Let him
Be to thee now first leader, me but next
To him in rank."  Then farther on a space
The Centaur paus'd, near some, who at the throat
Were extant from the wave; and showing us
A spirit by itself apart retir'd,
Exclaim'd: "He in God's bosom smote the heart,
Which yet is honour'd on the bank of Thames."

A race I next espied, who held the head,
And even all the bust above the stream.
'Midst these I many a face remember'd well.
Thus shallow more and more the blood became,
So that at last it but imbru'd the feet;
And there our passage lay athwart the foss.

"As ever on this side the boiling wave
Thou seest diminishing," the Centaur said,
"So on the other, be thou well assur'd,
It lower still and lower sinks its bed,
Till in that part it reuniting join,
Where 't is the lot of tyranny to mourn.
There Heav'n's stern justice lays chastising hand
On Attila, who was the scourge of earth,
On Sextus, and on Pyrrhus, and extracts
Tears ever by the seething flood unlock'd
From the Rinieri, of Corneto this,
Pazzo the other nam'd, who fill'd the ways
With violence and war."  This said, he turn'd,
And quitting us, alone repass'd the ford.





End of Project Gutenberg's The Vision of Hell, Part 5, by Dante Alighieri

*** END OF THIS PROJECT GUTENBERG EBOOK THE VISION OF HELL, PART 5 ***

***** This file should be named 8783.txt or 8783.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/8/7/8/8783/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.