The Project Gutenberg EBook Godolphin, by E. B. Lytton, Vol. 2
#178 in our series by Edward Bulwer-Lytton

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**EBooks Readable By Both Humans and By Computers, Since 1971**

*****These EBooks Were Prepared By Thousands of Volunteers*****


Title: Godolphin, Volume 2.

Author: Edward Bulwer-Lytton

Release Date: March 2005  [EBook #7751]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on May 27, 2003]

Edition: 10

Language: English

Character set encoding: ASCII




*** START OF THE PROJECT GUTENBERG EBOOK GODOLPHIN, BY LYTTON, V2 ***




This eBook was produced by Andrew Heath
and David Widger




GODOLPHIN, Volume 2.
By Edward Bulwer Lytton
(Lord Lytton)


CHAPTER XV.

THE FEELINGS OF CONSTANCE AND GODOLPHIN TOWARDS EACH OTHER.--THE
DISTINCTION IN THEIR CHARACTERS.--REMARKS ON THE EFFECTS PRODUCED BY THE
WORLD UPON GODOLPHIN.--THE HIDE.--RURAL DESCRIPTIONS.--OMENS.--THE FIRST
INDISTINCT CONFESSION.

Every day, at the hour in which Constance was visible, Godolphin had
loaded the keeper, and had returned to attend upon her movements.  They
walked and rode together; and in the evening, Godolphin hung over her
chair, and listened to her songs; for though, as I have before said, she
had but little science in instrumental music, her voice was rich and soft
beyond the pathos of ordinary singers.

Lady Erpingham saw, with secret delight, what she believed to be a growing
attachment.  She loved Constance for herself, and Godolphin for his
father's memory.  She thought again and again what a charming couple they
would make--so handsome--so gifted: and if Prudence whispered also--so
poor, the kind Countess remembered, that she herself had saved from her
ample jointure a sum which she had always designed as a dowry for
Constance, and which, should Godolphin be the bridegroom, she felt she
should have a tenfold pleasure in bestowing.  With this fortune, which
would place them, at least, in independence, she united in her kindly
imagination the importance which she imagined Godolphin's talents must
ultimately acquire; and for which, in her aristocratic estimation, she
conceived the senate the only legitimate sphere.  She said, she hinted,
nothing to Constance; but she suffered nature, youth, and companionship to
exercise their sway.

And the complexion of Godolphin's feelings for Constance Vernon did indeed
resemble love--was love itself, though rather love in its romance than its
reality.  What were those of Constance for him?  She knew not herself at
that time.  Had she been of a character one shade less ambitious, or less
powerful, they would have been love, and love of no common character.  But
within her musing, and self-possessed, and singularly constituted mind,
there was, as yet, a limit to every sentiment, a chain to the wings of
every thought, save those of one order; and that order was not of love.
There was a marked difference, in all respects, between the characters of
the two; and it was singular enough, that that of the woman was the less
romantic, and composed of the simpler materials.

A volume of Wordsworth's most exquisite poetry had then just appeared.
"Is not this wonderful?" said Godolphin, reciting some of those lofty,
but refining thoughts which characterise the Pastor of modern poets.

Constance shook her head.

"What! you do not admire it?"

"I do not understand it."

"What poetry do you admire?"

"This."

It was Pope's translation of the Iliad.

"Yes, yes, to be sure," said Godolphin, a little vexed; "we all admire
this in its way: but what else?"

Constance pointed to a passage in the Palamon and Arcite of Dryden.

Godolphin threw down his Wordsworth.  "You take an ungenerous advantage of
me," said he.  "Tell me something you admire, which, at least, I may have
the privilege of disputing,--something that you think generally
neglected."

"I admire few things that are generally neglected," answered Constance,
with her bright and proud smile.  "Fame gives its stamp to all metal that
is of intrinsic value."

This answer was quite characteristic of Constance: she worshipped fame far
more than the genius which won it.  "Well, then," said Godolphin, "let us
see now if we can come to a compromise of sentiment;" and be took up the
Comus of Milton.

No one read poetry so beautifully: his voice was so deep and flexible; and
his countenance answered so well to every modulation of his voice.
Constance was touched by the reader, but not by the verse.  Godolphin had
great penetration; he perceived it, and turned to the speeches of Satan in
Paradise Lost.  The noble countenance before him grew luminous at once:
the lip quivered, the eye sparkled; the enthusiasm of Godolphin was not
comparable to that of Constance.  The fact was, that the broad and common
emotions of the intellectual character struck upon the right key.
Courage, defiance, ambition, these she comprehended to their fullest
extent; but the rich subtleties of thought which mark the cold and bright
page of the Comus; the noble Platonism--the high and rare love for what is
abstractedly good, these were not "sonorous and trumpet-speaking" enough
for the heart of one meant by Nature for a heroine or a queen, not a
poetess or a philosopher.

But all that in literature was delicate, and half-seen, and abstruse, had
its peculiar charm for Godolphin.  Of a reflective and refining mind, he
had early learned to despise the common emotions of men: glory touched him
not, and to ambition he had shut his heart.  Love, with him--even though
he had been deemed, not unjustly, a man of gallantry and pleasure--love
was not compounded of the ordinary elements of the passions.  Full of
dreams, and refinements, and intense abstractions, it was a love that
seemed not homely enough for endurance, and of too rare a nature to hope
for sympathy in return.

And so it was in his intercourse with Constance, both were continually
disappointed.  "You do not feel this," said Constance.  "She cannot
understand me," sighed Godolphin.

But we must not suppose--despite his refinements, and his reveries, and
his love for the intellectual and the pure--that Godolphin was of a
stainless character or mind.  He was one who, naturally full of decided
and marked qualities, was, by the peculiar elements of our society,
rendered a doubtful, motley, and indistinct character, tinctured by the
frailties that leave us in a wavering state between vice and virtue.  The
energies that had marked his boyhood were dulled and crippled in the
indolent life of the world.  His wandering habits for the last few
years--the soft and poetical existence of the South--had fed his natural
romance, and nourished that passion for contemplation which the
intellectual man of pleasure so commonly forms; for pleasure has a
philosophy of its own--a sad, a fanciful, yet deep persuasion of the
vanity of all things--a craving after the bright ideal--

   "The desire of the moth for the star."

Solomon's thirst for pleasure was the companion of his wisdom: satiety was
the offspring of the one--discontent of the other.  But this philosophy,
though seductive, is of no wholesome nor usefnl character; it is the
philosophy of feelings, not principles--of the heart, not head.  So with
Godolphin: he was too refined in his moralising to cling to what was
moral.  The simply good and the simply bad he left for us plain folks to
discover.  He was unattracted by the doctrines of right and wrong which
serve for all men; but he had some obscure and shadowy standard in his own
mind by which he compared the actions of others.  He had imagination,
genius, even heart; was brilliant always, sometimes profound; graceful in
society, yet seldom social: a lonely man, yet a man of the world; generous
to individuals, selfish to the mass.  How many fine qualities worse than
thrown away!

Who will not allow that he has met many such men?--and who will not follow
this man to his end?

One day (it was the last of Godolphin's protracted visit) as the sun was
waning to its close, and the time was unusually soft and tranquil,
Constance and Godolphin were returning slowly home from their customary
ride.  They passed by a small inn, bearing the common sign of the
"Chequers," round which a crowd of peasants were assembled, listening to
the rude music which a wandering Italian boy drew from his guitar.  The
scene was rustic and picturesque; and as Godolphin reined in his horse and
gazed on the group, he little dreamed of the fierce and dark emotions with
which, at a far distant period, he was destined to revisit that spot.

"Our peasants," said he, as they rode on, "require some humanising
relaxation like that we have witnessed.  The music and the morris-dance
have gone from England; and instead of providing, as formerly, for the
amusement of the grinded labourer, our legislators now regard with the
most watchful jealousy his most distant approach to festivity.  They
cannot bear the rustic to be merry: disorder and amusement are words for
the same offence."

"I doubt," said the earnest Constance, "whether the legislators are not
right.  For men given to amusement are easily enslaved.  All noble
thoughts are grave."

Thus talking, they passed a shallow ford in the stream.  "We are not far
from the Priory," said Godolphin, pointing to its ruins, that rose greyly
in the evening skies from the green woods around it.

Constance sighed involuntarily.  She felt pain in being reminded of the
slender fortunes of her companion.  Ascending the gentle hill that swelled
from the stream, she now, to turn the current of her thoughts, pointed
admiringly to the blue course of the waters, as they wound through their
shagged banks.  And deep, dark, rushing, even at that still hour, went the
stream through the boughs that swept over its surface.  Here and there the
banks suddenly shelved down, mingling with the waves; then abruptly they
rose, overspread with thick and tangled umbrage, several feet above the
level of the river.

"How strange it is," said Godolphin, that at times a feeling comes over
us, as we gaze upon certain places, which associates the scene either with
some dim-remembered and dream-like images of the Past, or with a prophetic
and fearful omen of the Future!  As I gaze now upon this spot--those
banks--that whirling river--it seems as if my destiny claimed a mysterious
sympathy with the scene: when--how-wherefore--I know not--guess not: only
this shadowy and chilling sentiment unaccountably creeps over me.  Every
one has known a similar strange, indistinct, feeling at certain times and
places, and with a similar inability to trace the cause.  And yet, is it
not singular that in poetry, which wears most feelings to an echo, I leave
never met with any attempt to describe it?"

"Because poetry," said Constance, "is, after all, but a hackneyed
imitation of the most common thoughts, giving them merely a gloss by the
brilliancy of verse.  And yet how little poets _know!_  They _imagine,_
and they _imitate;_--behold all their secrets!"

"Perhaps you are right," said Godolphin, musingly; "and I, who have often
vainly fancied I had the poetical temperament, have been so chilled and
sickened by the characteristics of the tribe, that I have checked its
impulses with a sort of disdain; and thus the Ideal, having no vent in me,
preys within, creating a thousand undefined dreams and unwilling
superstitions, making me enamoured of the Shadowy and Unknown, and
dissatisfying me with the petty ambitions of the world."

"You will awake hereafter," said Constance, earnestly.

Godolphin shook his head, and replied not.

Their way now lay along a green lane that gradually wound round a hill
commanding a view of great richness and beauty.  Cottages, and spires, and
groves, gave life--but it was scattered and remote life--to the scene; and
the broad stream, whose waves, softened in the distance, did not seem to
break the even surface of the tide, flowed onward, glowing in the
sunlight, till it was lost among dark and luxuriant woods.

Both once more arrested their horses by a common impulse, and both became
suddenly silent as they gazed.  Godolphin was the first to speak: it
brought to his memory a scene in that delicious land, whose Southern
loveliness Claude has transfused to the canvas, and De Stael to the page.
With his own impassioned and earnest language, he spoke to Constance of
that scene and that country.  Every tree before him furnished matter for
his illustration or his contrast; and, as she heard that magic voice, and
speaking, too, of a country dedicated to love, Constance listened with
glistening eyes, and a cheek which he,--consummate master of the secrets
of womanhood--perceived was eloquent with thoughts which she knew not, but
which _he_ interpreted to the letter.

"And in such a spot," said he, continuing, and fixing his deep and
animated gaze on her,--"in such a spot I could have stayed for ever but
for one recollection, one feeling--_I should have been too much alone!_
In a wild or a grand, or even a barren country, we may live in solitude,
and find fit food for thought; but not in one so soft, so subduing, as
that which I saw and see.  Love comes over us then in spite of ourselves;
and I feel--I feel now--"his voice trembled as he spoke--"that any secret
we may before have nursed, though hitherto unacknowledged, makes itself at
length a voice.  We are oppressed with the desire to be loved; we long for
the courage to say we love."

Never before had Godolphin, though constantly verging into sentiment,
spoken to Constance in so plain a language.  Eye, voice, cheek--all spoke.
She felt that he had confessed he loved her!  And was she not happy at
that thought?  She was: it was her happiest moment.  But, in that sort of
vague and indistinct shrinking from the subject with which a woman who
loves hears a disclosure of love from him on whose lips it is most sweet,
she muttered some confused attempt to change the subject, and quickened
her horse's pace.  Godolphin did not renew the topic so interesting and so
dangerous, only, as with the winding of the road the landscape gradually
faded from their view, he said, in a low voice, as if to himself,--"How
long, how fondly, shall I remember this day!"

CHAPTER XVI.

GODOLPHIN'S RETURN HOME.--HIS SOLILOQUY.--LORD ERPINGHAM'S ARRIVAL AT
WENDOVER CASTLE.--THE EARL DESCRIBED.--HIS ACCOUNT OF GODOLPHIN'S LIFE AT
ROME.

With a listless step, Godolphin re-entered the threshold of his
cottage-home.  He passed into a small chamber, which was yet the largest
in his house.  The poor and scanty furniture scattered around; the old,
tuneless, broken harpsichord; the worn and tattered carpet; the tenantless
birdcage in the recess by the window; the bookshelves, containing some
dozens of worthless volumes; the sofa of the last century (when, if people
knew comfort, they placed it not in lounging) small, narrow, highbacked,
hard, and knotted; these, just as his father had left, just as his boyhood
had seen, them, greeted him with a comfortless and chill, though familiar
welcome.  It was evening: he ordered a fire and lights; and leaning his
face on his hand as he contemplated the fitful and dusky outbreakings of
the flame through the bars of the niggard and contracted grate, he sat
himself down to hold commune with his heart.

"So, I love this woman," said he, "do I?  Have I not deceived myself?  She
is poor--no connection; she has nothing whereby to reinstate my house's
fortunes, to rebuild this mansion, or repurchase yonder demesnes.  I love
her!  _I_ who have known the value of her sex so well, that I have said,
again and again, I would not shackle life with a princess!  Love may
withstand possession--true--but not time.  In three years there would be
no glory in the face of Constance, and I should be--what?  My fortunes,
broken as they are, can support me alone, and with my few wants.  But if
married! the haughty Constance my wife!  Nay, nay, nay! this must not be
thought of!  I, the hero of Paris! the pupil of Saville!  I, to be so
beguiled as even to _dream_ of such a madness!

"Yet I have that within me that might make a stir in the world--I might
rise.  Professions are open; the Diplomacy, the House of Commons.  What!
Percy Godolphin be ass enough to grow ambitious! to toil, to fret, to
slave, to answer fools on a first principle, and die at length of a broken
heart for a lost place!  Pooh, pooh!  I, who despise your prime ministers,
can scarcely stoop to their apprenticeship.  Life is too short for toil.
And what do men strive for?--to enjoy: but why not enjoy without the toil?
And relinquish Constance?  Ay, it is but one woman lost!"

So ended the soliloquy of a man scarcely of age.  The world teaches us its
last lessons betimes; but then, lest we should have nothing left to
acquire from its wisdom, it employs the rest of our life in unlearning all
that it first taught.

Meanwhile, the time approached when Lord Erpingham was to arrive at
Wendover Castle; and at length came the day itself.  Naturally anxious to
enjoy as exclusively as possible the company of her son the first day of
his return from so long an absence, Lady Erpingham had asked no one to
meet him.  The earl's heavy travelling-carriage at length rolled
clattering up the court-yard; and in a few minutes a tall man, in the
prime of life, and borrowing some favourable effect as to person from the
large cloak of velvet and furs which hung round him, entered the room, and
Lady Erpingham embraced her son.  The kind and familiar manner with which
he answered her inquiries and congratulations was somewhat changed when he
suddenly perceived Constance.  Lord Erpingham was a cold man, and, like
most cold men, ashamed of the evidence of affection.  He greeted Constance
very quietly; and, as she thought, slightly: but his eyes turned to her
far more often than any friend of Lord Erpingham's might ever have
remarked those large round hazel eyes turn to any one before.

When the earl withdrew to adjust his toilet for dinner, Lady Erpingham, as
she wiped her eyes, could not help exclaiming to Constance, "Is he not
handsome?  What a figure!"

Constance was a little addicted to flattery where she liked the one who
was to be flattered, and she assented readily enough to the maternal
remark.  Hitherto, however, she had not observed anything more in Lord
Erpingham than his height and his cloak: as he re-entered and led her to
the dining-room she took a better, though still but a casual, survey.

Lord Erpingham was that sort of person of whom _men_ always say, "What a
prodigiously fine fellow!"  He was above six feet high, stout in
proportion: not, indeed, accurately formed, nor graceful in bearing, but
quite as much so as a man of six feet high need be.  He had a manly
complexion of brown, yellow, and red.  His whiskers were exceedingly
large, black, and well arranged.  His eyes, as I have before said, were
round, large, and hazel; they were also unmeaning.  His teeth were good;
and his nose, neither aquiline nor Grecian, was yet a very showy nose upon
the whole.  All the maidservants admired him; and you felt, in looking at
him, that it was a pity our army should lose so good a grenadier.

Lord Erpingham was a Whig of the old school: he thought the Tory boroughs
ought to be thrown open.  He was generally considered a sensible man.  He
had read Blackstone, Montesquieu, Cowper's Poems, and _The Rambler_; and
he was always heard with great attention in the House of Lords.  In his
moral character he was a bon Vivant, as far as wine is concerned; for
choice _eating_ he cared nothing.  He was good-natured, but close; brave
enough to fight a duel, if necessary; and religious enough to go to church
once a week--in the country.

So far Lord Erpingham might seem modelled from one of Sir Walter's heroes:
we must reverse the medal, and show the points in which he differed from
those patterns of propriety.

Like the generality of his class, he was peculiarly loose in his notions
of women, though not ardent in pursuit of them.  His amours had been among
opera-dancers, "because," as he was wont to say, "there was no d--d bore
with _them._"  Lord Erpingham was always considered a high-minded man.
People chose him as an umpire in quarrels; and told a story (which was not
true) of his having held some state office for a whole year, and insisted
on returning the emoluments.

Such was Robert Earl of Erpingham.  During dinner, at which he displayed,
to his mother's great delight, a most excellent appetite, he listened, as
well as he might, considering the more legitimate occupation of the time
and season, to Lady Erpingham's recitals of county history; her long
answers to his brief inquiries whether old friends were dead and young
ones married; and his countenance brightened up to an expression of
interest--almost of intelligence--when he was told that birds were said to
be plentiful.  As the servants left the room, and Lord Erpingham took his
first glass of claret, the conversation fell upon Percy Godolphin.

"He has been staying with us a whole fortnight," said Lady Erpingham;
"and, by the by, he said he had met you in Italy, and mentioned your name
as it deserved."

"Indeed!  And did he really condescend to praise me?" said Lord
Erpingham, with eagerness; for there was that about Godolphin, and his
reputation for fastidiousness, which gave a rarity and a value to his
praise, at least to lordly ears.  "Ah! he's a queer fellow; he led a very
singular life in Italy."

"So I have always heard," said Lady Erpingham.  "But of what description?
was he very wild?"

"No, not exactly: there was a good deal of mystery about him: he saw very
few English, and those were chiefly men who played high.  He was said to
have a great deal of learning and so forth."

"Oh! then he was surrounded, I suppose, by those medalists and
picture-sellers, and other impostors, who live upon such of our countrymen
as think themselves blessed with a taste or afflicted with a genius," said
Lady Erpingham; who, having lived with the wits and orators of the time,
had caught mechanically their way of rounding a period.

"Far from it!" returned the earl.  "Godolphin is much too deep a fellow
for that; he's not easily taken in, I assure you.  I confess I don't like
him the worse for that," added the close noble.  "But he lived with the
Italian doctors and men of science; and encouraged, in particular, one
strange fellow who affected sorcery, I fancy, or something very like it.
Godolphin resided in a very lonely spot at Rome: and I believe
laboratories, and caldrons, and all sorts of devilish things, were always
at work there--at least so people said."

"And yet," said Constance, "you thought him too sensible to be easily
taken in?"

"Indeed I do, Miss Vernon; and the proof of it is, that no man has less
fortune or is made more of.  He plays, it is true, but only occasionally;
though as a player at games of skill--piquet, billiards, whist,--he has no
equal, unless it be Saville.  But then Saville, entre noun, is suspected
of playing unfairly."

"And you are quite sure," said the placid Lady Erpingham, "that Mr.
Godolphin is only indebted to skill for his success?"

Constance darted a glance of fire at the speaker.

"Why, faith, I believe so!  No one ever accused him of a single shabby, or
even suspicious trick; and indeed, as I said before, no one was ever more
sought after in society, though he shuns it; and he's devilish right, for
it's a cursed bore!"

"My dear Robert! at your age!" exclaimed the mother.  "But," continued
the earl, turning to Constance,--"but, Miss Vernon, a man may have his
weak point; and the cunning Italian may have hit on Godolphin's, clever as
he is in general; though, for my part, I will tell you frankly, I think he
only encouraged him to mystify and perplex people, just to get talked
of--vanity, in short.  He's a good-looking fellow that Godolphin--eh?"
continued the earl, in the tone of a man who meant you to deny what he
asserted.

"Oh, beautiful!" said Lady Erpingham.  "Such a countenance!"

"Deuced pale, though!--eh?--and not the best of figures: thin,
narrow-shouldered, eh--eh?"

Godolphin's proportions were faultless; but your strapping heroes think of
a moderate-sized man as mathematicians define a point--declare that he has
no length nor breadth whatsoever.

"What say _you,_ Constance?" asked Lady Erpingham, meaningly.

Constance felt the meaning, and replied calmly, that Mr. Godolphin
appeared to her handsomer than any one she had seen lately.

Lord Erpingham played with his neckcloth, and Lady Erpingham rose to leave
the room.  "D--d fine girl!" said the earl, as he shut the door upon
Constance;--"but d--d sharp!" added he, as he resettled himself on his
chair.

CHAPTER XVII.

CONSTANCE AT HER TOILET.--HER FEELINGS.--HER CHARACTER OF BEAUTY
DESCRIBED.--THE BALL.--THE DUCHESS OF WINSTOUN AND HER DAUGHTER.--AN
INDUCTION FROM THE NATURE OF FEMALE RIVALRIES.--JEALOUSY IN A
LOVER.--IMPERTINENCE RETORTED.--LISTENERS NEVER HEAR GOOD OF
THEMSELVES.--REMARKS ON THE AMUSEMENTS OF A PUBLIC ASSEMBLY.--THE
SUPPER.--THE FALSENESS OF SEEMING GAIETY.--VARIOUS REFLECTIONS, NEW AND
TRUE.--WHAT PASSES BETWEEN GODOLPHIN AND CONSTANCE.

It was the evening of the ball to be given in honour of Lord Erpingham's
arrival.  Constance, dressed for conquest, sat alone in her dressing-room.
Her woman had just left her.  The lights still burned in profusion about
the antique chamber (antique, for it was situated in the oldest part of
the castle); those lights streamed full upon the broad brow and exquisite
features of Miss Vernon.  As she leaned back in her chair--the fairy foot
upon the low Gothic stool, and the hands drooping beside her
despondingly--her countenance betrayed much, but not serene, thought; and,
mixed with that thought, was something of irresolution and of great and
real sadness.

It is not, as I have before hinted, to be supposed that Constance's lot
had been hitherto a proud one, even though she was the most admired beauty
of her day; even though she lived with, and received adulation from, the
high, and noble, and haughty of her land.  Often, in the glittering crowd
that she attracted around her, her ear, sharpened by the jealousy and
pride of her nature, caught words that dashed the cup of pleasure and of
vanity with shame and anger.  "What! that _the_ Vernon's daughter?  Poor
girl! dependent entirely on Lady Erpingham!  Ah! she'll take in some
rich roturier, I hope."

Such words from ill-tempered dowagers and faded beauties were no
unfrequent interruption to her brief-lived and wearisome triumphs.  She
heard manoeuvring mothers caution their booby sons, whom Constance would
have looked into the dust had they dared but to touch her hand, against
her untitled and undowried charms.  She saw cautious earls, who were all
courtesy one night, all coldness another, as some report had reached them
accusing their hearts of feeling too deeply her attractions, or, as they
themselves suspected, for the first time, that a heart was not a word for
a poetical nothing, and that to look on so beautiful and glorious a
creature was sufficient to convince them, even yet, of the possibility of
emotion.  She had felt to the quick the condescending patronage of
duchesses and chaperons; the oblique hint; the nice and fine distinction
which, in polished circles, divides each grade from the other, and allows
you to be galled without the pleasure of feeling justified in offence.

All this, which, in the flush and heyday of youth, and gaiety, and
loveliness, would have been unnoticed by other women, rankled deep in the
mind of Constance Vernon.  The image of her dying father, his complaints,
his accusations (the justice of which she never for an instant
questioned), rose up before her in the brightest hours of the dance and
the revel.  She was not one of those women whose meek and gentle nature
would fly what wounds them: Constance had resolved to conquer.  Despising
glitter and gaiety, and show, she burned, she thirsted for power--a power
which could retaliate the insults she fancied she had received, and should
turn condescension into homage.  This object, which every casual word,
every heedless glance from another, fixed deeper and deeper in her heart,
took a sort of sanctity from the associations with which she linked
it--her father's memory and his dying breath.

At this moment in which we have portrayed her, all these restless, and
sore, and haughty feelings were busy within; but they were combated, even
while the more fiercely aroused, by one soft and tender thought--the image
of Godolphin--of Godolphin, the spendthrift heir of a broken fortune and a
fallen house.  She felt too deeply that she loved him; and, ignorant of
his worldlier qualities, imagined that he loved her with all the devotion
of that romance, and the ardour of that genius, which appeared to her to
compose his character.  But this persuasion gave her now no delightful
emotion.  Convinced that she ought to reject him, his image only coloured
with sadness those objects and that ambition which she had hitherto
regarded with an exulting pride.  She was not less bent on the lofty ends
of her destiny; but the glory and the illusion had fallen from them.  She
had taken an insight into futurity, and felt, that to enjoy power was to
lose happiness.  Yet, with this full conviction, she forsook the happiness
and clung to the power.  Alas! for our best and wisest theories, our
problems, our systems, our philosophy!  Human beings will never cease to
mistake the means for the end; and, despite the dogmas of sages, our
conduct does not depend on our convictions.

Carriage after carriage had rolled beneath the windows of the room where
Constance sat, and still she moved not; until at length a certain
composure, as if the result of some determination, stole over her
features.  The brilliant and transparent hues returned to her cheek, and,
as she rose and stood erect with a certain calmness and energy on her lip
and forehead, perhaps her beauty had never seemed of so lofty and august a
cast.  In passing through the chamber, she stopped for a moment opposite
the mirror that reflected her stately shape in its full height.  Beauty is
so truly the weapon of woman, that it is as impossible for her, even in
grief, wholly to forget its effect, as it is for the flying warrior to
look with indifference on the sword with which he has won his trophies or
his fame.  Nor was Constance that evening disposed to be indifferent to
the effect she should produce.  She looked on the reflection of herself
with a feeling of triumph, not arising from vanity alone.

And when did mirror ever give back a form more worthy of a Pericles to
worship, or an Apelles to paint?  Though but little removed from the
common height, the impression Constance always gave was that of a person
much taller than she really was.  A certain majesty in the turn of the
head, the fall of the shoulders, the breadth of the brow, and the
exceeding calmness of the features, invested her with an air which I have
never seen equalled by any one, but which, had Pasta been a beauty, she
might have possessed.  But there was nothing hard or harsh in this
majesty.  Whatsoever of a masculine nature Constance might have inherited,
nothing masculine, nothing not exquisitely feminine, was visible in her
person.  Her shape was rounded, and sufficiently full to show, that in
middle age its beauty would be preserved by that richness and freshness
which a moderate increase of the proportions always gives to the sex.  Her
arms and hands were, and are, even to this day, of a beauty the more
striking, because it is so rare.  Nothing in any European country is more
uncommon than an arm really beautiful both in hue and shape.  In any
assembly we go to, what miserable bones, what angular elbows, what red
skins, do we see under the cover of those capacious sleeves, which are
only one whit less ugly.  At the time I speak of, those coverings were not
worn; and the white, round, dazzling arm of Constance, bare almost to the
shoulder, was girded by dazzling gems, which at once set off, and were
foiled by, the beauty of nature.  Her hair was of the most luxuriant, and
of the deepest, black; and it was worn in a fashion--then uncommon,
without being bizarre--now hackneyed by the plainest faces, though suiting
only the highest order of beauty--I mean that simple and classic fashion
to which the French have given a name borrowed from Calypso, but which
appears to me suited rather to an intellectual than a voluptuous goddess.
Her long lashes, and a brow delicately but darkly pencilled, gave
additional eloquence to an eye of the deepest blue, and a classic contour
to a profile so slightly aquiline, that it was commonly considered
Grecian.  That necessary completion to all real beauty of either sex, the
short and curved upper lip, terminated in the most dazzling teeth and the
ripe and dewy under lip added to what was noble in her beauty that charm
also which is exclusively feminine.  Her complexion was capricious; now
pale, now tinged with the pink of the sea-shell, or the softest shade of
the rose leaf: but in either it was so transparent, that you doubted which
became her the most.  To these attractions, add a throat, a bust of the
most dazzling whiteness, and the justest proportions; a foot, whose least
beauty was its smallness, and a waist narrow--not the narrowness of
tenuity or constraint;--but round, gradual, insensibly less in its
compression:--and the person of Constance Vernon, in the bloom of her
youth, is before you.

She passed with her quiet and stately step from her room, through one
adjoining it, and which we stop to notice, because it was her customary
sitting-room when not with Lady Erpingham.  There had Godolphin, with the
foreign but courtly freedom, the respectful and chivalric ease of his
manners, often sought her; there had he lingered in order to detain her
yet a moment and a moment longer from other company, seeking a sweet
excuse in some remark on the books that strewed the tables, or the music
in that recess, or the forest scene from those windows through which the
moon of autumn now stole with its own peculiar power to soften and subdue.
As these recollections came across her, her step faltered and her colour
faded from its glow: she paused a moment, cast a mournful glance round the
room, and then tore herself away, descended the lofty staircase, passed
the stone hall, melancholy with old banners and rusted crests, and bore
her beauty and her busy heart into the thickening and gay crowd.

Her eye looked once more round for the graceful form of Godolphin: but he
was not visible; and she had scarcely satisfied herself of this before
Lord Erpingham, the hero of the evening, approached and claimed her hand.

"I have just performed my duty," said he, with a gallantry of speech not
common to him, "now for my reward.  I have danced the first dance with
Lady Margaret Midgecombe: I come, according to your promise, to dance the
second with you."

There was something in these words that stung one of the morbid
remembrances in Miss Vernon's mind.  Lady Margaret Midgecombe, in ordinary
life, would have been thought a good-looking, vulgar girl:--she was a
Duke's daughter and she was termed a Hebe.  Her little nose, and her fresh
colour, and her silly but not unmalicious laugh, were called enchanting;
and all irregularities of feature and faults of shape were absolutely
turned into merits by that odd commendation, so common with us--"A deuced
fine girl; none of your regular beauties."

Not only in the county of ----shire, but in London, had Lady Margaret
Midgecombe been set up as the rival beauty of Constance Vernon.  And
Constance, far too lovely, too cold, too proud, not to acknowledge beauty
in others, where it really existed, was nevertheless unaffectedly
indignant at a comparison so unworthy; she even, at times, despised her
own claims to admiration, since claims so immeasurably inferior could be
put into competition with them.  Added to this sore feeling for Lady
Margaret, was one created by Lady Margaret's mother.  The Duchess of
Winstoun was a woman of ordinary birth--the daughter of a peer of great
wealth but new family.  She had married, however, one of the most powerful
dukes in the peerage;--a stupid, heavy, pompous man, with four castles,
eight parks, a coal-mine, a tin-mine, six boroughs, and about thirty
livings.  Inactive and reserved, the duke was seldom seen in public: the
care of supporting his rank devolved on the duchess; and she supported it
with as much solemnity of purpose as if she had been a cheesemonger's
daughter.  Stately, insolent, and coarse; asked everywhere; insulting all;
hated and courted; such was the Duchess of Winstoun, and such, perhaps,
have been other duchesses before her.

Be it understood that, at that day, Fashion had not risen to the despotism
it now enjoys: it took its colouring from Power, not controlled it.  I
shall show, indeed, how much of its present condition that Fashion owes to
the Heroine of these Memoirs.  The Duchess of Winstoun could not now be
that great person she was then: there is a certain good taste in Fashion
which repels the mere insolence of flank--which requires persons to be
either agreeable, or brilliant, or at least original--which weighs stupid
dukes in a righteous balance and finds vulgar duchesses wanting.  But in
lack of this new authority this moral sebastocrator between the Sovereign
and the dignity hitherto considered next to the Sovereign's--her Grace of
Winstoun exercised with impunity the rights of insolence.  She had taken
an especial dislike to Constance:--partly because the few good judges of
beauty, who care neither for rank nor report, had very unreservedly placed
Miss Vernon beyond the reach of all competition with her daughter; and
principally, because the high spirit and keen irony of Constance had given
more than once to the duchess's effrontery so cutting and so public a
check, that she had felt with astonishment and rage there was one woman in
that world--that woman too unmarried--who could retort the rudeness of the
Duchess of Winstoun.  Spiteful, however, and numerous were the things she
said of Miss Vernon, when Miss Vernon was absent; and haughty beyond
measure were the inclination of her head and the tone of her voice when
Miss Vernon was present.  If, therefore, Constance was disliked by the
duchess, we may readily believe that she returned the dislike.  The very
name roused her spleen and her pride; and it was with a feeling all a
woman's, though scarcely feminine in the amiable sense of the word, that
she learned to whom the honour of Lord Erpingham's precedence had been
(though necessarily) given.

As Lord Erpingham led her to her place, a buzz of admiration and
enthusiasm followed her steps.  This pleased Erpingham more than, at that
moment, it did Constance.  Already intoxicated by her beauty, he was proud
of the effect it produced on others, for that effect was a compliment to
his taste.  He exerted himself to be agreeable; nay, more, to be
fascinating: he affected a low voice; and he attempted--poor man!--to
flatter.

The Duchess of Winstoun and her daughter sat behind on an elevated bench.
They saw with especial advantage the attentions with which one of the
greatest of England's earls honoured the daughter of one of the greatest
of England's orators.  They were shocked at his want of dignity.
Constance perceived their chagrin, and she lent a more pleased and
attentive notice to Lord Erpingham's compliments: her eyes sparkled and
her cheek blushed: and the good folks around, admiring Lord Erpingham's
immense whiskers, thought Constance in love.

It was just at this time that Percy Godolphin entered the room.

Although Godolphin's person was not of a showy order, there was something
about him that always arrested attention.  His air; his carriage; his long
fair locks; his rich and foreign habits of dress, which his high bearing
and intellectual countenance redeemed from coxcombry; all, united, gave
something remarkable and distinguished to his appearance; and the interest
attached to his fortunes, and to his social reputation for genius and
eccentricity, could not fail of increasing the effect he produced when his
name was known.

From the throng of idlers that gathered around him; from the bows of the
great and the smiles of the fair; Godolphin, however, directed his whole
notice--his whole soul--to the spot which was hallowed by Constance
Vernon.  He saw her engaged with a man rich, powerful, and handsome.  He
saw that she listened to her partner with evident interest--that he
addressed her with evident admiration.  His heart sank within him; he felt
faint and sick; then came anger--mortification; then agony and despair.
All his former resolutions--all his prudence, his worldliness, his
caution, vanished at once; he felt only that he loved, that he was
supplanted, that he was undone.  The dark and fierce passions of his
youth, of a nature in reality wild and vehement, swept away at once the
projects and the fabrics of that shallow and chill philosophy he had
borrowed from the world, and deemed the wisdom of the closet.  A cottage
and a desert with Constance--Constance all his--heart and hand--would have
been Paradise: he would have nursed no other ambition, nor dreamed of a
reward beyond.  Such effect has jealousy upon us.  We confide, and we
hesitate to accept a boon: we are jealous, and we would lay down life to
attain it.

"What a handsome fellow Erpingham is!" said a young man in a cavalry
regiment.

Godolphin heard and groaned audibly.

"And what a devilish handsome girl he is dancing with!" said another
young man, from Oxford.

"Oh, Miss Vernon!--By Jove, Erpingham seems smitten.  What a capital thing
it would be for her!"

"And for him, too!" cried the more chivalrous Oxonian.

"Humph!" said the officer.

"I heard," renewed the Oxonian, "that she was to be married to young
Godolphin.  He was staying here a short time ago.  They rode and walked
together.  What a lucky fellow he has been.  I don't know any one I should
so much like to see."

"Hush!" said a third person, looking at Godolphin.

Percy moved on.  Accomplished and self-collected as he usually was, he
could not wholly conceal the hell within.  His brow grew knit and gloomy:
he scarcely returned the salutations he received; and moving out of the
crowd, he stole to a seat behind a large pillar, and, scarcely seen by any
one, fixed his eyes on the form and movements of Miss Vernon.

It so happened that he had placed himself in the vicinity of the Duchess
of Winstoun, and within hearing of the conversation that I am about to
record.

The dance being over, Lord Erpingham led Constance to a seat close by Lady
Margaret Midgecombe.  The duchess had formed her plan of attack; and,
rising as she saw Constance within reach, approached her with an air that
affected civility.

"How do you do, Miss Vernon?  I am happy to see you looking so well.  What
truth in the report, eh?"  And the duchess showed her teeth--videlicet,
smiled.

"What report does your grace allude to?"

"Nay, nay; I am sure Lord Erpingham has heard it as well as myself; and I
wish for your sake (a slight emphasis), indeed, for both your sakes, that
it may be true."

"To wait till the Duchess of Winstoun speaks intelligibly would be a waste
of her time and my own," said the haughty Constance, with the rudeness in
which she then delighted, and for which she has since become known.  Rut
the duchess was not to be offended until she had completed her manoeuvre.

"Well, now," said she, turning to Lord Erpingham, "I appeal to you; is not
Miss Vernon to be married very soon to Mr. Godolphin?  I am sure (with an
affected good-nature and compassion that stung Constance to the quick), I
am sure I _hope_ so."

"Upon my word you amaze me," said Lord Erpingham, opening to their fullest
extent the large, round, hazel eyes for which he was so justly celebrated.
"I never heard this before."

"Oh! a secret as yet?" said the duchess; "very well!  I can keep a
secret."

Lady Margaret looked down, and laughed prettily.

"I thought till now," said Constance, with grave composure, "that no
person could be more contemptible than one who collects idle reports: I
now find I was wrong: a person infinitely more contemptible is one who
invents them."

The rude duchess beat at her own weapons, blushed with anger even through
her rouge: but Constance turned away, and, still leaning on Lord
Erpingham's arm, sought another seat;--that seat, on the opposite side of
the pillar behind which Godolphin sat, was still within his hearing.

"Upon my word, Miss Vernon," said Erpingham, "I admire your spirit.
Nothing like setting down those absurd people who try to tease one, and
think one dares not retort.  But pray--I hope I'm not impertinent--pray,
may I ask if this rumour have any truth in it?"

"Certainly not," said Constance, with great effort, but in a clear tone.

"No: I should have thought not--I should have thought not.  Godolphin's
much too poor--much too poor for you.  Miss Vernon is not born to marry
for love in a cottage,--is she?"

Constance sighed.

That soft, low tone thrilled to Godolphin's very heart.  He bent forward:
he held his breath: he thirsted for her voice; for some tone, some word in
answer; it came not at that moment.

"You remember," renewed the earl,--"you remember Miss L----? no: she was
before your time.  Well! she married S----, much such another fellow as
Godolphin.  He had not a shilling: but he lived well: had a house in
Mayfair; gave dinners; hunted at Melton, and so forth: in short, he played
high.  She had about ten thousand pounds.  They married, and lived for two
years so comfortably, you have no idea.  Every one envied them.  They did
not keep a close carriage, but he used to drive her out to dinners in his
French cabriolet.[1]  There was no show--no pomp: everything deuced neat,
though; quite love in a cottage--only the cottage was in Curzon Street.
At length, however, the cards turned; S---- lost everything; owed more
than he could ever pay: we were forced to cut him; and his relation, Lord
----, coming into the ministry a year afterwards, got him a place in the
Customs.  They live at Brompton: he wears a pepper-and-salt coat, and she
a mob-cap, with pink ribands: they have five hundred a year, and ten
children.  Such was the fate of S----'s wife; such may be the fate of
Godolphin's.  Oh, Miss Vernon could not marry _him!_"

"You are right, Lord Erpingham," said Constance with emphasis; "but you
take too much licence in expressing your opinion."

Before Lord Erpingham could stammer forth his apology they heard a slight
noise behind: they turned; Godolphin had risen.  His countenance, always
inclined to a calm severity--for thought is usually severe in its outward
aspect--bent now on both the speakers with so dark and menacing an aspect
that the stout earl felt his heart stand still for a moment; and Constance
was appalled as if it had been the apparition, and not the living form, of
her lover that she bebeld.  But scarcely had they seen this expression of
countenance ere it changed.  With a cold and polished smile, a relaxed
brow and profound inclination of his form Godolphin greeted the two: and
passing from his seat with a slow step glided among the crowd and
vanished.

What a strange thing, after all, is a great assembly!  An immense mob of
persons, who feel for each other the profoundest indifference--met
together to join in amusements which the large majority of them consider
wearisome beyond conception.  How unintellectual, how uncivilised, such a
scene, and such actors!  What a remnant of barbarous times, when people
danced because they had nothing to say!  Were there nothing ridiculous in
dancing, there would be nothing ridiculous in seeing wise men dance.  But
that sight would be ludicrous because of the disparity between the mind
and the occupation.  However, we have some excuse; we go to these
assemblies to sell our daughters, or flirt with our neighbours' wives.  A
ballroom is nothing more or less than a great market-place of beauty.  For
my part, were I a buyer, I should like making my purchases in a less
public mart.

"Come, Godolphin, a glass of champagne," cried the young Lord Belvoir, as
they sat near each other at the splendid supper.

"With all my heart; but not from that bottle!  We must have a new one; for
this glass is pledged to Lady Delmour, and I would not drink to her health
but from the first sparkle!  Nothing tame, nothing insipid, nothing that
has lost its first freshness, can be dedicated to one so beautiful and
young."

The fresh bottle was opened, and Godolphin bowed over his glass to Lord
Belvoir's sister-a Beauty and a Blue.  Lady Delmour admired Godolphin, and
she was flattered by a compliment that no one wholly educated in England
would have had the gallant courage to utter across a crowded table.

"You have been dancing?" said she.

"No!"

"What then?"

"What then?" said Godolphin.  "Ah, Lady Delmour, do not ask."  The look
that accompanied the word, supplied them with a meaning.  "Need I add,"
said he, in a lower voice, "that I have been thinking of the most
beautiful person present?"

"Pooh," said Lady Delmour, turning away her head.  Now, that _pooh_ is a
very significant word.  On the lips of a man of business, it denotes
contempt for romance; on the lips of a politician it rebukes a theory.
With that monosyllable, a philosopher massacres a fallacy: by those four
letters a rich man gets rid of a beggar.  But in the rosy mouth of a woman
the harshness vanishes, the disdain becomes encouragement.  "Pooh!" says
the lady when you tell her she is handsome; but she smiles when she says
it.  With the same reply she receives your protestation of love, and
blushes as she receives.  With men it is the sternest, with women the
softest, exclamation in the language.

"Pooh!" said Lady Delmour, turning away her head:--and Godolphin was in
singular spirits.  What a strange thing that we should call such hilarity
from our gloom!  The stroke induces the flash; excite the nerves by
jealousy, by despair, and with the proud you only trace the excitement by
the mad mirth and hysterical laughter it creates.  Godolphin was charming
comme un amour, and the young countess was delighted with his gallantry.

"Did you ever love?" asked she, tenderly, as they sat alone after supper.

"Alas, yes!" said he.

"How often?"

"Read Marmontel's story of the Four Phials: I have no other answer."

"Oh, what a beautiful tale that is!  The whole history of a man's heart is
contained in it."

While Godolphin was thus talking with Lady Delmour, his whole soul was
with Constance; of her only he thought, and on her he thirsted for
revenge.  There is a curious phenomenon in love, showing how much vanity
has to do with even the best species of it; when, for your mistress to
prefer another, changes all your affection into hatred:--is it the loss of
the mistress, or her preference to the other?  The last, to be sure: for
if the former, you would only grieve--but jealousy does not make you
grieve, it makes you enraged; it does not sadden, it stings.  After all,
as we grow old, and look back on the "master passion," how we smile at the
fools it made of us--at the importance we attach to it--of the millions
that have been governed by it!  When we examine the passion of love, it is
like examining the character of some great roan; we are astonished to
perceive the littlenesses that belong to it.  We ask in wonder, "How come
such effects from such a cause?"

Godolphin continued talking sentiment with Lady Delmour, until her lord,
who was very fond of his carriage horses, came up and took her away; and
then, perhaps glad to be relieved, Percy sauntered into the ballroom,
where, though the crowd was somewhat thinned, the dance was continued
with that spirit which always seems to increase as the night advances.

For my own part, I now and then look late in at a ball as a warning and
grave memento of the flight of time.  No amusement belongs of right so
essentially to the young, in their first youth,--to the unthinking, the
intoxicated,--to those whose blood is an elixir.

"If Constance be woman," said Godolphin to himself, as he returned to the
ballroom, "I will yet humble her to my will.  I have not learned the
science so long, to be now foiled in the first moment I have seriously
wished to triumph."

As this thought inspired and excited him, he moved along at some distance
from, but carefully within the sight of Constance.  He paused by Lady
Margaret Midgecombe.  He addressed her.  Notwithstanding the insolence and
the ignorance of the Duchess of Winstoun, he was well received by both
mother and daughter.  Some persons there are, in all times and in all
spheres, who command a certain respect, bought neither by riches, rank,
nor even scrupulous morality of conduct.  They win it by the reputation
that talent alone can win them, and which yet is not always the reputation
of talent.  No man, even in the frivolous societies of the great, obtains
homage without certain qualities, which, had they been happily directed,
would have conducted him to fame.  Had the attention of a Grammont, or of
a ----, been early turned towards what ought to be the objects desired,
who can doubt that, instead of the heroes of a circle, they might have
been worthy of becoming names of posterity?

Thus the genius of Godolphin had drawn around him an eclat which made even
the haughtiest willing to receive and to repay his notice; and Lady
Margaret actually blushed with pleasure when he asked her to dance.  A
foreign dance, then only very partially known in England, had been called
for: few were acquainted with it,--those only who had been abroad; and as
the movements seemed to require peculiar grace of person, some even among
those few declined, through modesty, the exhibition.

To this dance Godolphin led Lady Margaret.  All crowded round to see the
performers; and, as each went through the giddy and intoxicating maze,
they made remarks on the awkwardness or the singularity, or the
impropriety of the dance.  But when Godolphin began, the murmurs changed.
The slow and stately measure then adapted to the steps, was one in which
the graceful symmetry of his person might eminently display itself.  Lady
Margaret was at least as well acquainted with the dance: and the couple
altogether so immeasurably excelled all competitors, that the rest, as if
sensible of it, stopped one after the other; and when Godolphin,
perceiving that they were alone, stopped also, the spectators made their
approbation more audible than approbation usually is in polished society.

As Godolphin paused, his eyes met those of Constance.  There was not there
the expression he had anticipated there was neither the anger of jealousy,
nor the restlessness of offended vanity, nor the desire of conciliation,
visible in those large and speaking orbs.  A deep, a penetrating, a sad
inquiry seemed to dwell in her gaze,--seemed anxious to pierce into his
heart, and to discover whether there she possessed the power to wound, or
whether each had been deceived: so at least seemed that fixed and
melancholy intenseness of look to Godolphin.  He left Lady Margaret
abruptly: in an instant he was by the side of Constance.

"You must be delighted with this evening," said he, bitterly: "wherever I
go I hear your praises: every one admires you; and he who does not admire
so much as worship you, _he_ alone is beneath your notice.  He--born to
such shattered fortunes,--he indeed might never _aspire_ to that which
titled and wealthy idiots deem they may _command,_--the hand of Constance
Vernon."

It was with a low and calm tone that Godolphin spoke.  Constance turned
deadly pale: her frame trembled; but she did not answer immediately.  She
moved to a seat retired a little from the busy crowd; Godolphin followed
and sat himself beside her; and then, with a slight effort, Constance
spoke.

"You heard what was said, Mr. Godolphin, and I grieve to think you did.
If I offended you, however, forgive me, I pray you; I pray
sincerely--warmly.  God knows I have suffered myself enough from idle
words, and from the slighting opinion with which this hard world visits
the poor, not to feel deep regret and shame if I wound, by like means,
another, more especially"--Constance's voice trembled,--"more especially
_you!_"

As she spoke, she turned her eyes on Godolphin, and they were full of
tears.  The tenderness of her voice, her look, melted him at once.  Was it
to him, indeed, that the haughty Constance addressed the words of kindness
and apology?--to him whose intrinsic circumstances she had heard described
as so unworthy of her, and, his reason told him, with such justice?

"Oh, Miss Vernon!" said he, passionately; "Miss Vernon--Constance--dear,
dear Constance! dare I call you so? hear me one word.  I love you with a
love which leaves me no words to tell it.  I know my faults, my poverty,
my unworthiness; but--but--may I--may I hope?"

And all the woman was in Constance's cheek, as she listened.  That cheek,
how richly was it dyed!  Her eyes drooped; her bosom heaved.  How every
word in those broken sentences sank into her heart! never was a tone
forgotten.  The child may forget its mother, and the mother desert the
child: but never, never from a woman's heart departs the memory of the
first confession of love from him whom she first loves!  She lifted her
eyes, and again withdrew them, and again gazed.

"This must not be," at last she said; "no, no! it is folly, madness in
both!"

"Not so; nay, not so!" whispered Godolphin, in the softest notes of a
voice that could never be harsh.  "It may seem folly--madness if you will,
that the brilliant and all-idolized Miss Vernon should listen to the vows
of so lowly an adorer: but try me--prove me, and own--yes, you _will_ own
some years hence, that that folly has been happy beyond the happiness of
prudence or ambition."

"This!" answered Constance, struggling with her emotions; "this is no spot
or hour for such a conference.  Let us meet to-morrow--the western
chamber."

"And the hour?"

"Twelve!"

"And I may hope--till then?"

Constance again grew pale; and in a voice that, though it scarcely left
her lips, struck coldness and dismay into his sudden and delighted
confidence, answered,

"No, Percy, there is no hope!--none!"

[1] Then uncommon.

CHAPTER XVIII.

THE INTERVIEW.--THE CRISIS OF A LIFE.

The western chamber was that I have mentioned as the one in which
Constance usually fixed her retreat, when neither sociability nor state
summoned her to the more public apartments.  I should have said that
Godolphin slept in the house; for, coming from a distance and through
country roads, Lady Erpingham had proffered him that hospitality, and he
had willingly accepted it.  Before the appointed hour, he was at the
appointed spot.

He had passed the hours till then without even seeking his pillow.  In
restless strides across his chamber, he had revolved those words with
which Constance had seemed to deny the hopes she herself had created.  All
private and more selfish schemes or reflections had vanished, as by magic,
from the mind of a man prematurely formed, but not yet wholly hardened in
the mould of worldly speculation.  He thought no more of what he should
relinquish in obtaining her hand; with the ardour of boyish and real love,
he thought only of her.  It was as if there existed no world but the
little spot in which she breathed and moved.  Poverty, privation, toil,
the change of the manners and habits of his whole previous life, to those
of professional enterprise and self-denial;--to all this he looked
forward, not so much with calmness as with triumph.

"Be but Constance mine!" said he again and again; and again and again
those fatal words knocked at his heart, "No hope--none!" and he gnashed
his teeth in very anguish, and muttered, "But mine she will not--she will
never be!"

Still, however, before the hour of noon, something of his habitual
confidence returned to him.  He had succeeded, though but partially, in
reasoning away the obvious meaning of the words; and he ascended to the
chamber from the gardens, in which he had sought, by the air, to cool his
mental fever, with a sentiment, ominous and doubtful indeed, but still
removed from despondency and despair.

The day was sad and heavy.  A low, drizzling rain, and labouring yet
settled clouds, which denied all glimpse of the sky, and seemed cursed
into stagnancy by the absence of all wind or even breeze, increased by
those associations we endeavour in vain to resist, the dark and oppressive
sadness of his thoughts.

He paused as he laid his hand on the door of the chamber: he listened; and
in the acute and painful life which seemed breathed into all his senses,
he felt as if he could have heard,--though without the room,--the very
breath of Constance; or known, as by an inspiration, the presence of her
beauty.  He opened the door gently; all was silence and desolation for
him--Constance was not there!

He felt, however, as if that absence was a relief.  He breathed more
freely, and seemed to himself more prepared for the meeting.  He took his
station by the recess of the window: in vain--he could rest in no spot: he
walked to and fro, pausing only for a moment as some object before him
reminded him of past and more tranquil hours.  The books he had admired
and which, at his departure, had been left in their usual receptacle at
another part of the house, he now discovered on the tables: they opened of
themselves at the passages he had read aloud to Constance: those pages, in
his presence, she had not seemed to admire; he was inexpressibly touched
to perceive that, in his absence, they had become dear to her.  As he
turned with a beating heart from this silent proof of affection, he was
startled by the sudden and almost living resemblance to Constance, which
struck upon him in a full-length picture opposite--the picture of her
father.  That picture, by one of the best of our great modern masters of
the art, had been taken of Vernon in the proudest epoch of his prosperity
and fame.  He was portrayed in the attitude in which he had uttered one of
the most striking sentences of one of his most brilliant orations: the
hand was raised, the foot advanced, the chest expanded.  Life, energy,
command, flashed from the dark eye, breathed from the dilated nostril,
broke from the inspired lip.  That noble brow--those modelled
features--that air, so full of the royalty of genius--how startlingly did
they resemble the softer lineaments of Constance!

Arrested, in spite of himself, by the skill of the limner, and the
characteristic of the portrait Godolphin stood, motionless and gazing,
till the door opened, and Constance herself stood before him.  She smiled
faintly, but with sweetness as she approached; and seating herself,
motioned him to a chair at a little distance.  He obeyed the gesture in
silence.

"Godolphin!" said she, softly.  At the sound of her voice he raised his
eyes from the ground, and fixed them on her countenance with a look so
full of an imploring and earnest meaning, so expressive of the passion,
the suspense of his heart, that Constance felt her voice cease at once.
But he saw as he gazed how powerful had been his influence.  Not a vestige
of bloom was on her cheek: her very lips were colourless: her eyes were
swollen with weeping; and though she seemed very calm and self-possessed,
all her wonted majesty of mien was gone.  The form seemed to shrink within
itself.  Humbleness and sorrow--deep, passionate, but quiet sorrow--had
supplanted the haughtiness and the elastic freshness of her beauty.  "Mr.
Godolphin," she repeated, after a pause, "answer me truly and with
candour; not with the world's gallantry, but with a sincere, a plain
avowal.  Were you not--in your unguarded expressions last night--were you
not excited by the surprise, the passion, of the moment?  Were you not
uttering what, had you been actuated only by a calm and premeditated
prudence, you would at least have suppressed?"

"Miss Vernon," replied Godolphin, "all that I said last night, I now, in
calmness, and with deliberate premeditation, repeat: all that I can dream
of happiness is in your hands."

"I would, indeed, that I could disbelieve you," said Constance,
sorrowfully; "I have considered deeply on your words.  I am touched--made
grateful--proud--yes, truly proud--by your confessed affection--but--"

"Oh, Constance!" cried Godolphin; in a sudden and agonized voice--and
rising, he flung himself impetuously at her feet--"Constance! do not
reject me!"

He seized her hand: it struggled not with his.  He gazed on her
countenance: it was dyed in blushes; and before those blushes vanished,
her agitation found relief in tears, which flowed fast and full.

"Beloved!" said Godolphin, with a solemn tenderness, "why struggle with
your heart?  That heart I read at this moment: _that_ is not averse to
me."  Constance wept on.  "I know what you would say, and what you feel,"
continued Godolphin: "you think that I--that we both are poor: that you
could ill bear the humiliations of that haughty poverty which those born
to higher fortunes so irksomely endure.  You tremble to link your fate
with one who has been imprudent--lavish--selfish, if you will.  You recoil
before you intrust your happiness to a man who, if he wreck that, can
offer you nothing in return: no rank--no station--nothing to heal a
bruised heart, or cover its wound, at least, in the rich disguises of
power and wealth.  Am I not right, Constance?  Do I not read your mind?"

"No!" said Constance with energy.  "Had I been born any man's daughter,
but his from whom I take my name; were I the same in all things, mind and
heart, save in one feeling, one remembrance, one object--that I am now;
Heaven is my witness that I would not cast a thought upon poverty--upon
privation: that I would--nay, I do--I do confide in your vows, your
affection.  If you have erred, I know it not.  If any but you tell me you
have erred, I believe them not.  You I trust wholly and implicitly.
Heaven, I say, is my witness that, did I obey the voice of my selfish
heart, I would gladly, proudly, share and follow your fortunes.  You
mistake me if you think sordid and vulgar ambition can only influence me.
No!  I could be worthy of you!  The daughter of John Vernon could be a
worthy wife to the man of indigence and genius.  In your poverty I could
soothe you; in your labour I could support you; in your reverses console,
in your prosperity triumph.  But--but, it must not be.  Go,
Godolphin--dear Godolphin!  There are thousands better and fairer than I
am, who will do for you as I would have done; but who possess the power I
have not--who, instead of sharing, can raise your fortunes.  Go!--and if
it comfort, if it soothe you, believe that I have not been insensible to
your generosity, your love.  My best wishes, my fondest prayers, my
dearest hopes, are yours."

Blinded by her tears, subdued by her emotions, Constance was still
herself.  She rose; she extricated her hand from Godolphin's; she turned
to leave the room.  But Godolphin, still kneeling, caught hold of her
robe, and gently, but effectually detained her.

"The picture you have painted," said he, "do not destroy at once.  You
have portrayed yourself my soother, guide, restorer.  You _can,_ indeed
you can, be this.  You do not know me, Constance.  Let me say one word for
my self.  Hitherto, I have shunned fame and avoided ambition.  Life has
seemed to me so short, and all that even glory wins so poor, that I have
thought no labour worth the price of a single hour of pleasure and
enjoyment.  For you, how joyfully will I renounce my code!  For myself I
could ask no honour: for you, I will labour for all.  No toil shall be dry
to me--no pleasure shall decoy.  I will renounce my idle and desultory
pursuits.  I will enter the great public arena, where all who come armed
with patience and with energy are sure to win.  Constance, I am not
without talents, though they have slept within me; say but the word, and
you know not what they can produce."

An irresolution in Constance was felt as a sympathy by Godolphin; he
continued,--

"We are both desolate in the world, Constance; we are orphans--friendless,
fortuneless.  Yet both have made our way without friends, and commanded
our associates, though without fortune.  Does not this declare we have
that within us which, when we are united, can still exalt or conquer our
destiny?  And we--we--alone in the noisy and contentious world with which
we strive--we shall turn, after each effort, to our own hearts, and find
there a comfort and a shelter.  All things will bind us closer and closer
to each other.  The thought of our past solitude, the hope of our future
objects, will only feed the fountain of our present love.  And how much
sweeter, Constance, will be honours to you, if we thus win them;
sanctified as they will be by the sacrifices we have made; by the thought
of the many hours in which we desponded, yet took consolation from each
other; by the thought how we sweetened mortifications by sympathy, and
made even the lowest successes noble by the endearing associations with
which we allied them!  How much sweeter to you will be such honours than
those which you might command at once, but accompanied by a cold heart;
rendered wearisome because won with ease and low because undignified by
fame!  Oh, Constance! am I not heard?  Have not love, nature, sense,
triumphed?"

As he spoke, he had risen gently, and wound his arms around her not
reluctant form: her head reclined upon his bosom; her hand was surrendered
to his; and his kiss stole softly and unchidden to her cheek.  At that
instant, the fate of both hung on a very hair.  How different might the
lot, the character, of each have been, had Constance's lips pronounced the
words that her heart already recorded!  And she might have done so; but as
she raised her eyes, the same object that had before affected Godolphin
came vividly upon her, and changed, as by an electric shock, the whole
current of her thoughts.  Full and immediately before her was the picture
of her father.  The attitude there delineated, so striking at all times,
seemed to Constance at that moment more than ever impressive, and even
awful in the _livingness_ of its command.  It was the face of Vernon in
the act of speech--of warning--of reproof; such as she had seen it often
in private life; such as she had seen it in his bitter maledictions on his
hollow friends at the close of his existence: nay, such as she had seen
it,--only more fearful, and ghastly with the hues of death,--in his last
hours; in those hours in which he had pledged her to the performance of
his revenge, and bade her live not for love but the memory of her sire.

With the sight of the face rushed upon her the dark and solemn
recollections of that time and of that vow.  The weakness of love vanished
before the returning force of a sentiment nursed through her earliest
years, fed by her dreams, strengthened by her studies, and hardened by the
daring energies of a nature lofty yet fanatical, into the rule, the end,
nay, the very religion of life!  She tore herself away from the surprised
and dismayed Godolphin; she threw herself on her knees before the picture;
her lips moved rapidly; the rapid and brief prayer for forgiveness was
over, and Constance rose a new being.  She turned to Godolphin, and,
lifting her arm towards the picture, as she regarded, with her bright and
kindling eyes, the face of her lover; she said:--

"As you think now, thought he whose voice speaks to you from the canvas;
he, who pursued the path that you would tread; who, through the same toil,
the same pursuit, that you would endure, used the same powers and the same
genius you would command; he, who won,--what you might win also at
last,--the smile of princes, the trust of nobles, the shifting and sandy
elevation which the best, the wisest, and greatest statesmen in this
country, if unbacked by a sordid and caballing faction, can alone
obtain;--he warns you from that hollow distinction,--from its wretched
consummation.  Oh, Godolphin!" she continued, subdued, and sinking from a
high-wrought but momentary paroxysm, uncommon to her collected character,
"Oh, Godolphin!  I saw that man dying, deserted, lonely, cursed by his
genius, ruined by his prosperity.  I saw him dying,--die,--of a broken and
trampled heart.  Could I doom another victim to the same course, and the
same perfidy, and the same fate?  Could I, with a silent heart, watch by
that victim; could I, viewing his certain doom, elate him with false
hopes?--No, no! fly from me,--from the thought of such a destiny.  Marry
one who can bring you wealth, and support you with rank; _then_ be
ambitious if you will.  Leave me to fulfil my doom,--my vow; and to think,
however wretched I may be, that I have not inflicted a permanent
wretchedness on you."

Godolphin sprang forward; but the door closed upon his eyes; and he saw
Constance--as Constance _Vernon_--no more.

CHAPTER XIX.

A RARE AND EXQUISITE OF THE BEST (WORST) SCHOOL.--A CONVERSATION ON A
THOUSAND MATTERS.--THE DECLENSION OF THE "SUI PROFUSUS" INTO THE "ALIENI
APPETENS."

There was, in the day I now refer to, a certain house in Chesterfield
Street, Mayfair, which few young men anxious for the eclat of society
passed without a wish for the acquaintance of the inmate.  To that small
and dingy mansion, with its verandahs of dusky green, and its blinds
perpetually drawn, there attached an interest, a consideration, and a
mystery.  Thither, at the dusk of night, were the hired carriages of
intrigue wont to repair, and dames to alight, careful seemingly of
concealment, yet wanting, perhaps, even a reputation to conceal.  Few, at
the early hours of morn, passed that street on their way home from some
glittering revel without noticing some three or four chariots in
waiting;--or without hearing from within the walls the sounds of
protracted festivity.  That house was the residence of a man who had never
done anything in public, and yet was the most noted personage in Society
in early life, the all-accomplished Lovelace! in later years mingling
the graces with the decayed heart and the want of principle of a Grammont.
Feared, contemned, loved, hated, ridiculed, honoured, the very genius, the
very personification, of a civilized and profligate life seemed embodied
in Augustus Saville.  Hitherto we have spoken of, let us now describe him.

Born to the poor fortunes and equivocal station of cadet in a noble but
impoverished house, he had passed his existence in a round of lavish, but
never inelegant, dissipation.  Unlike other men, whom youth, and money,
and the flush of health, and aristocratic indulgence, allure to follies,
which shock the taste as well as the morality of the wise, Augustus
Saville had never committed an error which was not varnished by grace, and
limited by a profound and worldly discretion.  A systematic votary of
pleasure--no woman had ever through him lost her reputation or her sphere;
whether it was that he corrupted into fortunate dissimulation the minds
that he betrayed into guilt, or whether he chose his victims with so just
a knowledge of their characters, and of the circumstances round them, that
he might be sure the secrecy maintained by himself would scarcely be
divulged elsewhere.  All the world attributed to Augustus Saville the most
various and consummate success in that quarter in which success is most
envied by the lighter part of the world: yet no one could say exactly who,
amongst the many he addressed, had been the object of his triumph.  The
same quiet, and yet victorious discretion waited upon all he did.  Never
had he stooped to win celebrity from horses or from carriages; nothing in
his equipages showed the ambition to be distinguished from another; least
of all did he affect that most displeasing of minor ostentatious, that
offensive exaggeration of neatness, that outre simplicity, which our young
nobles and aspiring bankers so ridiculously think it bon ton to assume.
No harness, industriously avoiding brass; no liveries, pretending to the
tranquillity of a gentleman's dress; no panels, disdaining the armorial
attributes of which real dignity should neither be ashamed nor
proud--converted plain taste into a display of plainness.  He seldom
appeared at races, and never hunted; though he was profound master of the
calculations in the first, and was, as regarded the second, allowed to be
one of the most perfect masters of horsemanship in his time.  So, in his
chess, while he chose even sedulously what became him most, he avoided the
appearance of coxcombry, by a disregard to minutiae.  He did not value
himself on the perfection of his boot; and suffered a wrinkle in his coat
without a sigh: yet, even the exquisites of the time allowed that no one
was more gentlemanlike in the tout ensemble; and while he sought by other
means than dress to attract, he never even in dress offended.  Carefully
shunning the character of the professed wit, or the general talker, he was
yet piquant, shrewd, and animated to the few persons whom he addressed, or
with whom he associated: and though he had refused all offers to enter
public life, he was sufficiently master of the graver subjects that
agitated the times to impress even those practically engaged in them with
a belief in his information and his talents.

But he was born poor; and yet he had lived for nearly thirty years as a
rich man!  What was his secret?--he had lived upon others.  At all games
of science, he played with a masterly skill; and in those wherein luck
preponderates, there are always chances for a cool and systematic
calculation.  He had been, indeed, suspected of unfair play; but the
charge had never cooled the eagerness with which he had been courted.
With far better taste, and in far higher estimation than Brummell, he
obtained an equal, though a more secret sway.  Every one was desirious to
know him: without his acquaintance, the young debutant felt that he wanted
the qualification to social success: by his intimacy, even vulgarity
became the rage.  It was true that, as no woman's disgrace was confessedly
traced to him, so neither was any man's ruin--save only in the doubtful
instance of the unfortunate Johnstone.  He never won of any person,
however ardent, more than a certain portion of his fortune--the rest of
his undoing Saville left to his satellites; nay, even those who had in
reality most reason to complain of him, never perceived his due share in
their impoverishment.  It was common enough to hear men say, "Ah! Saville,
I wish I had taken your advice, and left off while I had yet half my
fortune!"  They did not accurately heed that the first half was Saville's;
because the first half had excited, not ruined them.

Besides this method of making money, so strictly social, Saville had also
applied his keen intellect and shrewd sense to other speculations.  Cheap
houses, cheap horses, fluctuations in the funds, all descriptions of
property (except perhaps stolen goods), had passed under his earnest
attention; and in most cases, such speculations had eminently succeeded.
He was therefore now, in his middle age, and still unmarried, a man
decidedly wealthy; having, without ever playing miser, without ever
stinting a luxury, or denying a wish, turned nothing into something,
poverty into opulence.

It was noon; and Saville was slowly finishing his morning repast, and
conversing with a young man stretched on a sofa opposite in a listless
attitude.  The room was in perfect keeping with the owner: there was
neither velvet, nor gilding, nor buhl, nor marquetrie--all of which would
have been inconsistent with the moderate size of the apartment.  But the
furniture was new, massive, costly, and luxurious without the ostentation
of luxury.  A few good pictures, and several exquisite busts and figures
in bronze, upon marble pedestals, gave something classic and graceful to
the aspect of the room.  Annexed to the back drawing-room, looking over
Lord Chesterfield's gardens, a small conservatory, filled with rich
exotics, made the only feature in the apartment that might have seemed, to
a fastidious person, effeminate or unduly voluptuous.

Saville himself was about forty-seven years of age: of a person slight and
thin, without being emaciated: a not ungraceful, though habitual stoop,
diminished his height, which might be a little above the ordinary
standard.  In his youth he had been handsome; but in his person there was
now little trace of any attraction beyond that of a manner remarkably soft
and insinuating: yet in his narrow though high forehead--his sharp
aquiline nose, grey eye, and slightly sarcastic curve of lip, something of
his character betrayed itself.  You saw, or fancied you saw in them the
shrewdness, the delicacy of tact; the consciousness of duping others; the
subtle and intuitive, yet bland and noiseless penetration into the
characters around him, which made the prominent features of his mind.
And, indeed, of all qualities, dissimulation is that which betrays itself
the most often in the physiognomy.  A fortunate thing, that the long habit
of betraying should find at times the index in which to betray itself.

"But you don't tell me, my dear Godolphin," said Saville, as he broke the
toast into his chocolate,--"you don't tell me how the world employed
itself at Rome.  Were there any of the true calibre there? steady fellows,
yet ardent, like myself?--men who make us feel our strength and put it
forth--with whom we cannot dally nor idle--who require our coolness of
head, clearness of memory, ingenuity of stratagem--in a word, men of my
art--the art of play:--were there any such?"

"Not many, but enough for honour," said Godolphin: "for myself, I have
long forsworn gambling for profit."

"Ah! I always thought you wanted that perseverance which belongs to
strength of character.  And how stand your resources now?  Sufficient to
recommence the world here with credit and eclat?"

"Ay, were I so disposed, Saville.  But I shall return to Italy.  Within a
month hence, I shall depart."

"What! and only just arrived in town!  An heir in possession!"

"Of what?"

"The reputation of having succeeded to a property, the extent of which, if
wise, you will tell to no one!  Are you so young, Godolphin, as to imagine
that it signifies one crumb of this bread what be the rent-roll of your
estate, so long as you can obtain credit for any sum to which you are
pleased to extend it?  Credit! beautiful invention!--the moral new world
to which we fly when banished from the old.  Credit!--the true charity of
Providence, by which they who otherwise would starve live in plenty, and
despise the indigent rich.  Credit!--admirable system, alike for those who
live on it and the wiser few who live by it.  Will you borrow some money
of me, Godolphin?"

"At what percentage?"

"Why, let me see: funds are low; I'll be moderate.  But stay; be it with
you as I did with George Sinclair.  You shall have all you want, and pay
me with a premium, when you marry an heiress.  Why, roan, you wince at the
word 'marry!'"

"'Tis a sore subject, Saville: one that makes a man think of halters."

"You are right--I recognise my young pupil.  Your old play-writers talked
nonsense when they said men lost liberty of person by marriage.  Men lose
liberty, but it is the liberty of the mind.  We cease to be independent of
the world's word, when we grow respectable with a wife, a fat butler, two
children, and a family coach.  It makes a gentleman little better than a
grocer or a king!  But you have seen Constance Vernon.  Why, out on this
folly, Godolphin!  You turn away.  Do you fancy that I did not penetrate
your weakness the moment you mentioned her name?--still less, do you
fancy, my dear young friend, that I, who have lived through nearly half a
century, and know our nature, and the whole thermometer of our blood,
think one jot the worse of you for forming a caprice, or a passion, if you
will--for a woman who would set an anchoret, or, what is still colder, a
worn out debauchee, on fire?  Bah! Godolphin, I am wiser than you take me
for.  And I will tell you more.  For your sake, I am _happy_ that you have
incurred already this, our common folly (which we all have once in a
life), and that the fit is over.  I do not pry into your secrets; I know
their delicacy, I do not ask which of you drew back; for, to have gone
forward, to have married, would have been madness in both.  Nay, it was an
_impossibility_: it could not have happened to my pupil; the ablest, the
subtlest, the wisest of my pupils.  But, however it was broken off, I
repeat that I am glad it happened.  One is never sure of a man's wisdom,
till he has been really and vainly in love.  You know what that moralizing
lump of absurdity, Lord Edouard, has said in the Julie--'the path of the
passions conducts us to philosophy!'  It is true, very true; and now that
the path has been fairly trod, the goal is at hand.  _Now,_ I can confide
in your steadiness; now, I can feel that you will run no chance in future,
of over-appreciating that bauble, Woman.  You will beg, borrow, steal, and
exchange or lose the jewel, with the same delicious excitement, coupled
with the same steady indifference, with which we play at a more scientific
game, and for a more comprehensive reward.  I say more comprehensive
reward: for how many women may we be able to buy by a judicious bet on the
odd trick!"

"Your turn is sudden," said Godolphin, smiling; "and there is some justice
in your reasoning.  The fit _is_ over; and if ever I can be wise, I have
entered on wisdom now.  But talk of this no more."

"I will not," said Saville, whose unerring tact had reached just the point
where to stop, and who had led Godolphin through just that vein of
conversation, half sentimentalising, half sensible, all profligate, which
seldom fails to win the ear of a man both of imagination and of the world.
"I will not; and, to vary the topic, I will turn egoist, and tell you
_my_ adventures."

With this, Saville began a light and amusing recital of his various and
singular life for the last three years.  Anecdote, jest, maxim, remark,
interspersed, gave a zest and piquancy to the narration.  An accomplished
roue always affects to moralise; it is a part of his character.  There is
a vague and shrewd sentiment that pervades his morale and his system.
Frequent excitement, and its attendant relaxation; the conviction of the
folly of all pursuits; the insipidity of all life; the hollowness of all
love; the faithlessness in all ties; the disbelief in all worth; these
consequences of a dissipated existence on a thoughtful mind, produce some
remarkable, while they make so many wretched, characters.  They coloured
some of the most attractive prose among the French, and the most
fascinating verse in the pages of Byron.  It might be asked, by a profane
inquirer (and I have touched on this before), what effect a life nearly
similar--a life of luxury, indolence, lassitude, profuse, but heartless
love, imparted to the deep and touching wisdom in his page, whom we
consider the wisest of men, and who has left us the most melancholy of
doctrines?

It was this turn of mind that made Savill's conversation peculiarly
agreeable to Godolphin in his present humour; and the latter invested it,
from his own mood, with a charm which in reality it wanted.  For, as I
shall show, in Godolphin, what deterioration the habits of frivolous and
worldly life produce on the mind of a man of genius, I show only in
Saville the effect they produce on a man of sense.

"Well, Godolphin," said Saville, as he saw the former rise to depart; "you
will at least dine with me to-day--a punctual eight.  I think I can
promise you an agreeable evening.  The Linettini, and that dear little
Fanny Millinger (your old flame), are coming; and I have asked old
Stracey, the poet, to say bons mots for them.  Poor old Stracey!  He goes
about to all his former friends and fellow-liberals, boasting of his
favour with the Great, and does not see that we only use him as we would a
puppet-show or a dancing-dog."

"What folly," said Godolphin, "it is in any man of genius (not also of
birth) to think the Great of this country can possibly esteem him!
Nothing can equal the secret enmity with which dull men regard an
intellect above their comprehension.  Party politics, and the tact, the
shifting, the commonplace that Party politics alone require; these they
can appreciate; and they feel respect for an orator, even though he be not
a county member; for he can assist them in their paltry ambition for place
and pension: but an author, or a man of science, the rogues positively
jeer at him!"

"And yet," said Saville, "how few men of letters perceive a truth so
evident to us, so hackneyed even in the conversations of society!  For a
little reputation at a dinner table, for a coaxing nobe from some titled
demirep affecting the De Stael, they forget not only to be glorious but
even to be respectable.  And this, too, not only for so petty a
gratification, but for one that rarely lasts above a London season.  We
allow the low-born author to be the lion this year; but we dub him a bore
the next.  We shut our doors upon his twice-told jests, and send for the
Prague minstrels to sing to us after dinner instead."

"However," said Godolphin, "it is only poets you find so foolish as to be
deceived by you.  There is not a single prose writer of real genius so
absurd."

"And why is that?"

"Because," replied Godolphin, philosophising, "poets address themselves
more to women than men; and insensibly they acquire the weaknesses which
they are accustomed to address.  A poet whose verses delight the women
will be found, if we closely analyse his character, to be very like a
woman himself."

"You don't love poets?" said Saville.

"The glory of old has departed from them.  I mean less from their pages
than their minds.  We have plenty of beautiful poets, but how little
poetry breathing of a great soul!"

Here the door opened, and a Mr. Glosson was announced.  There entered a
little, smirking, neat-dressed man, prim as a lawyer or a house-agent.

"Ah, Glosson, is that you?" said Saville, with something like animation:
"sit down, my good sir,--sit down.  Well! well! (rubbing his bands); what
news? what news?"

"Why, Mr. Saville, I think we may get the land from old ----.  He has the
right of the job.  I have been with him all this morning.  He asks six
thousand pounds for it.

"The unconscionable dog!  He got it from the crown for two."

"Ah, very true,--very true: but you don't see, sir,--you don't see, that
it is well worth nine.  Sad times,--sad times: jobs from the crown are
growing scarcer every day, Mr. Saville."

"Humph! that's all a chance, a speculation.  Times are bad indeed, as you
say: no money in the market; go, Glosson; offer him five; your percentage
shall be one per cent. higher than if I pay six thousand, and shall be
counted up to the latter sum."

"He! he! he! sir!" grinned Glosson; "you are fond of your joke, Mr.
Saville."

"Well, now; what else in the market? never mind my friend: Mr.
Godolphin--Mr. Glosson; now all gene is over; proceed,--proceed."

Glosson hummed, and bowed, and hummed again, and then glided on to speak
of houses, and crown lands, and properties in Wales, and places at court
(for some of the subordinate posts at the palace were then--perhaps are
now--regular matter of barter); and Saville, bending over the table, with
his thin delicate hands clasped intently, and his brow denoting his
interest, and his sharp shrewd eye fixed on the agent, furnished to the
contemplative Godolphin a picture which he did not fail to note, to
moralise on, to despise!

What a spectacle is that of the prodigal rake, hardening and sharpening
into the grasping speculator!

CHAPTER XX.

FANNY MILLINGER ONCE MORE.--LOVE.--WOMAN.--BOOKS.--A HUNDRED TOPICS
TOUCHED ON THE SURFACE.--GODOLPHIN'S STATE OF MIND MORE MINUTELY
EXAMINED.--THE DINNER AT SAVILLE'S.

Godolphin went to see and converse with Fanny Millinger.

She was still unmarried, and still the fashion.  There was a sort of
allegory of real life, in the manner in which, at certain epochs, our
Idealist was brought into contact with the fair actress of ideal
creations.  There was, in short, something of a moral in the way these two
streams of existence--the one belonging to the Actual, the other to the
Imaginary--flowed on, crossing each other at stated times.  Which was the
more really imaginative--the life of the stage, or that of the world's
stage?  The gay Fanny was rejoiced to welcome back again her early lover.
She ran on, talking of a thousand topics, without remarking the absent
mind and musing eye of Godolphin, till he himself stopped her somewhat
abruptly:--

"Well, Fanny, well, and what do you know of Saville?  You have grown
intimate with him, eh?  We shall meet at his house this evening."

"Oh, yes, he is a charming person in his little way; and the only man who
allows me to be a friend without dreaming of becoming a lover.  Now that's
what I like.  We poor actresses have so much would-be love in the course
of our lives, that a little friendship now and then is a novelty which
other and soberer people can never appreciate.  On reading Gil Blas the
other day--I am no great reader, as you may remember--I was struck by that
part in which the dear Santillane assures us that there was never any love
between him and Laura the actress.  I thought it so true to nature, so
probable, that they should have formed so strong an intimacy for each
other, lived in the same house, had every opportunity for love, yet never
loved.  And it was exactly because she was an actress, and a light
good-for-nothing creature that it so happened; the very multiplicity of
lovers prevented her falling in love; the very carelessness of her life,
poor girl, rendered a friend so charming to her.  It would have spoiled
the friend to have made him an adorer; it would have turned the rarity
into the every-day character.  Now, so it is with me and Saville; I like
his wit, he likes my good temper.  We see each other as often as if we
were in love; and yet I do not believe it even possible that he should
ever kiss my hand.  After all," continued Fanny, laughing, "love is not so
necessary to us women as people think.  Fine writers say, 'Oh, men have a
thousand objects, women but one!' That's nonsense, dear Percy; women have
their thousand objects too.  They have not the bar, but they have the
milliner's shop; they can't fight, but they can sit by the window and
embroider a work-bag; they don't rush into politics, but they plunge their
souls into love for a parrot or a lap-dog.  Don't let men flatter
themselves; Providence has been just as kind in that respect to one sex as
to the other; our objects are small, yours great; but a small object may
occupy the mind just as much as the loftiest."

"Ours great! pshaw!" said Godolphin, who was rather struck with Fanny's
remarks; "there is nothing great in those professions which man is pleased
to extol.  Is selfishness great?  Are the low trickery, the organised lies
of the bar, a great calling?  Is the mechanical slavery of the
soldier--fighting because he is in the way of fighting, without knowing
the cause, without an object, save a dim, foolish vanity which he calls
glory, and cannot analyse--is that a great aim and vocation?  Well: the
senate! look at the outcry which wise men make against the loathsome
corruption of that arena; then look at the dull hours,--the tedious talk,
the empty boasts, the poor and flat rewards, and tell me where is the
greatness?  No, Fanny! the embroidered work-bag, and the petted parrot,
afford just as great--morally great--occupations as those of the bar, the
army, the senate.  It is only the frivolous who talk of frivolities; there
is nothing frivolous; all earthly occupations are on a par--alike
important if they alike occupy; for to the wise all are poor and
valueless."

"I fancy you are very wrong," said the actress, pressing her pretty
fingers to her forehead, as if to understand him; "but I cannot tell you
why, and I never argue.  I ramble on in my odd way, casting out my shrewd
things without defending them if any one chooses to quarrel with them.
What I do I let others do.  My maxim in talk is my maxim in life.  I claim
liberty for myself, and give indulgence to others."

"I see," said Godolphin, "that you have plenty of books about you, though
you plead not guilty to reading.  Do you learn your philosophy from them?
for I think you have contracted a vein of reflection since we parted which
I scarcely recognise as an old characteristic."

"Why," answered Fanny, "though I don't read, I skim.  Sometimes I canter
through a dozen novels in a morning.  I am disappointed, I confess, in all
these works; I want to see more real knowledge of the world than they ever
display.  They tell us how Lord Arthur looked, and Lady Lucy dressed, and
what was the colour of those curtains, and these eyes, and so forth; and
then the better sort, perhaps, do also tell us what the heroine felt as
well as wore, and try with might and main to pull some string of the
internal machine; but still I am not enlightened, not touched.  I don't
recognise men and women; they are puppets with holiday phrases: and I tell
you what, Percy, these novelists make the last mistake you would suppose
them guilty of; they have not romance enough in them to paint the truths
of society.  Old gentlemen say novels are bad teachers of life, because
they make it too ideal; quite the reverse: novels are too trite! too
superficial!  Their very talk about love, and the fuss they make about it,
show how shallow real romance is with them; for they say nothing new on
it, and real romance is for ever striking out new thoughts.  Am I not
right, Percy?--No! life, be it worldly as it may, has a vast deal of
romance in it.  Every one of us (even poor I) have a mine of thoughts, and
fancies, and wishes, that books are too dull and commonplace to reach the
heart is a romance in itself."

"A philosophical romance, my Fanny; full of mysteries and conceits, and
refinements, mixed up with its deeper passages.  But how came you so
wise?"

"Thank you!" answered Fanny, with a profound curtsey.  "The fact
is--though you, as in duty bound, don't perceive it--that I am older than
I was when we last met.  I reflect where I then felt.  Besides, the stage
fills our heads with a half sort of wisdom, and gives us that strange
melange of shrewd experience and romantic notions which is, in fact, the
real representation of nine human hearts out of ten.  Talking of books, I
want some one to write a novel, which shall be a metaphysical Gil Blas;
which shall deal more with the mind than Le Sage's book, and less with the
actions; which shall make its hero the creature of the world, but a
different creation, though equally true; which shall give a faithful
picture in the character of one man of the aspect and the effects of our
social system; making that man of a better sort of clay than the amusing
lacquey was, and the produce of a more artificial grade of society.  The
book I mean would be a sadder one than Le Sage's but equally faithful to
life."

"And it would have more of romance, if I rightly understand what you mean?"

"Precisely: romance of idea as well as incident--natural romance.  By the
way, how few know what natural romance is: so that you feel the ideas in a
book or play are true and faithful to the characters they are ascribed to,
why mind whether the incidents are probable?  Yet common readers only go
by the incidents; as if the incidents in three-fourths of Shakspeare's
plays were even ordinarily possible!  But people have so little nature in
them, that they don't know what is natural!"

Thus Fanny ran on, in no very connected manner; stringing together those
remarks which, unless I am mistaken, show how much better an uneducated,
clever girl, whose very nature is a quick perception of art, can play the
critic, then the pedants who assume the office.

But it was only for the moment that the heavy heart of Godolphin could
forget its load.  It was in vain that he sought to be amused while yet
smarting under the freshness of regret.  A great shock had been given to
his nature; he had loved against his will; and as we have seen, on his
return to the Priory, he had even resolved on curing himself of a passion
so unprofitable and unwise.  But the jealousy of a night had shivered into
dust a prudence which never of right belonged to a very ardent and
generous nature: that jealousy was soothed, allayed; but how fierce, how
stunning was the blow that succeeded it!  Constance had confessed love,
and yet had refused him--for ever!  Clear and noble as to herself her
motives might seem in that refusal, it was impossible that they should
appear in the same light to Godolphin.  Unable to penetrate into the
effect which her father's death-bed and her own oath had produced on the
mind of Constance; how indissolubly that remembrace had united itself with
all her schemes and prospects for the future; how marvellously, yet how
naturally, it had converted worldly ambition into a sacred duty;--unable,
I say, to comprehend all these various, and powerful, and governing
motives, Godolphin beheld in her refusal only the aversion to share his
slender income, and the desire for loftier station.  He considered,
therefore, that sorrow was a tribute to her unworthy of himself; he deemed
it a part of his dignity to strive to forget.  That hallowed sentiment
which, in some losses of the heart, makes it a duty to remember, and
preaches a soothing and soft lesson from the very text of regret, was not
for the wrung and stricken soul of Godolphin.  He only strove to dissipate
his grief, and shut out from his mental sight the charmed vision of the
first, the only woman he had deeply loved.

Godolphin felt, too, that the sole impulse which could have united the
fast-expiring energy and enterprise of his youth to the ambition of life
was for ever gone.  With Constance--with the proud thoughts that belonged
to her--the aspirings after earthly honours were linked, and with her were
broken.  He felt his old philosophy--the love of ease, the profound
contempt for fame,--close, like the deep waters over those glittering
hosts for whose passage they had been severed for a moment--whelming the
crested and gorgeous visions for ever beneath the wave!  Conscious of his
talents--nay, swayed to and fro by the unquiet stirrings of no common
genius--Godolphin yet foresaw that he was not henceforth destined to play
a shining part in the crowded drama of life.  His career was already
closed; he might be contented, prosperous, happy, but never great.  He had
seen enough of authors, and of the thorns that beset the paths of
literature, to experience none of those delusions which cheat the blinded
aspirer into the wilderness of publication--that mode of obtaining fame
and hatred to which those who feel unfitted for more bustling concerns are
impelled.  Write he might: and he was fond (as disappointment increased
his propensities to dreaming) of brightening his solitude with the golden
palaces and winged shapes that lie glassed within the fancy--the soul's
fairy-land.  But the vision with him was only evoked one hour to be
destroyed the next.  Happy had it been for Godolphin, and not unfortunate
perhaps for the world, had he learned at that exact moment the true motive
for human action which he afterwards, and too late, discovered.  Happy had
it been for him to have learned that there is an ambition to do good--an
ambition to raise the wretched as well as to rise.

Alas!--either in letters or in politics, how utterly poor, barren, and
untempting, is every path that points upward to the mockery of public
eminence, when looked upon by a soul that has any real elements of wise or
noble; unless we have an impulse within, which mortification chills not--a
reward without, which selfish defeat does not destroy.

But, unblest by one friend really wise or good, spoilt by the world,
soured by disappointment, Godolphin's very faculties made him inert, and
his very wisdom taught him to be useless.  Again and again--as the spider
in some cell where no winged insect ever wanders, builds and rebuilds his
mesh,--the scheming heart of the Idealist was doomed to weave net after
net for those visions of the Lovely and the Perfect which can never
descend to the gloomy regions wherein mortality is cast.  The most common
disease to genius is nympholepsy--the saddening for a spirit that the
world knows not.  Ah! how those outward disappointments which should cure,
only feed the disease!

The dinner at Saville's was gay and lively, as such entertainments with
such participators usually are.  If nothing in the world is more heavy
than your formal banquet,--nothing, on the other hand, is more agreeable
than those well-chosen laissez aller feasts at which the guests are as
happily selected as the wines; where there is no form, no reserve, no
effort; and people having met to sit still for a few hours are willing to
be as pleasant to each other as if they were never to meet again.  Yet the
conversation in all companies not literary turns upon persons rather than
things; and your wits learn their art only in the School for Scandal.

"Only think, Fanny," said Saville, "of Clavers turning beau in his old
age!  He commenced with being a jockey; then he became an electioneerer;
then a Methodist parson; then a builder of houses; and now be has dashed
suddenly up to London, rushed into the clubs, mounted a wig, studied an
ogle, and walks about the Opera House swinging a cane, and, at the age of
fifty-six, punching young minors in the side, and saying tremulously,
"_We_ young fellows!"

"He hires pages to come to him in the Park with three-cornered notes,"
said Fanny, "he opens each with affected nonchalance; looks full at the
bearer; and cries aloud-'Tell your mistress I cannot refuse her:'--then
canters off, with the air of a man persecuted to death!"

"But did you see what an immense pair of whiskers Chester has mounted?"

"Yes," answered a Mr. De Lacy; "A---- says he has cultivated them in order
to 'plant out' his ugliness."

"But vy _you_ no talk, Monsieur de Dauphin?" said the Linettini gently,
turning to Percy; "you ver silent."

"Unhappily, I have been so long out of town that these anecdotes of the
day are caviare to me."

"But so," cried Saville, "would a volume of French Memoirs be to any one
that took it up for the first time; yet the French Memoirs amuse one
exactly as much as if one had lived with the persons written of.  Now that
ought to be the case with conversations upon persons.  I flatter myself,
Fanny, that you and I hit off characters so well by a word or two, that no
one who hears us wants to know anything more about them."

"I believe you," said Godolphin; "and that is the reason you never talk of
yourselves."

"Bah!  Apropos of egoism, did you meet Jack Barabel in Rome?"

"Yes, writing his travels.  'Pray,' said he to me (seizing me by the
button) in the Coliseum, 'What do you think is the highest order of
literary composition?' 'Why, an epic, I fancy,' said I; 'or perhaps a
tragedy, or a great history, or a novel like Don Quixote.' 'Pooh!' quoth
Barabel, looking important, 'there's nothing so high in literature as a
good book of travels;' then sinking his voice into a whisper and laying
his finger wisely on his nose, he hissed out, 'I have a quarto, sir, in
the press!'"

"Ha! ha!" laughed Stracey, the old wit, picking his teeth, and speaking
for the first time; "if you tell Barabel you have seen a handsome woman,
he says, mysteriously frowning, 'Handsome, sir! has she travelled?--answer
me that!'"

"But have you seen Paulton's new equipage?  Brown carriage, brown
liveries, brown harness, brown horses, while Paulton and his wife sit
within dressed in brown cap-a-pie.  The best of it is that Paulton went to
his coachmaker, to order his carriage, saying, 'Mr. Houlditch, I am
growing old--too old to be eccentric any longer; I must have something
remarkably plain;' and to this hour Paulton goes _brown_-ing about the
town, crying out to every one, 'Nothing like simplicity, believe me.'"

"He discharged his coachman for wearing white gloves instead of brown,"
said Stracey.  "'What do you mean, sir,' cried he, 'with your d--d showy
vulgarities?--don't you see me toiling my soul out to be plain and quiet,
and you must spoil all, by not being _brown_ enough!'"

"Ah, Godolphin, you seem pensive," whispered Fanny; "yet we are tolerably
amusing, too."

"My dear Fanny," answered Godolphin, rousing himself, "the dialogue is
gay, the actors know their parts, the lights are brilliant; but--the
scene--the scene cannot shift for me!  Call it what you will, I am not
deceived.  I see the paint and the canvas, but--and yet, away these
thoughts!  Shall I fill your glass, Fanny?"

CHAPTER XXI.

AN EVENT OF GREAT IMPORTANCE TO THE PRINCIPAL ACTORS IN THIS
HISTORY.--GODOLPHIN A SECOND TIME LEAVES ENGLAND.

Goldolphin was welcomed with enthusiasm by the London world.  His graces,
his manners, his genius, his bon ton, and his bonnes fortunes, were the
theme of every society.  Verses imputed to him,--some erroneously, some
truly,--were mysteriously circulated from hand to hand; and every one
envied the fair inspirers to whom they were supposed to be addressed.

It is not my intention to reiterate the wearisome echo of novelists, who
descant on fashion and term it life.  No description of rose-coloured
curtains and buhl cabinets--no miniature paintings of boudoirs and
salons--no recital of conventional insipidities, interlarded with affected
criticisms, and honoured by the name of dramatic dialogue, shall lend
their fascination to these pages.  Far other and far deeper aims are mine
in stooping to delineate the customs and springs of polite life.  The
reader must give himself wholly up to me; he must prepare to go with me
through the grave as through the gay, and unresistingly to thread the dark
and subtle interest which alone I can impart to these memoirs, or--let him
close the book at once.  I promise him novelty; but it is not, when duly
scanned, a novelty of a light and frivolous cast.

But throughout that routine of dissipation in which he chased the phantom
Forgetfulness, Godolphin sighed for the time he had fixed on for leaving
the scenes in which it was pursued.  Of Constance's present existence he
heard nothing; of her former triumphs and conquests he heard everywhere.
And when did he ever meet one face, however fair, which could awaken a
single thought of admiration? while hers was yet all faithfully glassed in
his remembrance.  I know nothing that so utterly converts society into
"the gallery of pictures," as the recollection of one loved and lost.
That recollection has but two cures--Time and the hermitage.  Foreigners
impute to us the turn for sentiment; alas! there are no people who have it
less.  We seek for ever after amusement; and there is not one popular
prose-book in our language in which the more tender and yearning secrets
of the heart form the subject-matter.  The Corinne and the Julie weary us,
or we turn them into sorry jests!

One evening, a little before his departure from England--that a lingering
and vague hope, of which Constance was the object, had considerably
protracted beyond the allotted time--Godolphin was at a house in which the
hostess was a relation to Lord Erpingham.

"Have you heard," asked Lady G----, "that my cousin Erpingham is to be
married?"

"No, indeed; to whom?" said Godolphin, eagerly.  "To Miss Vernon."

Sudden as was the shock, Godolphin heard, and changed neither hue nor
muscle.

"Are you certain of this?" asked a lady present.

"Quite: Lady Erpingham is my authority; I received the news from herself
this very day."

"And does she seem pleased with the match?"

"Why, I can scarcely say, for the letter contradicts itself in every
passage.  Now, she congratulates herself on having so charming a
daughter-in-law; now, she suddenly stops short to observe what a pity it
is that young men should be so precipitate!  Now, she says what a great
match it will be for her dear ward! and now, what a happy one it will be
for Erpingham!  In short, she does not know whether to be pleased or
vexed; and that, pour dire vrai, is my case also."

"Why, indeed," observed the former speaker, "Miss Vernon has played her
cards well.  Lord Erpingham would have been a great match in himself, with
his person and reputation.  Ah! she was always an ambitious girl."

"And a proud one," said Lady G----.  "Well, I suppose Erpingham House will
be the rendezvous to all the blues, and wits, and savans.  Miss Vernon is
another Aspasia, I hear."

"I hate girls who are so designing," said the lady who spoke before, and
had only one daughter, very ugly, who, at the age of thirty-five, was
about to accept her first offer, and marry a younger son in the Guards.
"I think she's rather vulgar; for my part, I doubt if--I shall patronise
her."

"Well, what do _you_ think of it, Mr. Godolphin?--you have seen Miss
Vernon?"

Godolphin was gone.

It was about ten days after this conversation that Godolphin, waiting at a
hotel in Dover the hour at which the packet set sail for Calais, took up
the Morning Post; and the first passage that met his eye was the one
which I transcribe:--

"Marriage in High Life.--On Thursday last, at Wendover Castle, the Earl of
Erpingham, to Constance, only daughter of the celebrated Mr. Vernon.  The
bride was dressed, &c., ----"  And then followed the trite, yet pompous
pageantry of words--the sounding nothings--with which ladies who become
countesses are knelled into marriage.

"The dream is over!" said Godolphin mournfully, as the paper fell to the
ground; and, burying his face within his hands, he remained motionless
till they came to announce the moment of departure.

And thus Percy Godolphin left, for the second time, his native shores.
When we return to him, what changes will the feelings now awakened within
him, have worked in his character!  The drops that trickle within the
cavern harden, yet brighten into spars as they indurate.  Nothing is more
polished, nothing more cold, than that wisdom which is the work of former
tears, of former passions, and is formed within a musing and solitary
mind!





*** END OF THE PROJECT GUTENBERG EBOOK GODOLPHIN, BY LYTTON, V2 ***

****** This file should be named 7751.txt or 7751.zip *******

This eBook was produced by Andrew Heath
and David Widger

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
https://gutenberg.org or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

https://www.gutenberg.org/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox.com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*