The Project Gutenberg EBook of Index of the Project Gutenberg works of Robert Louis Stevenson, by Robert Louis Stevenson This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Index of the Project Gutenberg works of Robert Louis Stevenson Author: Robert Louis Stevenson Editor: David Widger Release Date: October 28, 2018 [EBook #58181] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK INDEX PG GUTENBERG WORKS OF R. L. STEVENSON *** Produced by David Widger INDEX OF THE PROJECT GUTENBERG WORKS OF ROBERT LOUIS STEVENSON Compiled by David Widger CONTENTS ## DR. JEKYLL AND MR. HYDE ## TREASURE ISLAND ## VAILIMA LETTERS ## BALLADS ## KIDNAPPED ## TALES AND FANTASIES ## UNDERWOODS ## NEW POEMS ## THE SILVERADO SQUATTERS ## AN INLAND VOYAGE ## ESSAYS OF TRAVEL ## THE DYNAMITER ## NEW ARABIAN NIGHTS ## THE WRECKER ## THE WRONG BOX ## THE EBB-TIDE ## DAVID BALFOUR, SECOND PART ## A CHILD'S GARDEN OF VERSES ## A CHILD'S GARDEN OF VERSES ## A CHILD'S GARDEN OF VERSES ## A CHILD'S GARDEN OF VERSES ## TREASURE ISLAND ## THE BLACK ARROW ## KIDNAPPED EBOOKS WITHOUT TABLES OF CONTENTS MEMORIES AND PORTRAITS A FAMILY OF ENGINEERS FATHER DAMIEN ST. IVES ISLAND NIGHTS' ENTERTAINMENTS FABLES THE MERRY MEN PRINCE OTTO LAY MORALS WEIR OF HERMISTON EDINBURGH VIRGINIBUS PUERISQUE FAMILIAR STUDIES OF MEN AND BOOKS TRAVELS WITH A DONKEY IN THE CEVENNES A FOOTNOTE TO HISTORY CATRIONA MEMOIR OF FLEEMING JENKIN THE BLACK ARROW THE MASTER OF BALLANTRAE THE POCKET R.L.S. THE SEA FOGS THE WAIF WOMAN A LOWDEN SABBATH MORN IN THE SOUTH SEAS SONGS OF TRAVEL TABLES OF CONTENTS OF VOLUMES THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE by Robert Louis Stevenson Contents STORY OF THE DOOR SEARCH FOR MR. HYDE DR. JEKYLL WAS QUITE AT EASE THE CAREW MURDER CASE INCIDENT OF THE LETTER INCIDENT OF DR. LANYON INCIDENT AT THE WINDOW THE LAST NIGHT DR. LANYON’S NARRATIVE HENRY JEKYLL’S FULL STATEMENT OF THE CASE TREASURE ISLAND by Robert Louis Stevenson Illustrated by Louis Rhead TREASURE ISLAND PART ONE—The Old Buccaneer 1. The Old Sea-dog at the “Admiral Benbow” 2. Black Dog Appears and Disappears 3. The Black Spot 4. The Sea-chest 5. The Last of the Blind Man 6. The Captain's Papers PART TWO—The Sea-cook 7. I Go to Bristol 8. At the Sign of the Spy-glass 9. Powder and Arms 10. The Voyage 11. What I Heard in the Apple Barrel 12. Council of War PART THREE—My Shore Adventure 13. How My Shore Adventure Began 14. The First Blow 15. The Man of the Island PART FOUR—The Stockade 16. Narrative Continued by the Doctor: How the Ship Was Abandoned 17. Narrative Continued by the Doctor: The Jolly-boat's Last Trip 18. Narrative Continued by the Doctor: End of the First Day's Fighting 19. Narrative Resumed by Jim Hawkins: The Garrison in the Stockade 20. Silver's Embassy 21. The Attack PART FIVE—My Sea Adventure 22. How My Sea Adventure Began 23. The Ebb-tide Runs 24. The Cruise of the Coracle 25. I Strike the Jolly Roger 26. Israel Hands 27. “Pieces of Eight” PART SIX—Captain Silver 28. In the Enemy's Camp 29. The Black Spot Again 30. On Parole 31. The Treasure-hunt—Flint's Pointer 32. The Treasure-hunt—The Voice Among the Trees 33. The Fall of a Chieftain 34. And Last VAILIMA LETTERS BEING CORRESPONDENCE ADDRESSED BY ROBERT LOUIS STEVENSON TO SIDNEY COLVIN November 1890 — October 1894 Seventh Edition First Published November 1895 Second Edition December 1895 Third Edition February 1901 Fourth Edition October 1904 Fifth Edition March 1906 Sixth Edition October 1907 Seventh Edition December 1908 CONTENTS PAGE Editorial Note xi LETTER I. November 1890 1 II. November 25—December 2, 1890 22 III. December 1890 33 IV. January 17, 1891 46 V. February 1891 51 VI. March 1891 54 VII. April 1891 65 VIII. April 29—May 19, 1891 70 IX. June 1891 77 X. September 1891 82 XI. September 28—October 13, 1891 94 XII. October 1891 102 XIII. November 25—December 7, 1891 110 XIV. December 1891—January 3, 1892 119 XV. January 31—February 1892 135 XVI. February—March 2, 1892 139 XVII. March 9—March 30, 1892 147 XVIII. May 1—May 27, 1892 158 XIX. May 29—June 1892 180 XX. July 2—July 12, 1892 202 XXI. August—September 13, 1892 205 XXII. September 15—October 8, 1892 221 XXIII. October 28—November 8, 1892 227 XXIV. December 1—December 5, 1892 236 XXV. January—January 30, 1893 239 XXVI. February 19—February 23, 1893 247 XXVII. February 1893 250 XXVIII. April—April 22, 1893 252 XXIX. April 25—May 23, 1893 260 XXX. May 29—June 15, 1893 270 XXXI. June 24—July 18, 1893 280 XXXII. August 1893 296 XXXIII. August 23—September 12, 1893 298 XXXIV. October 23—December 4, 1893 306 XXXV. December 1893 313 XXXVI. January 29, 1894 320 XXXVII. February 1894 322 XXXVIII. March 1894 324 XXXIX. May 18, 1894 330 XL. June 18, 1894 333 XLI. July 1894 336 XLII. August 7—August 13, 1894 340 XLIII. September 1894 343 XLIV. October 6, 1894 348 Epilogue 355 Appendix 360 LIST OF ILLUSTRATIONS Portrait of R. L. Stevenson; etched by W. Strang after a photograph by Falk of Sydney Frontispiece Portrait of R. L. Stevenson on his Horse ‘Jack’ 119 Portrait of R. L. Stevenson with the Native Chief Tui Malealiifano 320 BALLADS BY ROBERT LOUIS STEVENSON SECOND EDITION LONDON CHATTO & WINDUS, PICCADILLY 1895 p. vCONTENTS The Song of Rahéro: A Legend of Tahiti— Dedication: To Ori a Ori 1 I. The Slaying of Támatéa 3 II. The Venging of Támatéa 20 III. Rahéro 40 Notes to the Song of Rahéro 55 The Feast of Famine: Marquesan Manners— I. The Priest’s Vigil 61 II. The Lovers 67 III. The Feast 75 IV. The Raid 86 Notes to the Feast of Famine 95 Ticonderoga: A Legend of the West Highlands— Ticonderoga 99 I. The Saying of the Name 100 p. viII. The Seeking of the Name 109 III. The Place of the Name 113 Notes to Ticonderoga 119 Heather Ale: A Galloway Legend— Heather Ale 123 Note to Heather Ale 129 Christmas At Sea— Christmas At Sea 133 KIDNAPPED By Robert Louis Stevenson Illustrated by Louis Rhead PREFACE TO THE BIOGRAPHICAL EDITION DEDICATION CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS I COME TO MY JOURNEY’S END I MAKE ACQUAINTANCE OF MY UNCLE I RUN A GREAT DANGER IN THE HOUSE OF SHAWS I GO TO THE QUEEN’S FERRY WHAT BEFELL AT THE QUEEN’S FERRY I GO TO SEA IN THE BRIG “COVENANT” OF DYSART THE ROUND-HOUSE THE MAN WITH THE BELT OF GOLD THE SIEGE OF THE ROUND-HOUSE THE CAPTAIN KNUCKLES UNDER I HEAR OF THE “RED FOX” THE LOSS OF THE BRIG THE ISLET THE LAD WITH THE SILVER BUTTON: THROUGH THE ISLE OF MULL THE LAD WITH THE SILVER BUTTON: ACROSS MORVEN THE DEATH OF THE RED FOX TALK WITH ALAN IN THE WOOD OF LETTERMORE THE HOUSE OF FEAR THE FLIGHT IN THE HEATHER: THE ROCKS THE FLIGHT IN THE HEATHER: THE HEUGH OF CORRYNAKIEGH THE FLIGHT IN THE HEATHER: THE MOOR CLUNY’S CAGE THE FLIGHT IN THE HEATHER THE QUARREL IN BALQUHIDDER END OF THE FLIGHT: WE PASS THE FORTH I COME TO MR. RANKEILLOR I GO IN QUEST OF MY INHERITANCE I COME INTO MY KINGDOM GOOD-BYE TALES AND FANTASIES BY ROBERT LOUIS STEVENSON Decorative graphic LONDON CHATTO & WINDUS 1905 p. vCONTENTS THE MISADVENTURES OF JOHN NICHOLSON CHAP. PAGE I. IN WHICH JOHN SOWS THE WIND 1 II. IN WHICH JOHN REAPS THE WHIRLWIND 10 III. IN WHICH JOHN ENJOYS THE HARVEST HOME 18 IV. THE SECOND SOWING 27 V. THE PRODIGAL’S RETURN 35 VI. THE HOUSE AT MURRAYFIELD 45 VII. A TRAGI-COMEDY IN A CAB 63 VIII. SINGULAR INSTANCE OF THE UTILITY OF PASS-KEYS 78 IX. IN WHICH MR. NICHOLSON ACCEPTS THE PRINCIPLE OF AN ALLOWANCE 95 THE BODY-SNATCHER 109 THE STORY OF A LIE I. INTRODUCES THE ADMIRAL 145 II. A LETTER TO THE PAPERS 154 III. IN THE ADMIRAL’S NAME 162 IV. ESTHER ON THE FILIAL RELATION 172 V. THE PRODIGAL FATHER MAKES HIS DEBUT AT HOME 178 VI. THE PRODIGAL FATHER GOES ON FROM STRENGTH TO STRENGTH 189 VII. THE ELOPEMENT 204 VIII. BATTLE ROYAL 219 IX. IN WHICH THE LIBERAL EDITOR RE-APPEARS AS ‘DEUS EX MACHINA’ 233 UNDERWOODS BY ROBERT LOUIS STEVENSON NINTH EDITION LONDON CHATTO & WINDUS 1898 p. xiiiCONTENTS BOOK I.—In English PAGE I. Envoy—Go, little book 1 II. A Song of the Road—The gauger walked 2 III. The Canoe Speaks—On the great streams 4 IV. It is the season 7 V. The House Beautiful—A naked house, a naked moor 9 VI. A Visit from the Sea—Far from the loud sea beaches 12 VII. To a Gardener—Friend, in my mountain-side demesne 14 VIII. To Minnie—A picture frame for you to fill 16 IX. To K. de M.—A lover of the moorland bare 17 X. To N. V. de G. S.—The unfathomable sea 19 XI. To Will. H. Low—Youth now flees 21 XII. To Mrs. Will. H. Low—Even in the bluest noonday of July 24 XIII. To H. F. Brown—I sit and wait 26 XIV. To Andrew Lang—Dear Andrew 29 XV. Et tu in Arcadia vixisti—In ancient tales, O friend 31 p. xivXVI. To W. E. Henley—The year runs through her phases 36 XVII. Henry James—Who comes to-night 38 XVIII. The Mirror Speaks—Where the bells 39 XIX. Katharine—We see you as we see a face 41 XX. To F. J. S.—I read, dear friend 42 XXI. Requiem—Under the wide and starry sky 43 XXII. The Celestial Surgeon—If I have faltered 44 XXIII. Our Lady of the Snows—Out of the sun 45 XXIV. Not yet, my soul 50 XXV. It is not yours, O mother, to complain 53 XXVI. The Sick Child—O mother, lay your hand on my brow 56 XXVII. In Memoriam F. A. S.—Yet, O stricken heart 58 XXVIII. To my Father—Peace and her huge invasion 60 XXIX. In the States—With half a heart 62 XXX. A Portrait—I am a kind of farthing dip 63 XXXI. Sing clearlier, Muse 65 XXXII. A Camp—The bed was made 66 XXXIII. The Country of the Camisards—We travelled in the print of olden wars 67 XXXIV. Skerryvore—For love of lovely words 68 XXXV. Skerryvore: The Parallel—Here all is sunny 69 XXXVI. My house, I say 70 XXXVII. My body which my dungeon is 71 XXXVIII. Say not of me that weakly I declined 73 BOOK II.—In Scots I. The Maker to Posterity—Far ’yont amang the years to be 77 II. Ille Terrarum—Frae nirly, nippin’, Eas’lan’ breeze 80 III. When aince Aprile has fairly come 85 IV. A Mile an’ a Bittock 87 V. A Lowden Sabbath Morn—The clinkum-clank o’ Sabbath bells 89 VI. The Spaewife—O, I wad like to ken 98 VII. The Blast—1875—It’s rainin’. Weet’s the gairden sod 100 VIII. The Counterblast—1886—My bonny man, the warld, it’s true 103 IX. The Counterblast Ironical—It’s strange that God should fash to frame 108 X. Their Laureate to an Academy Class Dinner Club—Dear Thamson class, whaure’er I gang 110 XI. Embro Hie Kirk—The Lord Himsel’ in former days 114 XII. The Scotsman’s Return from Abroad—In mony a foreign pairt I’ve been 118 XIII. Late in the nicht 125 XIV. My Conscience!—Of a’ the ills that flesh can fear 130 XV. To Doctor John Brown—By Lyne and Tyne, by Thames and Tees 133 XVI. It’s an owercome sooth for age an’ youth 138 NEW POEMS AND VARIANT READINGS BY ROBERT LOUIS STEVENSON LONDON CHATTO & WINDUS 1918 p. xiCONTENTS PAGE PRAYER 1 LO! IN THINE HONEST EYES I READ 2 THOUGH DEEP INDIFFERENCE SHOULD DROWSE 2 MY HEART, WHEN FIRST THE BLACKBIRD SINGS 3 I DREAMED OF FOREST ALLEYS FAIR 4 ST. MARTIN’S SUMMER 6 DEDICATION 7 THE OLD CHIMÆRAS, OLD RECEIPTS 8 PRELUDE 10 THE VANQUISHED KNIGHT 11 TO THE COMMISSIONERS OF NORTHERN LIGHTS 11 THE RELIC TAKEN, WHAT AVAILS THE SHRINE? 13 ABOUT THE SHELTERED GARDEN GROUND 14 AFTER READING “ANTONY AND CLEOPATRA” 15 I KNOW NOT HOW, BUT AS I COUNT 15 SPRING SONG 16 THE SUMMER SUN SHONE ROUND ME 16 YOU LOOKED SO TEMPTING IN THE PEW 17 LOVE’S VICISSITUDES 18 DUDDINGSTONE 18 STOUT MARCHES LEAD TO CERTAIN ENDS 20 AWAY WITH FUNERAL MUSIC 20 TO SYDNEY 21 HAD I THE POWER THAT HAVE THE WILL 23 O DULL COLD NORTHERN SKY 24 APOLOGETIC POSTSCRIPT OF A YEAR LATER 25 TO MARCUS 26 TO OTTILIE 27 THIS GLOOMY NORTHERN DAY 28 THE WIND IS WITHOUT THERE AND HOWLS IN THE TREES 29 A VALENTINE’S SONG 31 HAIL! CHILDISH SLAVES OF SOCIAL RULES 34 SWALLOWS TRAVEL TO AND FRO 36 p. xiiTO MESDAMES ZASSETSKY AND GARSCHINE 37 TO MADAME GARSCHINE 39 MUSIC AT THE VILLA MARINA 39 FEAR NOT, DEAR FRIEND, BUT FREELY LIVE YOUR DAYS 40 LET LOVE GO, IF GO SHE WILL 41 I DO NOT FEAR TO OWN ME KIN 42 I AM LIKE ONE THAT FOR LONG DAYS HAD SATE 44 VOLUNTARY 45 ON NOW, ALTHOUGH THE YEAR BE DONE 47 IN THE GREEN AND GALLANT SPRING 47 DEATH, TO THE DEAD FOR EVERMORE 48 TO CHARLES BAXTER 49 I WHO ALL THE WINTER THROUGH 52 LOVE, WHAT IS LOVE? 53 SOON OUR FRIENDS PERISH 53 AS ONE WHO HAVING WANDERED ALL NIGHT LONG 53 STRANGE ARE THE WAYS OF MEN 55 THE WIND BLEW SHRILL AND SMART 56 MAN SAILS THE DEEP AWHILE 57 THE COCK’S CLEAR VOICE INTO THE CLEARER AIR 58 NOW WHEN THE NUMBER OF MY YEARS 59 WHAT MAN MAY LEARN, WHAT MAN MAY DO 60 SMALL IS THE TRUST WHEN LOVE IS GREEN 61 KNOW YOU THE RIVER NEAR TO GREZ 62 IT’S FORTH ACROSS THE ROARING FOAM 63 AN ENGLISH BREEZE 65 AS IN THEIR FLIGHT THE BIRDS OF SONG 66 THE PIPER 67 TO MRS. MACMARLAND 58 TO MISS CORNISH 69 TALES OF ARABIA 71 BEHOLD, AS GOBLINS DARK OF MIEN 72 STILL I LOVE TO RHYME 73 LONG TIME I LAY IN LITTLE EASE 74 FLOWER GOD, GOD OF THE SPRING 75 COME, MY BELOVED, HEAR FROM ME 76 SINCE YEARS AGO FOR EVERMORE 77 ENVOY FOR “A CHILD’S GARDEN OF VERSES” 78 FOR RICHMOND’S GARDEN WALL 80 p. xiiiHAIL, GUEST, AND ENTER FREELY! 80 LO, NOW, MY GUEST 81 SO LIVE, SO LOVE, SO USE THAT FRAGILE HOUR 81 AD SE IPSUM 82 BEFORE THIS LITTLE GIFT WAS COME 82 GO, LITTLE BOOK—THE ANCIENT PHRASE 83 MY LOVE WAS WARM 84 DEDICATORY POEM FOR “UNDERWOODS” 85 FAREWELL 86 THE FAR-FARERS 87 COME, MY LITTLE CHILDREN, HERE ARE SONGS FOR YOU 87 HOME FROM THE DAISIED MEADOWS 88 EARLY IN THE MORNING I HEAR ON YOUR PIANO 88 FAIR ISLE AT SEA 89 LOUD AND LOW IN THE CHIMNEY 89 I LOVE TO BE WARM BY THE RED FIRESIDE 90 AT LAST SHE COMES 90 MINE EYES WERE SWIFT TO KNOW THEE 90 FIXED IS THE DOOM 91 MEN ARE HEAVEN’S PIERS 92 THE ANGLER ROSE, HE TOOK HIS ROD 93 SPRING CAROL 94 TO WHAT SHALL I COMPARE HER 95 WHEN THE SUN COMES AFTER RAIN 96 LATE, O MILLER 97 TO FRIENDS AT HOME 97 I, WHOM APOLLO SOMETIME VISITED 98 TEMPEST TOSSED AND SORE AFFLICTED 98 VARIANT FORM OF THE PRECEDING POEM 99 I NOW, O FRIEND, WHOM NOISELESSLY THE SNOWS 100 SINCE THOU HAST GIVEN ME THIS GOOD HOPE, O GOD 103 GOD GAVE TO ME A CHILD IN PART 104 OVER THE LAND IS APRIL 105 LIGHT AS THE LINNET ON MY WAY I START 106 COMIC, HERE IS ADIEU TO THE CITY 106 IT BLOWS A SNOWING GALE 107 NE SIT ANCILLÆ TIBI AMOR PUDOR 107 TO ALL THAT LOVE THE FAR AND BLUE 108 THOU STRAINEST THROUGH THE MOUNTAIN FERN 110 p. xivTO ROSABELLE 111 NOW BARE TO THE BEHOLDER’S EYE 112 THE BOUR-TREE DEN 114 SONNETS 118 FRAGMENTS 123 AIR OF DIABELLI’S 128 EPITAPHIUM EROTII 132 DE M. ANTONIO 133 AD MAGISTRUM LUDI 133 AD NEPOTEM 134 IN CHARIDEMUM 135 DE LIGURRA 135 IN LUPUM 136 AD QUINTILIANUM 137 DE HORTIS JULII MARTIALIS 137 AD MARTIALEM 139 IN MAXIMUM 139 AD OLUM 140 DE CŒNATIONE MICÆ 140 DE EROTIO PUELLA 141 AD PISCATOREM 141 THE SILVERADO SQUATTERS BY ROBERT LOUIS STEVENSON WITH A FRONTISPIECE BY JOSEPH D. STRONG LONDON CHATTO & WINDUS 1906 CONTENTS In the Valley: I. Calistoga 13 II. The Petrified Forest 24 III. Napa Wine 34 IV. The Scot Abroad 48 With the Children of Israel: I. To Introduce Mr. Kelmar 59 II. First Impressions of Silverado 68 III. The Return 92 The Act of Squatting 103 The Hunter’s Family 127 The Sea Fogs 153 The Toll House 171 A Starry Drive 185 Episodes in the Story of a Mine 197 Toils And Pleasures 223 AN INLAND VOYAGE BY ROBERT LOUIS STEVENSON A NEW EDITION WITH A FRONTISPIECE BY WALTER CRANE LONDON CHATTO & WINDUS 1904 ‘Thus sang they in the English boat.’ Marvell. CONTENTS PAGE Antwerp to Boom 1 On the Willebroek Canal 8 The Royal Sport Nautique 16 At Maubeuge 25 On the Sambre Canalised: to Quartes 33 Pont-sur-Sambre: We are Pedlars 42 The Travelling Merchant 51 On the Sambre Canalised: to Landrecies 59 At Landrecies 67 Sambre and Oise Canal: Canal boats 75 The Oise in Flood 83 Origny Sainte-Benoîte A By-day 95 The Company at Table 105 Down the Oise: to Moy 116 La Fère of Cursed Memory 124 Down the Oise: Through the Golden Valley 133 Noyon Cathedral 137 Down the Oise: to Compiègne 145 Changed Times 157 Down the Oise: Church interiors 167 Précy and the Marionnettes 177 Back to the world 194 ESSAYS OF TRAVEL by ROBERT LOUIS STEVENSON LONDON CHATTO & WINDUS 1905 second impression Contents page I. The Amateur Emigrant: From The Clyde To Sandy Hook— The Second Cabin 3 Early Impressions 11 Steerage Scenes 21 Steerage Types 30 The Sick Man 42 The Stowaways 53 Personal Experience And Review 69 New York 81 II. Cockermouth And Keswick 93 Cockermouth 94 An Evangelist 97 Another 100 Last Of Smethurst 102 III. An Autumn Effect 106 IV. A Winter’s Walk In Carrick And Galloway 131 V. Forest Notes— On The Plains 144 In The Season 149 Idle Hours 153 A Pleasure-Party 157 The Woods In Spring 164 Morality 169 VI. A Mountain Town In France 175 VII. Random Memories: Rosa Quo Locorum 189 VII. The Ideal House 199 IX. Davos In Winter 207 X. Health And Mountains 212 XI. Alpine Diversion 217 XII. The Stimulation Of The Alps 222 XIII. Roads 227 XIV. On The Enjoyment Of Unpleasant Places 237 MORE NEW ARABIAN NIGHTS THE DYNAMITER by ROBERT LOUIS STEVENSON and FANNY VAN de GRIFT STEVENSON new impression LONGMANS, GREEN, AND CO. 39 paternoster row, london new york and bombay 1903 THE DYNAMITER page Prologue of the Cigar Divan 1 Challoner’s Adventure: The Squire of Dames 13 Story of the Destroying Angel 27 The Squire of Dames (continued) 76 Summerset’s Adventure: The Superfluous Mansion 100 Narrative of the Spirited Old Lady 108 The Superfluous Mansion (continued) 145 Zero’s Tale of the Explosive Bomb 195 Desborough’s Adventure: The Brown Box 209 Story of the Fair Cuban 219 The Brown Box (continued) 269 The Superfluous Mansion (continued) 286 Epilogue of the Cigar Divan 299 NEW ARABIAN NIGHTS BY ROBERT LOUIS STEVENSON LONDON CHATTO & WINDUS 1920 CONTENTS THE SUICIDE CLUB: PAGE Story of the Young Man with the Cream Tarts 1 Story of the Physician and the Saratoga Trunk 35 The Adventure of the Hansom Cabs 65 THE RAJAH’S DIAMOND: Story of the Bandbox 88 Story of the Young Man in Holy Orders 116 Story of the House with the Green Blinds 133 The Adventure of Prince Florizel and a Detective 168 THE PAVILION ON THE LINKS: CHAP. I. Tells how I Camped in Graden Sea-wood, and beheld a Light in the Pavilion 171 II. Tells of the Nocturnal Landing from the Yacht 184 III. Tells how I became acquainted with my Wife 191 IV. Tells in what a startling manner I learned that I was not alone in Graden Sea-wood 200 V. Tells of an Interview between Northmour, Clara, and Myself 209 VI. Tells of my Introduction to the Tall Man 215 VII. Tells how a Word was Cried through the Pavilion Window 221 VIII. Tells the Last of the Tall Man 228 IX. Tells how Northmour carried out his Threat 235 A LODGING FOR THE NIGHT 242 THE SIRE DE MALÊTROIT’S DOOR 267 PROVIDENCE AND THE GUITAR 292 THE WRECKER by Robert Louis Stevenson and Lloyd Osbourne CONTENTS PROLOGUE. IN THE MARQUESAS. THE YARN. CHAPTER I A SOUND COMMERCIAL EDUCATION CHAPTER II ROUSSILLON WINE CHAPTER III TO INTRODUCE MR. PINKERTON CHAPTER IV IN WHICH I EXPERIENCE EXTREMES OF FORTUNE CHAPTER V IN WHICH I AM DOWN ON MY LUCK IN PARIS CHAPTER VI IN WHICH I GO WEST CHAPTER VII IRONS IN THE FIRE CHAPTER VIII FACES ON THE CITY FRONT CHAPTER IX THE WRECK OF THE “FLYING SCUD. CHAPTER X IN WHICH THE CREW VANISH CHAPTER XI IN WHICH JIM AND I TAKE DIFFERENT WAYS CHAPTER XII THE “NORAH CREINA. CHAPTER XIII THE ISLAND AND THE WRECK CHAPTER XIV THE CABIN OF THE “FLYING SCUD" CHAPTER XV THE CARGO OF THE “FLYING SCUD" CHAPTER XVI IN WHICH I TURN SMUGGLER, AND THE CAPTAIN CASUIS CHAPTER XVII LIGHT FROM THE MAN OF WAR CHAPTER XVIII CROSS-QUESTIONS AND CROOKED ANSWERS CHAPTER XIX TRAVELS WITH A SHYSTER CHAPTER XX STALLBRIDGE-LE-CARTHEW CHAPTER XXI FACE TO FACE CHAPTER XXII THE REMITTANCE MAN CHAPTER XXIII THE BUDGET OF THE “CURRENCY LASS" CHAPTER XXIV A HARD BARGAIN CHAPTER XXV A BAD BARGAIN EPILOGUE THE WRONG BOX BY ROBERT LOUIS STEVENSON and LLOYD OSBOURNE Contents PREFACE CHAPTER I. In Which Morris Suspects CHAPTER II. In Which Morris takes Action CHAPTER III. The Lecturer at Large CHAPTER IV. The Magistrate in the Luggage Van CHAPTER V. Mr Gideon Forsyth and the Gigantic Box CHAPTER VI. The Tribulations of Morris: Part the First CHAPTER VII. In Which William Dent Pitman takes Legal Advice CHAPTER VIII. In Which Michael Finsbury Enjoys a Holiday CHAPTER IX. Glorious Conclusion of Michael Finsbury’s Holiday CHAPTER X. Gideon Forsyth and the Broadwood Grand CHAPTER XI. The Maestro Jimson CHAPTER XII. Positively the Last Appearance of the Broadwood Grand CHAPTER XIII. The Tribulations of Morris: Part the Second CHAPTER XIV. William Bent Pitman Hears of Something to his Advantage CHAPTER XV. The Return of the Great Vance CHAPTER XVI. Final Adjustment of the Leather Business THE EBB-TIDE A TRIO AND QUARTETTE By Robert Louis Stevenson and Lloyde Osbourne 'There is a tide in the affairs of men.' Contents Chapter 1. NIGHT ON THE BEACH Chapter 2. MORNING ON THE BEACH—THE THREE LETTERS Chapter 3. THE OLD CALABOOSE—DESTINY AT THE DOOR Chapter 4. THE YELLOW FLAG Chapter 5. THE CARGO OF CHAMPAGNE Chapter 6. THE PARTNERS Chapter 7. THE PEARL-FISHER Chapter 8. BETTER ACQUAINTANCE Chapter 9. THE DINNER PARTY Chapter 10. THE OPEN DOOR Chapter 11. DAVID AND GOLIATH Chapter 12. TAIL-PIECE DAVID BALFOUR Being Memoirs of his Adventures at home and Abroad THE SECOND PART: In which are set forth his Misfortunes anent the APPIN Murder; his Troubles with Lord Advocate GRANT; Captivity on the Bass Rock; Journey into Holland and France; and Singular Relations with JAMES MORE DRUMMOND or MACGREGOR, a Son of the notorious ROB ROY, and his Daughter CATRIONA WRITTEN BY HIMSELF AND NOW SET FORTH BY ROBERT LOUIS STEVENSON ILLUSTRATED NEW YORK CHARLES SCRIBNER'S SONS 1905 COPYRIGHT, 1893, BY CHARLES SCRIBNER'S SONS VI. UMQHILE THE MASTER OF LOVAT VII. I MAKE A FAULT IN HONOUR VIII. THE BRAVO IX. THE HEATHER ON FIRE X. THE RED-HEADED MAN XI. THE WOOD BY SILVERMILLS XII. ON THE MARCH AGAIN WITH ALAN XIII. GILLANE SANDS XIV. THE BASS XV. BLACK ANDIE'S TALE OF TOD LAPRAIK XVI. THE MISSING WITNESS XVII. THE MEMORIAL XVIII. THE TEE'D BALL XIX. I AM MUCH IN THE HANDS OF THE LADIES XX. I CONTINUE TO MOVE IN GOOD SOCIETY Part II FATHER AND DAUGHTER XXI. THE VOYAGE INTO HOLLAND XXII. HELVOETSLUYS XXIII. TRAVELS IN HOLLAND XXIV. FULL STORY OF A COPY OF HEINECCIUS XXV. THE RETURN OF JAMES MORE XXVI. THE THREESOME XXVII. A TWOSOME XXVIII. IN WHICH I AM LEFT ALONE XXIX. WE MEET IN DUNKIRK XXX. THE LETTER FROM THE SHIP XXXI. CONCLUSION LIST OF ILLUSTRATIONS "SHE DROPPED ME ONE OF HER CURTSEYS, WHICH WERE EXTRAORDINARY TAKING" "'WHAT DID THEY SUFFER FOR?' I ASKED?" "'TIT YOU EFFER HEAR WHERE ALAN GRIGOR FAND THE TANGS,' SAID HE" "'THE GOODMAN BROUGHT ME MY MEAT AND A DROP BRANDY, AND A CANDLE-DOWP TO EAT IT BY, ABOUT ELEEVEN,' SAID HE" "'THERE HE SAT, A MUCKLE FAT, WHITE HASH OF A MAN LIKE CREISH'" "'THERE IS NOTHING HERE TO BE VIEWED BUT NAKED CAMPBELL SPITE AND SCURVY CAMPBELL INTRIGUE'" "UP SHE STOOD ON THE BULWARKS AND HELD BY A STAY" "'YOU TELL ME SHE IS HERE?' SAID HE AGAIN" "'KEEP BACK, DAVIE! ARE YE DAFT?'" A CHILD'S GARDEN of VERSES By ROBERT LOUIS STEVENSoN ILLUSTRATED BY MYRTLE SHELDON M. A. DONOHUE & CO. CHICAGO Copyright 1916 By M. A. DONOHUE AND COMPANY CONTENTS PAGE Bed in Summer 10 Young Night Thought 11 Pirate Story 12-13 Farewell to the Farm 14-15 The Land of Counterpane 16 Fairy Bread 17 Escape at Bedtime 18-19 A Good Play 20 Marching Song 21 Where Go the Boats 22-23 The Hayloft 24 Auntie's Skirts 25 The Moon 26 The Cow 27 Foreign Lands 28-29 System 30 At the Seaside 31 Happy Thought 32 The Land of Nod 33 Windy Nights 34-35 Time to Rise 36 Rain 37 Foreign Children 38 Looking Forward 39 My Shadow 40-42 The Sun's Travels 43 Looking-Glass River 44-45 The Lamplighter 46-47 Singing 48 Travel 49-51 My Bed is a Boat 52-53 Keepsake Mill 54-55 The Unseen Playmate 56-57 My Ship and I 58-59 The Wind 60-61 A Good Boy 62-63 Good and Bad Children 64-65 Picture-Books in Winter 66-67 The Swing 68-69 A Thought 70 Armies in the Fire 71 My Kingdom 72-73 Shadow March 74-75 Winter-Time 76-77 The Little Land 78-81 In Port 82-83 Night and Day 84-86 Nest Eggs 87-88 The Flowers 89 From a Railway Carriage 90 My Treasures 91-92 Block City 93-94 The Gardener 95-96 A CHILD'S GARDEN OF VERSES ROBERT LOVIS STEVENSON WITH ILLVSTRATIONS BY JESSIE WILLCOX SMITH CHARLES SCRIBNER'S SONS NEW YORK MCMV CONTENTS TO ALISON CUNNINGHAM vii BED IN SUMMER 3 A THOUGHT 4 AT THE SEA-SIDE 5 YOUNG NIGHT-THOUGHT 6 WHOLE DUTY OF CHILDREN 7 RAIN 7 PIRATE STORY 8 FOREIGN LANDS 9 WINDY NIGHTS 10 TRAVEL 11 SINGING 13 LOOKING FORWARD 14 A GOOD PLAY 15 WHERE GO THE BOATS? 16 AUNTIE'S SKIRTS 17 THE LAND OF COUNTERPANE 18 THE LAND OF NOD 19 MY SHADOW 20 SYSTEM 22 A GOOD BOY 23 ESCAPE AT BEDTIME 24 MARCHING SONG 25 [Pg xii] THE COW 26 HAPPY THOUGHT 27 THE WIND 28 KEEPSAKE MILL 29 GOOD AND BAD CHILDREN 31 FOREIGN CHILDREN 33 THE SUN TRAVELS 35 THE LAMPLIGHTER 36 MY BED IS A BOAT 37 THE MOON 39 THE SWING 40 TIME TO RISE 41 LOOKING-GLASS RIVER 42 FAIRY BREAD 44 FROM A RAILWAY CARRIAGE 45 WINTER-TIME 46 THE HAYLOFT 47 FAREWELL TO THE FARM 49 NORTH-WEST PASSAGE 50 1. Good-Night 50 2. Shadow March 51 3. In Port 52 THE CHILD ALONE THE UNSEEN PLAYMATE 57 MY SHIP AND I 59 MY KINGDOM 61 [Pg xiii] PICTURE-BOOKS IN WINTER 63 MY TREASURES 65 BLOCK CITY 67 THE LAND OF STORY-BOOKS 69 ARMIES IN THE FIRE 71 THE LITTLE LAND 73 GARDEN DAYS NIGHT AND DAY 79 NEST EGGS 82 THE FLOWERS 84 SUMMER SUN 86 THE DUMB SOLDIER 87 AUTUMN FIRES 89 THE GARDENER 90 HISTORICAL ASSOCIATIONS 92 ENVOYS TO WILLIE AND HENRIETTA 97 TO MY MOTHER 98 TO AUNTIE 99 TO MINNIE 100 TO MY NAME-CHILD 103 TO ANY READER 105 [Pg xv] ILLUSTRATIONS FROM DRAWINGS IN COLOR BY JESSIE WILLCOX SMITH FACING PAGE Bed in Summer 4 In winter I get up at night And dress by yellow candle-light. Foreign Lands 10 I held the trunk with both my hands And looked abroad on foreign lands. The Land of Counterpane 18 I was the giant great and still That sits upon the pillow-hill, My Shadow 20 He stays so close beside me, he's a coward you can see; I'd think shame to stick to nursie as that shadow sticks to me! Foreign Children 34 Little Indian, Sioux or Crow, Little frosty Eskimo, Little Turk or Japanee, Oh! don't you wish that you were me? Looking-glass River 42 We can see our coloured faces Floating on the shaken pool [Pg xvi] The Hayloft 48 Oh, what a joy to clamber there, Oh, what a place for play, With the sweet, the dim, the dusty air, The happy hills of hay! North-west Passage 50 And face with an undaunted tread The long black passage up to bed. Picture-books in Winter 64 Water now is turned to stone Nurse and I can walk upon; Still we find the flowing brooks In the picture story-books. The Little Land 74 I have just to shut my eyes To go sailing through the skies— To go sailing far away To the pleasant Land of Play; The Flowers 84 All the names I know from nurse: Gardener's garters, Shepherd's purse, Bachelor's buttons, Lady's smock, And the Lady Hollyhock. To Auntie 100 What did the other children do? And what were childhood, wanting you? A CHILD'S GARDEN OF VERSES BY ROBERT LOVIS STEVENSON ILLVSTRATED—BY CHARLES ROBINSON. NEW YORK: CHARLES SCRIBNER'S SONS LONDON: IOHN LANE. 1895 Copyright 1895, by Charles Scribner's Sons CONTENTS Bed in Summer Page 3 A Thought 5 At the Seaside 6 Young Night Thought 7 Whole Duty of Children 9 Rain 10 Pirate Story 11 Foreign Lands 13 Windy Nights 15 Travel 17 Singing 20 Looking Forward 21 A Good Play 22 Where Go the Boats? 24 [Pg xii] Auntie's Skirts Page 26 The Land of Counterpane 27 The Land of Nod 29 My Shadow 32 System 34 A Good Boy 36 Escape at Bedtime 38 Marching Song 40 The Cow 42 Happy Thought 44 The Wind 45 Keepsake Mill 47 Good and Bad Children 49 Foreign Children 51 The Sun's Travels 53 The Lamplighter 55 My Bed is a Boat 57 The Moon 59 The Swing 62 Time to Rise 64 Looking-Glass River 65 Fairy Bread 67 From a Railway Carriage 68 Winter-Time 70 The Hayloft 72 Farewell to the Farm 74 [Pg xiii] North-West Passage 1. Good Night Page 76 2. Shadow March 77 3. In Port 78 THE CHILD ALONE The Unseen Playmate 81 My Ship and I 83 My Kingdom 85 Picture Books in Winter 87 My Treasures 89 Block City 91 The Land of Story-Books 93 Armies in the Fire 95 The Little Land 97 [Pg xiv] GARDEN DAYS Night and Day Page 103 Nest Eggs 107 The Flowers 110 Summer Sun 112 The Dumb Soldier 114 Autumn Fires 117 The Gardener 119 Historical Associations 121 ENVOYS To Willie and Henrietta 125 To my Mother 127 To Auntie 128 To Minnie 129 To my Name-Child 133 To any Reader 136 A CHILD'S GARDEN of VERSES Copyright, 1900, by Robert Howard Russell Copyright, 1902, by Rand McNally & Company All rights reserved Edition of 1928 PAGE By Way of Introduction 5 To Alison Cunningham 8 Bed in Summer 13 Young Night Thought 15 Rain 16 My Shadow 17 Time To Rise 20 At the Seaside 21 Windy Nights 22 Pirate Story 24 Whole Duty of Children 27 Foreign Lands 28 System 30 A Good Play 32 The Land of Counterpane 33 A Good Boy 34 Looking Forward 36 The Swing 37 Good and Bad Children 38 Marching Song 40 Travel 42 Where Go the Boats? 46 Escape at Bedtime 48 [Pg 10] From a Railway Carriage 50 The Wind 52 Auntie's Skirts 54 Happy Thought 55 The Cow 56 My Bed Is a Boat 58 The Land of Nod 60 Fairy Bread 61 Keepsake Mill 62 Winter-time 64 Looking-glass River 66 The Sun's Travels 69 The Lamplighter 70 Foreign Children 73 The Moon 74 The Hayloft 77 Farewell To the Farm 78 A Thought 80 Singing 81 North-west Passage I. Good-night 82 II. Shadow March 84 III. In Port 86 To My Mother 88 Guide To Pronunciation 89 A Word List 90 TREASURE ISLAND Robert Louis Stevenson Illustrated by Milo Winter CONTENTS PAGE To the Hesitating Purchaser viii List of Color Plates ix Dedication x PART I The Old Buccaneer CHAPTER I. At the "Admiral Benbow" 3 II. Black Dog Appears and Disappears 11 III. The Black Spot 19 IV. The Sea-Chest 26 V. The Last of the Blind Man 33 VI. The Captain's Papers 40 PART II The Sea-Cook VII. I Go to Bristol 49 VIII. At the Sign of the "Spy-Glass" 55 IX. Powder and Arms 62 X. The Voyage 69 XI. What I Heard in the Apple Barrel 76 XII. Council of War 83 PART III[vi] My Shore Adventure XIII. How My Shore Adventure Began 93 XIV. The First Blow 99 XV. The Man of the Island 106 PART IV The Stockade XVI. Narrative Continued by the Doctor—How the Ship was Abandoned 117 XVII. Narrative Continued by the Doctor—The Jolly-Boat's Last Trip 123 XVIII. Narrative Continued by the Doctor—End of the First Day's Fighting 129 XIX. Narrative Resumed by Jim Hawkins—The Garrison in the Stockade 135 XX. Silver's Embassy 142 XXI. The Attack 149 PART V My Sea Adventure XXII. How My Sea Adventure Began 159 XXIII. The Ebb-Tide Runs 166 XXIV. The Cruise of the Coracle 172 XXV. I Strike the Jolly Roger 179 XXVI. Israel Hands 185 XXVII. "Pieces of Eight" 195 PART VI[vii] Captain Silver XXVIII. In the Enemy's Camp 205 XXIX. The Black Spot Again 214 XXX. On Parole 222 XXXI. The Treasure-Hunt—Flint's Pointer 230 XXXII. The Treasure-Hunt—The Voice among the Trees 238 XXXIII. The Fall of a Chieftain 245 XXXIV. And Last 252 THE BLACK ARROW A TALE OF THE TWO ROSES ROBERT LOUIS STEVENSON ILLUSTRATED BY N. C. WYETH NEW YORK CHARLES SCRIBNER’S SONS MCMXXXIII Copyright, 1916, by CHARLES SCRIBNER’S SONS CONTENTS Prologue John Amend-all 3 Book I THE TWO LADS At the Sign of the Sun in Kettley 25 In the Fen 36 The Fen Ferry 44 A Greenwood Company 54 “Bloody as the Hunter” 64 To the Day’s End 75 The Hooded Face 84 Book II THE MOAT HOUSE Dick Asks Questions 97 The Two Oaths 108 The Room Over the Chapel 118 The Passage 127 How Dick Changed Sides 133 Book III MY LORD FOXHAM [viii] The House by the Shore 147 A Skirmish in the Dark 156 St. Bride’s Cross 164 The “Good Hope” 169 The “Good Hope” (Continued) 180 The “Good Hope” (Concluded) 188 Book IV THE DISGUISE The Den 197 “In Mine Enemies’ House” 206 The Dead Spy 218 In the Abbey Church 228 Earl Risingham 240 Arblaster Again 245 Book V CROOKBACK The Shrill Trumpet 261 The Battle of Shoreby 270 The Battle of Shoreby (Concluded) 279 The Sack of Shoreby 285 Night in the Woods: Alicia Risingham 298 Night in the Woods (Concluded): Dick and Joan 308 Dick’s Revenge 320 Conclusion 325 [ix] ILLUSTRATIONS facing page “Now, mark me, mine host,” Sir Daniel said, “follow but mine orders and I shall be your good lord ever” 26 In the fork, like a mastheaded seaman, there stood a man in a green tabard, spying far and wide 56 Lastly, a little before dawn, a spearman had come staggering to the moat side, pierced by arrows 98 “We must be in the dungeons,” Dick remarked 128 The little cockle dipped into the swell and staggered under every gust of wind 174 And Lawless, keeping half a step in front of his companion and holding his head forward like a hunting-dog upon the scent, ... studied out their path 198 First came the bride, a sorry sight, as pale as the winter, clinging to Sir Daniel’s arm 234 There were seven or eight assailants, and but one to keep head against them 262 “But be at rest; the Black Arrow flieth nevermore” 324 Contents. List of Illustrations (In certain versions of this etext [in certain browsers] clicking on the image will bring up a larger version.) (etext transcriber's note) KIDNAPPED BEING MEMOIRS OF THE ADVENTURES OF DAVID BALFOUR IN THE YEAR 1751 HOW HE WAS KIDNAPPED AND CAST AWAY; HIS SUFFERINGS IN A DESERT ISLE; HIS JOURNEY IN THE WILD HIGHLANDS; HIS AC- QUAINTANCE WITH ALAN BRECK STEWART AND OTHER NOTORIOUS HIGHLAND JACOBITES; WITH ALL THAT HE SUFFERED AT THE HANDS OF HIS UNCLE, EBENEZER BALFOUR OF SHAWS, FALSELY SO CALLED WRITTEN BY HIMSELF AND NOW SET FORTH BY ROBERT LOUIS STEVENSON Copyright, 1905, 1913, by CHARLES SCRIBNER’S SONS CONTENTS CHAPTER PAGE I. I Set off upon My Journey to the House of Shaws 3 II. I Come to My Journey’s End 9 III. I Make Acquaintance of My Uncle 16 IV. I Run a Great Danger in the House of Shaws 26 V. I Go to the Queen’s Ferry 37 VI. What Befell at the Queen’s Ferry 46 VII. I Go to Sea in the Brig “Covenant” of Dysart 53 VIII. The Round-House 63 IX. The Man with the Belt of Gold 70 X. The Siege of the Round-House 82 XI. The Captain Knuckles Under 91 XII. I Hear of the “Red Fox” 97 XIII. The Loss of the Brig 108 XIV. The Islet 116 XV. The Lad with the Silver Button: Through the Isle of Mull 128 XVI. The Lad with the Silver Button: Across Morven 139 XVII. The Death of the Red Fox 149 XVIII. I Talk with Alan in the Wood of Lettermore 157 XIX. The House of Fear 168 XX. The Flight in the Heather: the Rocks 177 XXI. The Flight in the Heather: the Heugh of Corrynakiegh 188 XXII. The Flight in the Heather: the Moor 198 XXIII. Cluny’s Cage 208 XXIV. The Flight in the Heather: the Quarrel 219 XXV. In Balquhidder 232 XXVI. End of the Flight: We Pass the Forth 241 XXVII. I Come to Mr. Rankeillor 255 XXVIII. I Go in Quest of My Inheritance 266 XXIX. I Come into My Kingdom{xi} 276 XXX. Good-Bye 285 ILLUSTRATIONS FACING PAGE Mr. Balfour, of the House of Shaws 18 What he was, whether by trade or birth, was more than I could fathom At Queen’s Ferry 48 And the spirit of all that I beheld put me in thoughts of far voyages and foreign places The Siege of the Round-House 84 It came all of a sudden when it did, with a rush of feet and a roar, and then a shout from Alan The Wreck of the “Covenant” 112 It was the spare yard I had got hold of, and I was amazed to see how far I had travelled from the brig On the Island of Earraid 122 But the second day passed; and as long as the light lasted I kept a bright look-out for boats on the sound or men passing on the Boss The Murderer of Roy Campbell of Glenure 154 At that the murderer gave a little, quick look over his shoulder, and began to run At the Cards in Cluny’s Cage 214 But Alan and Cluny were most of the time at the cards Two Pipers in Balquhidder 238 All night long the brose was going and the pipes changing hands The Parting 286 For we both knew without a word said that we had come to where our ways parted Map 3 Sketch of the Cruise of the Brig Covenant and the probable course of David Balfour’s Wanderings End of the Project Gutenberg EBook of Index of the Project Gutenberg works of Robert Louis Stevenson, by Robert Louis Stevenson *** END OF THIS PROJECT GUTENBERG EBOOK INDEX PG GUTENBERG WORKS OF R. L. STEVENSON *** ***** This file should be named 58181-0.txt or 58181-0.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/8/1/8/58181/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.