The Project Gutenberg eBook, A Day at the County Fair, by Alice Hale Burnett, Illustrated by Charles F. Lester This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Day at the County Fair Author: Alice Hale Burnett Release Date: December 27, 2007 [eBook #23999] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK A DAY AT THE COUNTY FAIR*** E-text prepared by Roberta Staehlin, Suzanne Shell, and the Project Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 23999-h.htm or 23999-h.zip: (https://www.gutenberg.org/dirs/2/3/9/9/23999/23999-h/23999-h.htm) or (https://www.gutenberg.org/dirs/2/3/9/9/23999/23999-h.zip) The Merryvale Girls A DAY AT THE COUNTY FAIR by ALICE HALE BURNETT Author of "Beth's Garden Party," "Geraldine's Birthday Surprise," "A Day at the County Fair," Etc. Pictures by Charles F. Lester The New York Book Co. 201-213 East 12th Street New York Copyright, 1916, by American Authors Publishing Co. CONTENTS CHAPTER PAGE I. THE INVITATION 9 II. THE MOTOR TRIP 15 III. THE PICNIC LUNCH 22 IV. THE FUN BEGINS 25 V. THE GREASED POLE 32 VI. JERRY'S TREAT 37 VII. UNCLE BILLY'S STORY 44 VIII. AN EXCITING MOMENT 52 IX. HOME AGAIN 58 [Illustration: With a queer swaying motion the huge ball rose slowly in the air.] A DAY AT THE COUNTY FAIR CHAPTER I THE INVITATION "Oh, push it harder, much harder, so I can go away up to the tree tops," cried Jerry. "Don't you just love to fly through the air this way?" Mary Lee gave the swing one more push. "There!" she exclaimed, "that's the best I can do, Geraldine White. I'm hot all over now," and she dropped down on the soft grass at the foot of a big tree. "After the old cat dies, I'll give you a fine swing," promised Jerry. "You'll think you're in an airship." "Indeed you won't," protested Mary. "It's horrid and makes me feel ill. Oh, look," she exclaimed, "here comes Beth Burton." Flying down the street, her hair streaming behind her, came Beth, her cheeks aglow and her dark eyes dancing with excitement. Mary had run at once to meet her and Jerry followed as soon as she could stop the swing. "It's the loveliest news," panted Beth when she had reached them--"an invitation." "Oh, do tell us what it is," demanded the other two in chorus. "Well," continued Beth, placing an arm about each as they all walked up the path, "it's to go motoring. My uncle Billy is going to take us," and she gave each girl a little hug. "But that isn't all," she added. "There's a surprise on the end of the ride." Jerry danced up the path with joy. "A motor ride and a surprise all in one day," thought Jerry. "I think it's just dear of him to ask us to go, too," said Mary. "He could have taken you alone." Beth smiled, as she replied: "It wouldn't be half as much fun without you, and I don't know what the surprise is, either; Uncle Billy wouldn't tell me." Jerry suddenly stopped dancing. "Mary Lee," she said, "you're just as big a goose as I am. We've never asked Beth when it's to be." "Why, to-day, of course," was the laughing answer; "that's why I hurried so. We'll stop for you both at eleven o'clock, and Uncle Billy says he'll bring us all back safely by six o'clock to-night. I do hope your mothers will allow you to go." "Oh, mercy! I must hurry. I'll have to ask Mother, and then change my dress," and Mary darted down the path. "I'll come back here when I'm ready," she called to them over her shoulder. "I shall have to hurry home, too," laughed Beth, "but, Jerry, before I leave, do go in and ask your mother if you may go." It took but a moment for Jerry to reach the house and in another she had reached the room where her mother sat sewing. "Oh, it's going to be such fun! May I go? The whole day, and a motor ride, and a surprise, too. Isn't it sweet of Beth?" "Jerry, what are you talking about?" asked Mrs. White; "a motor ride and a surprise; what do you mean, dear?" "Oh," giggled Jerry, "I always get mixed up when I talk fast," and standing beside her mother, she explained about the invitation she had just received from Beth. "Indeed you may go, and I'm sure you will enjoy it very much," was her mother's reply. "But now you'd better run upstairs and get ready, for you haven't much time." Jerry, happy to receive her mother's permission, flew to the door. "It's all right, Beth dear," she called. "I may go." "Oh, I'm so glad," answered Beth; "be sure you're ready at eleven." CHAPTER II THE MOTOR TRIP "Mercy, goodness! Five minutes to eleven, and I can't find my hat," and poor Jerry darted from one closet to another in her search. "Where do you suppose it is?" "It's just where you left it," answered Mary, who had arrived ten minutes before and had been helping Jerry hunt for the missing hat. "Now stop running around and try to think a minute." Jerry stood still and thought very hard. "Why, I believe it's--it's in my hat box, you dear thing! Why didn't you tell me to do that before?" and Jerry darted up the stairs to her room, and in another minute called out: "Yes, here it is, safe and sound," at which Mary burst into laughter. "Honk, honk!" sounded from without. "Here they are,--here they come," and both girls flew to meet Beth, who had just stepped out of the car as it stopped before the house. Mrs. White followed the girls down the path and Uncle Billy smilingly promised her to have the girls home before dark. "Jerry, you sit in front for a while with Uncle Billy," suggested Beth. "I think it will be nice if we take turns riding beside him." "Fine idea," laughed Uncle Billy, "then I can get acquainted with all of you." Jerry climbed in the front seat while Mary and Beth sat in the wide seat behind, with a large wicker lunch basket on the floor before them. "Good-bye," they called as the car started, and Mrs. White waved her handkerchief until they were out of sight. It was the beautiful month of September and the leaves were turning to red and gold. The air was soft and cool against their faces and the sky was dotted here and there with tiny white clouds that looked like little ships sailing on an ocean of blue. Uncle Billy had headed the car toward the west and it sped down the country road, leaving the town of Merryvale far behind. Past fields and farms they flew, through woodlands and over little bridges under which ran tiny, bubbling brooks. "It's like being in fairyland," whispered Mary. "Look, the leaves have made a gold and crimson carpet." "Yes, and at night the fairies dance in the moonlight," answered Beth, "and drink honey from the blue bells. Wouldn't that soft mossy bank make a lovely throne for the queen?" [Illustration: "Don't you just love to fly through the air this way?" cried Jerry.] "What are you two talking about?" demanded Jerry, turning around in her seat and facing them. "I don't believe you know that Beth's Uncle Billy let me drive this car for a long way and he hardly helped at all." "Well, I should say we didn't, or we'd have been scared to death," laughed Beth. "Well, it's not half as dangerous as driving an airship, and I'm going to do that some day. I'd love to go away up above the clouds." "And talk to the man in the moon, I suppose," teased Mary. "That would be fun, if you didn't have any engine trouble," chuckled Uncle Billy, joining in the fun. "What's engine trouble?" demanded Jerry. "Do you mean something happening to the works of it?" "That's it," declared Uncle Billy, "and when it happens down you come faster than even you would like." "Just down right side up or head over heels," insisted Jerry. "Well, it needn't make any difference to you, because you are not going to do it, Geraldine White," interrupted Beth, looking at Mary, who hastened to agree with her. "Lots of times I've wished I were a boy," sighed Jerry. "Nobody ever seems to mind what they do." "What's the surprise, Uncle Billy?" asked Beth. "Why are you stopping?" "I don't know myself," said Uncle Billy with a frown on his forehead, as the car gradually came to a stop, "but I'll have to find out." "Whatever's the matter?" cried Jerry. "Do you think we're having engine trouble?" and she hopped out and stood by the roadside gazing at the car. "Nothing so easy as that," answered Uncle Billy, in great disgust; "it's gas. We have run out of it. Looks as though they didn't fill up the tank in the garage before we started, as I told them to do." "Gasoline!" gasped Beth, "and that's what makes it go." CHAPTER III THE PICNIC LUNCH "Oh, cheer up," said Uncle Billy in his jolly way, "some one will be along before a great while and we'll all drive to the nearest town with them." Beth stood up on the seat and clapped her hands. "Listen, everyone," she said, "let's have luncheon while we're waiting." All were delighted with her plan and in less time than it takes to tell it the basket was lifted out of the car and in the shade of a large tree close by the little party made merry over the dainty sandwiches and iced lemonade. There were little cakes, too, with pink and white icing. "I know Martha made these," commented Jerry; "they taste like a cake we had at your party, Beth." Uncle Billy declared that never before in his life had he eaten so many good things, all at one time. "There's a wagon!" and Mary, who had been the first to see it, jumped to her feet and pointed up the road toward a farm wagon, piled high with hay, which was approaching them. Uncle Billy started off at once to meet it and while the girls were busily packing the things back into the basket he was telling the man who drove the wagon about their mishap. "You can all come along with me to town and then send some one back with gasoline to fetch in your car, if you like. I'm driving in to the county fair," explained the farmer. "Fine!" decided Uncle Billy. "We'll do it." So in great haste the girls were soon swung up, one by one, to the top of the hay. Then Uncle Billy climbed on. "All aboard!" he shouted, and at the word the farmer started his team. As the wagon bumped and swayed along the road, the girls held hands to keep from sliding off. CHAPTER IV THE FUN BEGINS "Did you ever see so many wagons in all your life? Why, there are hundreds of them," declared Jerry, when they had reached the little town and were driving down the main street. "How would you like to go to the fair?" suggested Uncle Billy with his eyes twinkling with merriment. "Oh, do you really mean it?" questioned Mary. "I've always wanted to see a county fair." "So have I," echoed each of the others. "All right; it's a bargain," nodded Uncle Billy. "You all wait here," he told the girls a few minutes later, as he helped them out of the wagon, "while I get some one to bring the car into town." He left the girls chatting together in great excitement over the unexpected treat, and when he returned there were a great many questions to answer as he led the way toward the great entrance gate. "Tickets, tickets to the fair grounds! Here you are, boss! This way to the ticket booth." "I wonder if he thinks you all belong to me?" said Uncle Billy, smiling and nodding to the man in the plaid suit and high hat who had addressed them. "How funny!" laughed Beth. "You don't look a bit like our fathers." "There's the merry-go-round," pointed out Mary when they were inside the grounds, "and there's one of those funny houses you get lost in." "Oh," exclaimed Jerry to Uncle Billy, "look at yourself in that mirror. You're only a foot high and fat as a butter ball." The three girls laughed until they cried, as Uncle Billy bowed and smiled at himself before the mystic mirror that made the tallest person seem short and squatty. "Let's ride on the merry-go-round," proposed Beth; "it's almost ready to start." "Jump aboard," ordered her uncle, "I'll see to the tickets." Jerry had at once chosen a very wild-looking lion to ride upon, but Mary and Beth decided on two beautiful white horses, that rose up and down on the iron rods that ran through their wooden bodies, as the platform circled about. The music was a jolly tune that the girls had heard before, so they laughed and sang and waved each time to Uncle Billy as they sped past him. When the ride was over they walked to the other side of the grounds, where a great crowd had gathered. "What is it?" asked Jerry. "What is the fun about?" for everyone seemed to be laughing. Uncle Billy soon found a place for the girls near the inner circle, and to their great surprise they saw a number of boys trying to catch some very shiny little black pigs within a small enclosure. The crowd roared with delight whenever a pig would slip through the fingers of the boy trying to catch him. "What makes them so shiny?" asked Beth, "and why do they want to catch them?" "Why, grease makes them shiny," replied Uncle Billy, "and the boy who is clever enough to catch one gets the pig, or a prize." "I do hope that boy with the red hair and freckles will catch his," whispered Mary; "he looks just like a boy I know." "Oh, I know whom you mean;--Reddy," said Jerry with a smile. "Isn't it dreadful the way those pigs squeal," and Beth put her hands over her ears to shut out the sound. At last the red-haired boy, whom Mary hoped would win, drove a pig into a corner, and as the crowd watched he managed to grasp it by a fore and hind leg and held it close to him. "Now I've got you, you little rascal!" he cried, and the crowd cheered as the little black pig wriggled in his arms and tried in vain to get away. The boy was now shown a number of prizes from which to choose. He selected a silver watch and chain, with which he started off as proud as a peacock. "You brought him good luck, wishing that he would win," said Beth to Mary as they turned to go. CHAPTER V THE GREASED POLE "Did you ever see such large tomatoes?" exclaimed Jerry, pointing to a booth where some prize vegetables were being exhibited. "I'm glad you like them," said a fat, smiling old woman who was standing near them, "for I grew them myself and they're prize winners." "Oh, I don't see how you ever did it," declared Jerry. "I had a garden once and most everything died but the weeds." "Well, my dear, wasn't that just too bad? Perhaps you forgot to water the plants. It's a bit of care every day that brings them along," and she patted Jerry's rosy cheeks. "I guess the poor things starved to death," thought Jerry as she joined the others, "for I'm sure I often forgot them." "What an enormous pumpkin, Uncle Billy. Do you think it's real?" asked Beth, as they stopped before a large display of them. "Yes, of course it's real," he assured her, "and just think of all the good pies it will make." "I wonder if Cinderella's chariot was as big a pumpkin as that," mused Mary. "What are those funny looking poles over there, with cross pieces at the top?" Jerry exclaimed, "there's a boy trying to climb up one of them." "Let's go over and see," suggested one of the others, so they made their way over and joined the crowd about the two poles and were soon watching the boys who tried to climb up to secure the presents hanging from the cross pieces. "I believe they are greased to be slippery like the pigs were," remarked Mary. "They are," Uncle Billy replied, "it's a game brought over from France." It did seem for a while that not one of the boys ever would succeed in reaching the top. They would climb up a short way and then slide back, while the crowd laughed and cheered. [Illustration: "Now I've got you, you little rascal!" he cried, and the crowd cheered.] Finally a long-legged boy twisted himself around one of the poles and with funny, quick motions worked his way up near the top. "Oh, I do hope he gets there," whispered Jerry, under her breath as the boy had almost reached the top, "his clothes look so ragged and poor." "He's up," shouted the crowd. "What's he going to take?" The boy now had one arm thrown about the crosspiece and was looking at all the different things he had to choose from. "Take your time, sonny; look them all over first," called out a good-natured man in the crowd below, but the boy was quick to decide and slid a shining pair of skates from off the pole across his shoulders. "They'll come in handy before very long," he told the crowd with a laugh as he came down the pole. "Good for you, Spider," called out his boy friends, running up to admire the fine new skates which he was proud to show. "What a horrid name," commented Beth, "but I'm glad he won." CHAPTER VI JERRY'S TREAT Uncle Billy now led the party over to the pop corn and peanut stand where he made several purchases for them, after which he told Jerry that he had a treat in store for her. "It's a secret between us and we'll tell you all about it when we get back," he said to the others. "Now what would you like to do while we are away?" "Ride on the merry-go-round," declared both the girls in a breath, and so after a few minutes, when they had reached the merry-go-round a long string of tickets was handed Beth and she willingly promised to remain there until Uncle Billy returned. "What is it we're going to do?" asked Jerry in great excitement, dancing along beside Uncle Billy as they started away. "Away over your head I see something," he answered--"something round like a ball, with a basket hanging beneath it. Can you guess what it is?" "Oh, do stop teasing," pleaded Jerry, "and tell me." "It's a balloon," replied Uncle Billy. "Would you like to go up in it?" "Oh, yes," she answered, her eyes dancing with delight. "Will it sail away off?" "No, Jerry, it won't or you wouldn't catch me going up in it. I'm going to look it all over first to find out if it's perfectly safe." "But suppose the rope should break?" insisted Jerry as they hurried along. "We'd let the gas escape from the bag, and that would make the balloon sink slowly to the earth. Of course we would not let all of the gas out, but just enough to let it sink to the ground. Why, you little monkey," added Uncle Billy, "I believe you wanted it to break away," and he laughed at her daring. After the balloon ropes were well tested, both climbed into the basket where two women passengers were already standing beside the attendant. "Only fifty cents for ten minutes above the clouds," shouted the man selling tickets, "step this way and get off the earth." "He's trying to be funny, isn't he?" laughed Jerry as she held tightly to the basket's edge. "All aboard for the ascension," someone called, and with a queer, swaying motion and sudden lurches the huge ball of gas rose slowly into the air. "Oh, dear, I wish I'd never come!" exclaimed the woman standing next to Jerry. "Aren't you scared, little girl?" "Oh, but don't you like it?" was Jerry's surprised answer. "I think it's wonderful. It's almost like being a bird." Uncle Billy bent down to look at Jerry as they arose higher into the air. "Is it as fine as you thought it would be?" he asked. "Oh, it's heaps nicer," she cried, clapping her hands. "See how small everything is down there, and do you see the merry-go-round? What would Mary and Beth think if they knew?" "Over those hills is Merryvale," he pointed out. "That road winding in and out leads into the town. It's the one we came by." "Looks just like a piece of ribbon, doesn't it?" she answered. "Seems as though we've stopped going up now," she observed a moment later. "Well, thank goodness," sighed the woman seated next to her, "I'm sure it's plenty high enough for anybody. I'm most scared out of my wits now." Jerry squeezed Uncle Billy's hand as she looked up at him. "She's afraid," she whispered. "Which way is the ocean, Uncle Billy?" she added, a moment later. "Which one--you know we have two of them?" was his teasing reply. "Of course I know that, but I mean the Atlantic. That's the one I like the best because you go to Europe that way." Uncle Billy then pointed his long arm toward the east. "Away, way over there," he said. "My, but the world's an awfully big place," declared Jerry, "and to think my doll, Togo Sen, has crossed an ocean and I've never even seen one." When the ten minutes had passed the balloon commenced to descend. "It's been a beautiful surprise, Uncle Billy, I'll never forget it," said Jerry. "I thought it would make you happy," was his answer. CHAPTER VII UNCLE BILLY'S STORY "Here they are," cried Beth as Jerry and Uncle Billy came into view. "We thought you'd never come," she reproved as they drew near. "Where in the world have you two been?" "We haven't been anywhere in the world," laughed Jerry, "we've been far above it." "What are you talking about?" demanded Mary. "Tell us this minute." "Well, we've been ballooning," confessed Uncle Billy. "The very idea," gasped Beth. "Do you mean you dared to go up in one of those awful things?" "Well, I'm glad you didn't invite us to go, for we'd never have done it," declared Mary, as the others laughed. "Take a chance on a beautiful doll, only ten cents. Won't you young ladies take a chance?" said a boy, stepping up to them and waving a handful of tickets. "How do we know she's beautiful?" asked Uncle Billy. "We'd like to see her first." "Only a few tickets left," urged the boy, "you'd better take them now. The doll's right over there in the glass case for you to look at." The three girls darted off for a peep at the doll and Uncle Billy, after buying four tickets from the boy, followed them, and all stood gazing at the beautiful large French doll. "Oh, if one of us could only win her!" exclaimed Mary, "she would be so stylish at our parties with that lovely French look, and we would call her Mlle. Marie, like your French teacher, Beth." "We'd have to have very fancy parties when we invited her," responded Beth, "or she might turn up her nose." "We will call out the winning number from this spot in just a half hour from now," called the ticket seller, "and everyone be on hand who has a ticket." "Let's have some ice cream," suggested Uncle Billy, "it'll help pass the time while we're waiting to find out who's the lucky one." "Oh, goody, I love ice-cream!" exclaimed Mary. "Uncle Billy, you always think of the nicest things." When they had found a small table in one corner of the raised platform where refreshments were served, the little party seated themselves quickly and looked about at the crowds of people passing below them. "Isn't it pretty here?" observed Mary, looking at the garlands of leaves and flowers that covered the beams above their heads. "I think it's the best day I ever had," announced Jerry. The band, almost hidden by palms and huge ferns, now struck up a lively tune, and Beth tapped her fingers on the table as she kept time with the music. Uncle Billy ordered for each the cream she most liked and a generous plate of little cakes. "I'll take plain vanilla with chocolate sauce," he said to the waiter, and when Mary asked why he didn't take strawberry, as it was so good, he threw back his head and gave a hearty laugh. "I'll tell you," he said, "but you must promise never to repeat it." "We promise," they agreed, so leaning forward, until their heads were close together, he began: "It happened a long time ago. I was just eight years old, and had been told by my mother to take a strawberry shortcake she had made, to our church where a supper was being held." Here Uncle Billy paused and looked at each of the smiling faces before him. "I'm afraid you're going to think I was a pretty bad little chap," he said. "Oh, no, really we won't," they assured him, "do go on and tell us." "Well," he continued, "it was a long walk to the church, and after I had gone a way I sat down by the roadside to rest. Also I was very fond of strawberries, so I took just a peep to see what it looked like. Then I took, oh, just a little sample, to see how it tasted, and didn't I smack my lips over it. "And then, I'm ashamed to say what followed. Although I knew it was wrong I ate more and more until a fourth of it was gone, then what was I to do? I couldn't take it to the supper that way, so I decided to eat it all and hoped my mother wouldn't ask any questions when I got back home." "Oh," giggled Jerry, "did you do it?" "I almost did--there wasn't very much left when I started for home. My mother didn't say a word when she saw me, because as she told me years later, she didn't have to ask any questions, for my face was covered with strawberry stains and little flecks of cream. "Well, I went to bed early that night. I didn't feel any too well, and before long a real pain came and danced up and down inside me. Oh, wasn't I sorry I had eaten that cake. "Mother came in then, and I felt better--well enough to tell her about it. I said then I'd never eat strawberries as long as I lived. And I never have." [Illustration: "I think," answered Mary, "I shall call her Elizabeth Geraldine for her two aunts."] Jerry laughed until the tears rolled down her cheeks, and Mary said it always happened to her that way, too, when she did bad things. Beth thought how sweet it must have been to have a mother to comfort you, for her mother had died when she was just a tiny girl. "We must hurry now," said Uncle Billy, "if we want to hear the lucky number called," so off they started. CHAPTER VIII AN EXCITING MOMENT "We're just in time," announced Mary, "and here comes the man who sold us the tickets." The crowd drew closer to the high box which served as a platform, as the man stepped upon it. The first thing he did was to open a shoe box, which he had been carrying under his arm. He then requested anyone who wished to step up so as to see that the numbers in the box ran from 1 to 100. Several people examined the slips in the box and seemed satisfied that what he had told them was true. "All right," he continued. "Now will some young lady step up on the platform and draw a number out of this box?" "Isn't it exciting," cried Jerry. "It's so near." Some one lifted a little girl of three or four years up to the platform and the man held the open box before her. "Everyone look at his number--we don't want to be kept waiting," he shouted. Uncle Billy then gave each of the girls one of the tickets he had bought and kept the fourth one himself. At a nod from the man, the little girl stretched out her hand and plunged it down into the box. "Just take one of them out," directed the man and the little tot smilingly obeyed, holding up one of the pieces of cardboard. "Number 97 wins the doll," called the man from the box, as his eyes swept the eager crowd. For a moment there was not a sound, then, "I have it," cried a hearty voice, so close to the girls that it made them jump, and Uncle Billy strode forward to show his number and receive the doll. A roar of laughter went up from the crowd as he placed the doll on his shoulder and started to return to the girls. "Isn't it wonderful," cried Mary in delight. "Oh, I'm so glad he got it," and Jerry jumped up and down in her excitement. "So am I," agreed Beth, "I'm so happy. But what will he do with it?" The crowd disappeared, and after Uncle Billy had joined the girls they found a seat where all could take their time to examine the beautiful new doll. "What will we name her?" inquired Mary, patting the doll's golden curls. "Aren't her eyes beautiful? They're blue like your's, Mary," remarked Jerry. Uncle Billy, who had said nothing up to this time, now drew a letter from his pocket from which he tore three little strips of paper. "I'm going to chance her all over again," he declared. "Each of you take a slip. The shortest wins the doll." "Not I," objected Jerry, "because I've had a balloon ride and I loved it more than anything else. Let Beth and Mary choose." "Oh, that wouldn't be fair," protested Mary. "Yes, it is," agreed Uncle Billy. "I understand. Jerry doesn't want to be selfish." "Well," insisted Beth, "I have the best of all, so I'm not going to draw." "What do you mean?" asked Mary. "Why, can't you guess, my Uncle Billy," laughed Beth. "He's only make believe yours, but he's really mine." Uncle Billy put his arm about her and kissed her happy face. "That's right, too," he said. "Little Beth has me." "Oh, Mary, don't you refuse, too," pleaded Jerry, her eyes shining, "or the poor dear won't have any home." Mary held out her arms to take the doll which Uncle Billy handed to her. "I'll love you always," she whispered, "and Annabel will love you too." "Well, what is her name to be?" asked Uncle Billy, as Mary with her new-found daughter stood before them. "I think," answered Mary, with a smile, holding the doll very close in her arms, "I shall call her 'Elizabeth Geraldine,' for her two aunts." CHAPTER IX HOME AGAIN "If we're going to get home before dark, as I promised, we'd better be moving along," said Uncle Billy. "I expect to find a man with our car outside the grounds." The three girls arose reluctantly from their seat on the long bench. "Well, I suppose the very best of days must come to an end," sighed Jerry. "Why, it hasn't ended yet," said Beth, cheeringly. "We still have the long ride home, and you must sit in front, for I'm sure Mary and I will have our hands full to keep Elizabeth Geraldine from falling out." "Yes," agreed Mary, "for don't you remember how we lost poor Annabel driving home from the party that day?" As Uncle Billy had planned, his car stood at the entrance gate, and he soon had the happy little party aboard. All the way home Jerry talked gaily to Uncle Billy, telling him all about the merry times she had with the others, and of her dog Patsy that she loved so well. "I must see him," declared Uncle Billy. "He must be a fine dog, from all that you say about him." Beth and Mary had many things to talk about. "Now we'll have to give a big party to introduce Elizabeth Geraldine to society," planned Beth. "Won't it be fun?" "We'll have to make new dresses for all the other children so they'll look nice too. And, of course, I shall have to make some plainer clothes for her," said Mary, looking at Elizabeth Geraldine, "because it wouldn't do for her to look so stylish all the time. Oh, Beth," she suddenly added, "it was just dear of you and Jerry to want me to have her. I'll never, never forget it." "Where's the first stop?" asked Uncle Billy, when they had reached the town of Merryvale. "Two blocks down on this side," directed Beth. "Mary lives in the brown house next to the corner." "I don't know what to say," declared Mary a few moments later as the car drew up before her door, "except that I've had a lovely time. It's been just like a fairy story," she laughed, "wishing for Elizabeth Geraldine and getting her." "Good-bye, dear," called out Beth and Jerry. "Good-bye, Uncle Billy," and Mary blew him a kiss from her fingertips as the car started away and he waved to her. When they reached Jerry's home, she threw her arms about Beth. "Oh, I've just had the best time, and I'll never forget you, Uncle Billy. It's been a wonderful day." Beth, who had now taken the front seat, sat close to Uncle Billy as they sped toward home. "You're the very best uncle in the world," she told him. "We've all been happy, but I've been the happiest of all." "You always will be, Beth, because you have found out that the greatest joy is in doing for others." THE END * * * * * THE MERRYVALE GIRLS By ALICE HALE BURNETT Four delightful books for the smaller girls, each a complete story in itself, describing in simple language the interesting experiences of Beth, Mary and Jerry, three little maids of Merryvale. * * * * * BETH'S GARDEN PARTY The three girls take part in a very formal little affair on the lawn of Beth's home. Each of the guests receives a present in the shape of a downy white kitten. The drive home in Beth's pony cart furnishes a few exciting moments, but Patsy bravely comes to the rescue. A DAY AT THE COUNTY FAIR The girls are taken to the fair in a motor, but a slight delay occurs on the way. How they finally arrived at the fair ground and their amusing experiences are most entertainingly told. GERALDINE'S BIRTHDAY SURPRISE Geraldine, whom of course we know better as Jerry, plays the part of hostess to her many friends, although it must be admitted that her guests knew of the affair before she did. A jolly evening is spent by the girls which is shared in by some of our young Merryvale boy friends. MARY ENTERTAINS THE SEWING CLUB Mary entertains the club at her home, and the efforts of some of the members cause many outbursts of merriment. The girls decide to hold a "fair of all nations" for the benefit of the Merryvale Day Nursery. Their many friends aid them and their plans succeed beyond their expectations. 12mo. Cloth. Illustrations in Color. 40c per vol., postpaid THE MERRYVALE BOYS By ALICE HALE BURNETT Six real stories for small boys, each complete in itself, telling about the many interesting doings of "Toad" and "Chuck" Brown, and their friends, "Fat," "Reddy" and others. The books are written so the boy may read and understand them and the action faithfully portrays boy life in a small town. * * * * * CIRCUS DAY AT MERRYVALE "Toad" and "Reddy," by good fortune, each earn two tickets to the circus, although they find watering elephants a harder task than it at first seemed. A jolly party of boys visit the circus. FATHER BROWN'S INDIAN TALE Dad's story is followed by an unexpected visitor who at first startles then interests all of the little party gathered around the fireside. THE PICNIC AT MERRYVALE Did you ever go to a picnic in a large farm wagon, filled with boys and girls? Then did you catch a fine lot of trout and broil them before a camp-fire? "Toad" and "Reddy" did these very things and had a day long to be remembered. CHRISTMAS HOLIDAYS IN MERRYVALE Daddy Williams' Toy Shop is the center of interest to "Toad" and his friends long before Christmas arrives. They plan a surprise that brings joy to a poor family. The boys erect snow forts and the two sides have a battle royal. MERRYVALE BOYS ON THE FARM "Toad's" grandmother invites him and "Reddy" to spend a month in the country. Their experiences at Sunnyside farm, with its horses, cows, pigs and chickens, are most entertainingly told, and they have the time of their lives boating, swimming and fishing in the creek. HALLOWE'EN AT MERRYVALE For many days the boys had been looking forward to the party to be held at Toad Brown's house, but the evening finally arrived and a number of new games were played, although a few things happened which were not on the program. _Illustrations in Color 12mo. Cloth 40c per Vol., Postpaid_ THE HICKORY RIDGE BOY SCOUTS A SERIES OF BOOKS FOR BOYS By Capt. Alan Douglas, Scout-master * * * * * The Campfires of the Wolf Patrol Their first camping experience affords the scouts splendid opportunities to us their recently acquired knowledge in a practical way. Elmer Chenoweth, a lad from the northwest woods, astonishes everyone by his familiarity with camp life. A clean, wholesome story every boy should read. Woodcraft; or, How a Patrol Leader Made Good This tale presents many stirring situations in which the boys are called upon to exercise ingenuity and unselfishness. A story filled with healthful excitement. Pathfinder; or, The Missing Tenderfoot Some mysteries are cleared up in a most unexpected way, greatly to the credit of our young friends. A variety of incidents follow fast, one after the other. Fast Nine; or, a Challenge from Fairfield They show the same team-work here as when in camp. The description of the final game with the team of a rival town, and the outcome thereof, form a stirring narrative. One of the best baseball stories of recent years. Great Hike; or, The Pride of The Khaki Troop After weeks of preparation the scouts start out on their greatest undertaking. Their march takes them far from home, and the good-natured rivalry of the different patrols furnishes many interesting and amusing situations. Endurance Test; or, How Clear Grit Won the Day Few stories "get" us more than illustrations of pluck in the face of apparent failure. Our heroes show the stuff they are made of and surprise their most ardent admirers. One of the best stories Captain Douglas has written. Under Canvas; or, The Hunt for the Cartaret Ghost It was hard to disbelieve the evidence of their eyes but the boys by the exercise of common-sense solved a mystery which had long puzzled older heads. Storm-bound; or, a Vacation Among the Snow Drifts The boys start out on the wrong track, but their scout training comes to the rescue and their experience proves beneficial to all concerned. * * * * * Boy Scout Nature Lore to be Found in The Hickory Ridge Boy Scout Series, all illustrated:-- Wild Animals of the United States--Tracking--Trees and Wild Flowers of the United States--Reptiles of the United States--Fishes of the United States--Insects of the United States and Birds of the United States. _Cloth Binding Cover Illustrations in Four Colors 40c. Per Volume_ The Campfire and Trail Series 1. IN CAMP ON THE BIG SUNFLOWER. 2. THE RIVALS OF THE TRAIL. 3. THE STRANGE CABIN ON CATAMOUNT ISLAND. 4. LOST IN THE GREAT DISMAL SWAMP. 5. WITH TRAPPER JIM IN THE NORTH WOODS. 6. CAUGHT IN A FOREST FIRE. 7. CHUMS OF THE CAMPFIRE. 8. AFLOAT ON THE FLOOD. By LAWRENCE J. LESLIE. A series of wholesome stories for boys told in an interesting way and appealing to their love of the open. _Each, 12mo. Cloth. 40 cents per volume_ THE NEW YORK BOOK COMPANY 201 EAST 12th STREET NEW YORK ***END OF THE PROJECT GUTENBERG EBOOK A DAY AT THE COUNTY FAIR*** ******* This file should be named 23999.txt or 23999.zip ******* This and all associated files of various formats will be found in: https://www.gutenberg.org/dirs/2/3/9/9/23999 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://www.gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://www.gutenberg.org/about/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://www.gutenberg.org/fundraising/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: https://www.gutenberg.org/fundraising/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.