The Project Gutenberg EBook of Index of The Project Gutenberg Works of
Frank E. Smedley, by Frank E. Smedley

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.



Title: Index of The Project Gutenberg Works of Frank E. Smedley

Author: Frank E. Smedley

Editor: David Widger

Release Date: August 2, 2018 [EBook #57626]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK FRANK E. SMEDLEY INDEX ***




Produced by David Widger from page images generously
provided by the Internet Archive








INDEX OF THE PROJECT GUTENBERG WORKS OF
FRANK E. SMEDLEY

Compiled by David Widger





CONTENTS

Click on the ## before each title to view a linked
table of contents for each of the four volumes.

Click on the title itself to open the original online file.

##  FRANK FAIRLEGH

##  HARRY COVERDALE’S COURTSHIP

##  FORTUNES OF THE COLVILLE FAMILY

##  LEWIS ARUNDEL








TABLES OF CONTENTS OF VOLUMES



FRANK FAIRLEGH

SCENES FROM THE LIFE OF A PRIVATE PUPIL

BY FRANK E. SMEDLEY

WITH TWENTY-EIGHT ILLUSTRATIONS BY GEORGE CRUIKSHANK

A NEW EDITION METHUEN & CO. LONDON 1904

This Issue is founded on the First Edition,
published by A. Hall, Virtue, & Co., in the year 1850.


Contents

FRANK FAIRLEGH

CHAPTER I ALL RIGHT! OFF WE GO!
CHAPTER II LOSS AND GAIN
CHAPTER III COLD-WATER CURE FOR THE HEARTACHE
CHAPTER IV THE ADVENTURE OF THE MACINTOSH
CHAPTER V MAD BESS
CHAPTER VI LAWLESS GETS THOROUGHLY PUT OUT
CHAPTER VII THE BOARD OF GREEN CLOTH
CHAPTER VIII GOOD RESOLUTIONS
CHAPTER IX A DENOUEMENT
CHAPTER X THE BOATING PARTY
CHAPTER XI BREAKERS AHEAD!
CHAPTER XII DEATH AND CHANGE
CHAPTER XIII CATCHING A SHRIMP
CHAPTER XIV THE BALL
CHAPTER XV RINGING THE CURFEW
CHAPTER XVI THE ROMAN FATHER
CHAPTER XVII THE INVISIBLE GIRL
CHAPTER XVIII THE GAME IN BARSTONE PARK
CHAPTER XIX TURNING THE TABLES
CHAPTER XX ALMA MATER
CHAPTER XXI THE WINE-PARTY
CHAPTER XXII TAMING A SHREW
CHAPTER XXIII WHAT HARRY AND I FOUND WHEN LOST
CHAPTER XXIV HOW OAKLANDS BROKE HIS HORSEWHIP
CHAPTER XXV THE CHALLENGE
CHAPTER XXVI COMING EVENTS CAST THEIR SHADOWS
CHAPTER XXVII THE DUEL
CHAPTER XXVIII   THE SUBSTANCE OF THE SHADOW
CHAPTER XXIX THE STRUGGLE IN CHESTERTON MEADOW
CHAPTER XXX MR. FRAMPTON'S INTRODUCTION TO A TIGER
CHAPTER XXXI HOW I RISE A DEGREE
CHAPTER XXXII CATCHING SIGHT OF AN OLD FLAME
CHAPTER XXXIII WOMAN'S A RIDDLE
CHAPTER XXXIV THE RIDDLE BAFFLES ME!
CHAPTER XXXV A MYSTERIOUS LETTER
CHAPTER XXXVI THE RIDDLE SOLVED
CHAPTER XXXVII THE FORLORN HOPE
CHAPTER XXXVIII    PACING THE ENEMY
CHAPTER XXXIX THE COUNCIL OF WAR
CHAPTER XL LAWLESS'S MATINÉE MUSICALE
CHAPTER XLI HOW LAWLESS BECAME A LADY'S MAN
CHAPTER XLII THE MEET AT EVERSLEY GORSE
CHAPTER XLIII A CHARADE — NOT ALL ACTING
CHAPTER XLIV CONFESSIONS
CHAPTER XLV HELPING A LAME DOG OVER A STILE
CHAPTER XLVI TEARS AND SMILES
CHAPTER XLVII A CURE FOR THE HEARTACHE
CHAPTER XLVIII PAYING OFF OLD SCORES
CHAPTER XLIX MR. FRAMPTON MAKES A DISCOVERY
CHAPTER L A RAY OF SUNSHINE
CHAPTER LI FREDDY COLEMAN FALLS INTO DIFFICULTIES
CHAPTER LII LAWLESS ASTONISHES MR. COLEMAN
CHAPTER LIII A COMEDY OF ERRORS
CHAPTER LIV MR. VERNOR MEETS HIS MATCH
CHAPTER LV THE PURSUIT
CHAPTER LVI RETRIBUTION
CHAPTER THE LAST   WOO'D AND MARRIED AND






List of Illustrations

Page27 —— Caught in a Trap

Page29 —— Ornamenting a Writing Desk

Page44 —— Mad Bess

Page56 —— Lawless Finds his Level

Page79 —— The Doctor Makes a Discovery

Page90 —— The Doctor Expels a Pupil

Page104 ——Frank Rescues Coleman

Page124 ——Fall of the Cadelabrum

Page133 ——Freddy Mystifies the Beadle

Page135 ——Eloping With the Fire-engine

Page167 ——The Wine Party

Page190 ——The Roused Lion

Page216 ——Result of Giving Satisfaction

Page231 ——Fairlegh to the Rescue

Page246 ——Hurrah! Room for the Governor

Page249 ——Shy Young Gentleman

Page253 —— A Mysterious Bonnet

Page266 —— An Unexpected Reverie

Page281 —— The Discovery

Page338 —— Lovers Leap

Page345 —— A Charade Not All Acting

Page382 —— A New Cure for the Heart-ache

Page398 —— A Striking Position

Page418 —— The Reconciliation

Page430 —— Mammon Worship

Page447 —— A Messenger of Evil

Page457 —— The Retribution

Page459 —— The Rescue




HARRY COVERDALE’S COURTSHIP,
AND ALL THAT CAME OF IT

By Frank E. Smedley,

1854






CONTENTS

PREFACE

HARRY COVERDALE’S COURTSHIP, AND ALL THAT CAME OF IT.

CHAPTER I.—TREATS OF THE PHILOSOPHY OF LIFE.

CHAPTER II.—AFFORDS A SPECIMEN OF HARRY’s “QUIET MANNER” WITH HIS TENANTRY.

CHAPTER III.—HAZLEHURST PLEADS HIS CAUSE AND WINS IT.

CHAPTER IV.—CONTAINS, AMONG OTHER “EXQUISITE” SKETCHES, A PORTRAIT OF A PUPPY

CHAPTER V.—PROVES THE ADVISABILITY OF LOOKING BEFORE YOU LEAP.

CHAPTER VI.—JEST AND EARNEST.

CHAPTER VII.—WHEREIN SYMPTOMS OF HARRY’S COUETSHIP BEGIN TO APPEAR ON A STORMY HORIZON.

CHAPTER VIII.—HARRY CONDESCENDS TO PLAY THE AGREEABLE.

CHAPTER IX.—CONTAINS LITTLE ELSE SAVE MOONSHINE.

CHAPTER X.—“EQUO NE CREDITE TEUCRI.”—(Virgil)

CHAPTER XI.—“POST EQUTTEM SEDET ATEA. CURA.”—(Horace)

CHAPTER XII.—HARRY PUTS HIS FOOT IN IT.

CHAPTER XIII.—“DEEPER AND DEEPER STILL.”

CHAPTER XIV.—DECIDEDLY EMBARRASSING.

CHAPTER XV.—RELATES THE UNEXPECTED BENEVOLENCE OF HORACE D’ALMAYNE.

CHAPTER XVI.—TREATS OF THINGS IN GENERAL.

CHAPTER XVII.—PLOTTING AND COUNTER-PLOTTING.

CHAPTER XVIII.—ALICE’S FIRST INTRODUCTION TO HER HUSBAND’S “QUIET MANNER.”

CHAPTER XIX.—A COMEDY OF ERRORS.

CHAPTER XX.—THE MORNING OF THE FIRST OF SEPTEMBER.

CHAPTER XXI.—THE EVENING OF THE SAME DAY.

CHAPTER XXII.—KATE SOWS THE WIND.

CHAPTER XXIII.—ADVICE GRATIS.

CHAPTER XXIV.—A STORM BREWING.

CHAPTER XXV.—THE STORM BURSTS.

CHAPTER XXVI.—THE ATMOSPHERE REMAINS CLOUDY.

CHAPTER XXVII.—THE PLEASURES OF KEEPING UP THE GAME

CHAPTER XXVIII.—ALICE SUCCOURS THE DISTRESSED.

CHAPTER XXIX.—HOW TO MAKE HOME HAPPY.

CHAPTER XXX.—INTRODUCES A LORDLY GALLANT.

CHAPTER XXXI.—SPIDERS AND FLIES.

CHAPTER XXXII.—A GLIMPSE AT THE GREEN-EYED MONSTER.

CHAPTER XXXIII.—TELEMACUUS AND MENTOR.

CHAPTER XXXIV.—CIRCE.

CHAPTER XXXV.—FLOWERS AND THORNS.

CHAPTER XXXVI.—ARCADIA IN THE NINETEENTH CENTURY.

CHAPTER XXXVII.—A CONCESSION, AND A “PARTIE QUARRÉE.”

CHAPTER XXXVIII.—SOME OF THE JOYS OF OUR DANCING DAYS.

CHAPTER XXXIX.—ARABELLA.

CHAPTER XL.—DEEPER AND DEEPER STILL.

CHAPTER XLI.—ADVICE GRATIS.

CHAPTER XLII.—L’EMBARRAS DES RICHESSES.

CHAPTER XLIII.—EATING WHITEBAIT.

CHAPTER XLIV.—LORD ALFRED COURTLAND SOWS A FEW WILD OATS.

CHAPTER XLV.—THE OVERTURE TO DON PASQUALE.

CHAPTER XLVI.—KATE BEGINS TO REAP THE WHIRLWIND.

CHAPTER XLVII.—A GLIMPSE AT THE CLOVEN FOOT.

CHAPTER XLVIII.—MAGNANIMITY.

CHAPTER XLIX.—ALICE PERCEIVES THE ERROR OP HER WAYS.

CHAPTER L.—THE LETTER.

CHAPTER LI.—OTHELLO VISITS CASSIO.

CHAPTER LII.—A GLEAM OF LIGHT.

CHAPTER LIII.—AFTER THE MANNER OF “BELL’S LIFE.”

CHAPTER LIV.—SETTLING PRELIMINARIES.

CHAPTER LV.—THE RACE.

CHAPTER LVI.—THE CATASTROPHE.

CHAPTER LVII.—AN ANONYMOUS LETTER.

CHAPTER LVIII.—DIAMOND CUT DIAMOND.

CHAPTER LIX.—HORACE WEATHERS THE STORM.

CHAPTER LX.—ANXIETY.

CHAPTER LXI.—ALICE APPOINTS HER SUCCESSOR.

CHAPTER LXII.—MRS. COVERDALE THINKS BETTER OF IT.

CHAPTER LXIII.—LORD ALFRED SEVERS HIS LEADING STRINGS.

CHAPTER LXIV.—D’ALMAYNE PLAYS HIS LAST CARD.

CHAPTER LXV.—SETTLES EVERYBODY AND EVERYTHING.












THE FORTUNES OF THE COLVILLE FAMILY

or, A Cloud with its Silver Lining

By Frank E. Smedley

1867




CONTENTS

THE FORTUNES OF THE COLVILLE FAMILY.

CHAPTER I.—THE TWO PICTURES.

CHAPTER II.—THE BROTHERS.

CHAPTER III.—A ROMANTIC ADVENTURE.

CHAPTER IV.—SHUFFLING, DEALING, AND TURNING UP A KNAVE AND A TRUMP.

CHAPTER V.—A FAST SPECIMEN OF “YOUNG ENGLAND.”

CHAPTER VI.—THE CONSPIRACY.

CHAPTER VII.—TEMPTATION.

CHAPTER VIII.—NORMAN’S REVENGE.

CHAPTER IX.—THE DISCOVERY.

CHAPTER X.—THE TRIBUNAL OF JUSTICE.

CHAPTER XI.—LOSS AND GAIN.

CHAPTER XII.—THE ROSEBUD SKETCHES FROM MEMORY.

CHAPTER XIII.—AN ‘ELEGANT EXTRACT’ FROM BLAIR’s SERMONS.

CHAPTER XIV.—CONTAINS MUCH DOCTOR’S STUFF, AND OTHER RUBBISH.

CHAPTER XV.—SETTLES THREE OF THE DRAMATIS PERSONÆ.

CHAPTER XVI.—AND LAST.—THE MORAL DRAWN VERY MILD!












LEWIS ARUNDEL

Or, The Railroad Of Life

By Frank E. Smedley,

1852






CONTENTS

CHAPTER I.—IN WHICH THE TRAIN STARTS, AND THE READER IS INTRODUCED TO THREE FIRST-CLASS PASSENGERS.

CHAPTER II.—SHOWING HOW LEWIS LOSES HIS TEMPER, AND LEAVES HIS HOME.

CHAPTER III.—IN WHICH RICHARD FRERE MENDS THE BACK OF ST. THOMAS AQUINAS, AND THE READER IS INTRODUCED TO CHARLEY LEICESTER.

CHAPTER IV.—LEWIS ENLISTS UNDER A “CONQUERING HERO,” AND STARTS ON A DANGEROUS EXPEDITION.

CHAPTER V.—IS OF A DECIDEDLY WARLIKE CHARACTER.

CHAPTER VI.—IN WHICH LEWIS ARUNDEL SKETCHES A COW, AND THE AUTHOR DRAWS A YOUNG LADY.

CHAPTER VII.—WHEREIN THE READER IS INTRODUCED TO MISS LIVINGSTONE, AND INFORMED WHO IS THE GREATEST MAN OF THE AGE.

CHAPTER VIII.—LEWIS RECEIVES A LECTURE AND A COLD BATH.

CHAPTER IX.—WHEREIN RICHARD FRERE AND LEWIS TURN MAHOMETANS.

CHAPTER X.—CONTAINS A PRACTICAL COMMENTARY ON THE PROVERB, “ALL IS NOT GOLD WHICH GLITTERS.”

CHAPTER XI.—TOM BRACY MEETS HIS MATCH.

CHAPTER XII.—LEWIS FORFEITS THE RESPECT OF ALL POOR-LAW GUARDIANS.

CHAPTER XIII.—IS CHIEFLY HORTICULTURAL, SHOWING THE EFFECTS PRODUCED BY TRAINING UPON A SWEET AND DELICATE ROSE.

CHAPTER XIV.—PRESENTS TOM BRACY IN A NEW AND INTERESTING ASPECT.

CHAPTER XV.—CONTAINS A DISQUISITION ON MODERN POETRY, AND AFFORDS THE READER A PEEP BEHIND THE EDITORIAL CURTAIN.

CHAPTER XVI.—MISS LIVINGSTONE SPEAKS A BIT OF HER MIND.

CHAPTER XVII.—CONTAINS MUCH FOLLY AND A LITTLE COMMON SENSE.

CHAPTER XVIII.—LEWIS RECEIVES A MYSTERIOUS COMMUNICATION, AND IS RUN AWAY WITH BY TWO YOUTHFUL BEAUTIES.

CHAPTER XIX.—CHARLEY LEICESTER BEWAILS HIS CRUEL MISFORTUNE.

CHAPTER XX.—SOME OF THE CHARACTERS FALL OUT AND OTHERS FALL IN.

CHAPTER XXI.—FAUST GETS ON SWIMMINGLY, AND THE READER IS INTRODUCED TO A DIVING BELLE “WRINGING” WET.

CHAPTER XXII.—THE TRAIN ARRIVES AT AN IMPORTANT STATION.

CHAPTER XXIII.—DE GRANDEVILLE THREATENS A CONFIDENCE AND ELICITS CHARLEY LEICESTER’S IDEAS ON MATRIMONY.

CHAPTER XXIV.—RELATES HOW CHARLEY LEICESTER WAS FIRST “SPRIGHTED BY A FOOL,” THEN BESET BY AN AMAZON.

CHAPTER XXV.—CONTAINS A MYSTERIOUS INCIDENT, AND SHOWS HOW THE COURSE OF TRUE LOVE NEVER DOES RUN SMOOTH.

CHAPTER XXVI.—SUNSHINE AFTER SHOWERS.

CHAPTER XXVII.—BROTHERLY LOVE “À LA MODE.”

CHAPTER XXVIII.—BEGINS ABRUPTLY AND ENDS UNCOMFORTABLY.

CHAPTER XXIX.—DE GRANDEVILLE MEETS HIS MATCH.

CHAPTER XXX.—THE GENERAL TAKES THE FIELD.

CHAPTER XXXI.—IS CHIEFLY CULINARY, CONTAINING RECIPES FOR A “GOOD PRESERVE” AND A “PRETTY PICKLE.”

CHAPTER XXXII—LEWIS MAKES A DISCOVERY AND GETS INTO A “STATE OF MIND.”

CHAPTER XXXIII.—CONTAINS SUNDRY DEFINITIONS OF WOMAN “AS SHE SHOULD BE,” AND DISCLOSES MRS. ARUNDEL’S OPINION OF RICHARD FRERE.

CHAPTER XXXIV.—ROSE AND FRERE GO TO VISIT MR. NONPAREIL THE PUBLISHER.

CHAPTER XXXV.—HOW RICHARD FRERE OBTAINED A SPECIMEN OF THE “PODICEPS CORNUTUS.”

CHAPTER XXXVI.—RECOUNTS “YE PLEASAUNTE PASTYMES AND CUNNYNGE DEVYCES” OF ONE THOMAS BRACY.

CHAPTER XXXVII.—WHEREIN IS FAITHFULLY DEPICTED THE CONSTANCY OF THE TURTLE-DOVE.

CHAPTER XXXVIII.—DESCRIBES THE HUMOURS OF A LONDON DINNER-PARTY IN THE NINETEENTH CENTURY.

CHAPTER XXXIX.—IS IN TWO FYTTES—VIZ., FYTTE THE FIRST, A SULKY FIT—FYTTE THE SECOND, A FIT OF HYSTERICS.

CHAPTER XL.—SHOWS, AMONGST OTHER MATTERS, HOW RICHARD FRERE PASSED A RESTLESS NIGHT.

CHAPTER XLI.—ANNIE GRANT FALLS INTO DIFFICULTIES.

CHAPTER XLII.—A TÊTE-À-TÊTE, AND A TRAGEDY.

CHAPTER XLIII.—WHEREIN FAUST “SETS UP” FOR A GENTLEMAN, AND TAKES A COURSE OF SERIOUS READING.

CHAPTER XLIV.—LEWIS PRACTICALLY TESTS THE ASSERTION THAT VIRTUE IS ITS OWN REWARD, AND OBTAINS AN UNSATISFACTORY RESULT.

CHAPTER XLV.—ANNIE GRANT TAKES TO STUDYING GERMAN, AND MEETS WITH AN ALARMING ADVENTURE.

CHAPTER XLVI.—IS CALCULATED TO “MURDER SLEEP” FOR ALL NERVOUS YOUNG LADIES WHO READ IT.

CHAPTER XLVII.—CONTAINS A “MIDNIGHT STRUGGLE,” GARNISHED WITH A DUE AMOUNT OF BLOODSHED, AND OTHER NECESSARY HORRORS.

CHAPTER XLVIII.—WHEREIN THE READER DIVERGES INTO A NEW BRANCH OF “THE RAILROAD OF LIFE” IN A THIRD-CLASS CARRIAGE.

CHAPTER XLIX.—CONTAINS A PARADOX—LEWIS, WHEN LEAST RESIGNED, DISPLAYS THE VIRTUE OF RESIGNATION.

CHAPTER L.—SHOWS HOW LEWIS CAME TO A “DOGGED” DETERMINATION, AND WAS MADE THE SHUTTLECOCK OF FATE.

CHAPTER LI.—CONTAINS MUCH SORROW, AND PREPARES THE WAY FOR MORE.

CHAPTER LII.—VINDICATES THE APHORISM THAT “’TIS AN ILL WIND WHICH BLOWS NO ONE ANY GOOD.”

CHAPTER LIII.—DEPICTS THE MARRIED LIFE OF CHARLEY LEICESTER.

CHAPTER LIV.—TREATS OF A METAMORPHOSIS NOT DESCRIBED BY OVID.

CHAPTER LV.—IS DECIDEDLY ORIGINAL, AS IT DISPLAYS MATRIMONY IN A MORE FAVOURABLE LIGHT THAN COURTSHIP.

CHAPTER LVI.—LEWIS ATTENDS AN EVENING PARTY, AND NARROWLY ESCAPES BEING “CUT” BY AN OLD ACQUAINTANCE.

CHAPTER LVII.—WALTER SEES A GHOST.

CHAPTER LVIII.—CONTAINS MUCH PLOTTING AND COUNTERPLOTTING.

CHAPTER LIX.—DESCRIBES THAT INDESCRIBABLE SCENE, “THE DERBY DAY.”

CHAPTER LX.—CONTAINS SOME “NOVEL” REMARKS UPON THE ROMANTIC CEREMONY OF MATRIMONY.

CHAPTER LXI.—“WE MET, ’TWAS IN A CROWD!”

CHAPTER LXII.—“POINTS A MORAL,” AND SO IT IS TO BE HOPED “ADORNS A TALE.”

CHAPTER LXIII.—SHOWS HOW IT FARED WITH THE LAMB WHICH THE WOLF HAD WORRIED.

CHAPTER LXIV.—THE FATE OF THE WOLF!

CHAPTER LXV.—FAUST PAYS A MORNING VISIT.

CHAPTER LXVI.—URSA MAJOR SHOWS HIS TEETH.

CHAPTER LXVII.—RELATES HOW, THE ECLIPSE BEING OVER, THE SUN BEGAN TO SHINE AGAIN.

CHAPTER LXVIII.—LEWIS OUT-GENERALS THE GENERAL, AND THE TRAIN STOPS.









End of the Project Gutenberg EBook of Index of The Project Gutenberg Works
of Frank E. Smedley, by Frank E. Smedley

*** END OF THIS PROJECT GUTENBERG EBOOK FRANK E. SMEDLEY INDEX ***

***** This file should be named 57626-h.htm or 57626-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/7/6/2/57626/

Produced by David Widger from page images generously
provided by the Internet Archive


Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.



Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.



The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.